Here are 62 books that A Secret History of Consciousness fans have personally recommended if you like
A Secret History of Consciousness.
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I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
Leaving me equally tickled as it did in awe, Flatland is easily one of my favorite books of all time.
Delving into concepts quite difficult to think about, let alone explain in such a delightful way, it expanded my mind into not only a better understanding of ‘dimensions’ but also the possibility, and even, the probability, that there is much more in existence than our rather limited little human brains can comprehend.
As weird as it is wonderful, I found myself stopping at various points to either laugh or to try to explain to someone else (to their annoyance I’m sure!) the profound details it explained to me. And when it was all over I was left humbled, and pondered what greater beings there may be all around me, that I simply cannot see.
This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
From an early age, art seemed magical to me. Through books, paintings, music, etc. I found I could delve beneath the surface of my existence and grow closer to real life. Art can be more than entertainment, more than inspiration, it can be a magical act that can help us all. I know this to be true from my own experience and I write books and make art with this intention. Jodorowsky believes this too and prescribes artistic acts as therapy in a way that is totally audacious, moving, and often hilarious.
While living in Mexico, Alejandro Jodorowsky became familiar with the colorful and effective cures provided by folk healers. He realized that it is easier for the unconscious to understand the language of dreams than that of rationality. Illness can even be seen as a physical dream that reveals unresolved emotional and psychological problems. Psychomagicpresents the shamanic and genealogical principles Jodorowsky discovered to create a healing therapy that could use the powers of dreams, art, and theater to empower individuals to heal wounds that in some cases had traveled through generations. The concrete and often surreal poetic actions Jodorowsky employs are…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
My first introduction to the surreal in art was Monty Python’s Flying Circus. My first introduction to the art movement of surrealism was seeing Max Ernst’s "Two Children Are Threatened by a Nightingale". I was astounded that you were allowed to do that. Then I discovered Magritte (and later Escher) and saw that the anarchy of surrealism could be put to the most profound use, that of exploring life beyond the material. Magritte uses conventional representation to undermine that very convention and puncture so-called reality in a way that is a joy to look at. This is a decent book on his life and work. Magritte reminds us things are not what they seem… and that’s a good thing.
I have time, save time, spend time, waste time, write, and teach time. I am fascinated with the question of time both as a cosmological phenomenon and as an aspect that is inseparable from our existence. I channeled this fascination into a PhD dissertation, books, and articles examining the relationship between time and human existence. But like Saint Augustine, I am still baffled by the question of time and like him: "If no one asks me, I know what it is. If I wish to explain it …, I do not know."
It is in Bergson's Time and Free Will that I first encountered an inspiring way to think of time. A way of thinking about time that does not focus on the time of clocks and calendars; that does not emphasize the physical homogeneous aspect of time, but rather reveals the relation between time and human existence. This book opened up not only an entirely new way of thinking about time, but a new way of approaching life: instead of focusing on the spatial, static, exterior, homogeneous milestones of life, I rather focus on the temporal, fleeting, inner, heterogeneous qualities of my life. Bergson writes in a relatively clear style, and his texts are accessible also for the interested layperson.
Internationally known and one of the most influential philosophers of his day (and for a time almost a cult figure in France, where his lectures drew huge crowds), Henri Bergson (1859-41) led a revolution in philosophical thought by rejecting traditional conceptual and abstract methods, and arguing that the intuition is deeper than the intellect. His speculations, especially about the nature of time, had a profound influence on many other philosophers, as well as on poets and novelists; they are said to have been the seed for À la recherce de temps perdu by Marcel Proust (whose cousin was Bergson's wife).…
I am now a Professor of Cognitive Science at the University of Sheffield, UK. I co-wrote Mind Hacks with technologist Matt Webb; we had great fun doing it. My research has always been in cognitive psychology and cognitive neuroscience, using experiments to understand the mind and brain and how they fit together.
This book captures what is so exciting about psychology - that our own minds are at once so familiar yet so deeply weird. There’s so much to be explored!
Warren is a perfect guide, sharing his learning but not getting bogged down with it, as he visits different states of consciousness, some of which we visit every day, like the daydream or the feeling of falling asleep, others, like the lucid dream, might be less familiar.
This book will change the way you think, sleep, and dream for good. It is a book of psychology and neuroscience, and also of adventure wherein the author explores the extremes to which consciousness can be stretched, from the lucid dream to the quasi-mystical substratum of awareness known as the Pure Conscious Event. Replete with stylish graphics and brightened by comic panels conceived and drawn by the author, The Head Trip is an instant classic, a brilliant and original description of the shifting experience of consciousness that's also a practical guide to enhancing creativity and mental health. This book does…
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
Most things are ultimately explained by physics, but what if consciousness isn't? David Chalmers explores the idea that consciousness can't be explained in terms of bits of matter and energy scattered across spacetime; instead, consciousness is another basic part of the universe.
I’m impressed by how Chalmers’s arguments are extremely rigorous, but he also makes them accessible to ordinary people. It’s no surprise that this has become a classic of recent philosophy.
What is consciousness? How do physical processes in the brain give rise to the self-aware mind and to feelings as profoundly varied as love or hate, aesthetic pleasure or spiritual yearning?
David J. Chalmers unveils a major new theory of consciousness, one that rejects the prevailing reductionist trend of science, while offering provocative insights into the relationship between mind and brain. Writing in a thought-provoking style, Chalmers proposes that conscious experience must be understood as an irreducible entity similar to such physical properties as time, mass, and space that exists at a fundamental level and cannot be understood as the…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I like to think that I inherited much of this from my analytical “algebraic” mother, who was a nurse and tended to our family finances, and my holistic “geometrical” father, who was a carpenter. It’s probably no accident that my double major in college was in physics and philosophy...and, down the line, that I should develop a focused interest in human brain laterality, where the division between analysis and holism is so prominent.
This book, more than any other on the subject, surprised and fascinated me.
Its thesis is deceptively simple.
It suggests that the two hemispheres of the human brain were “strangers” to each other early in our evolutionary history (three millennia ago). The left hemisphere received the information from the right as a message from an unfamiliar source (an unseen “voice”).
Jaynes proposed that this was the basis for all religious experience. It was our intuitive right hemisphere that supplied the “voices” of the gods. True human consciousness only arose when this bicameral mind “broke down” and the “voice of God” was replaced with what had been speaking to us all along, the other more intuitive half of ourselves.
At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion -- and indeed our future.
I’m a freelance science reporter and Contributing Writer at The New Yorker, with degrees in cognitive neuroscience and science writing. Growing up, I wanted to understand the fundamental nature of the universe—who doesn’t?!—and grew interested in physics, before realizing our only contact with outside reality (if it exists) is through consciousness. Today I cover psychology and artificial intelligence, among other topics. Can machines be conscious? I don’t know. Why does consciousness exist at all? I don’t know that either. But if there’s anything at all that’s magic in the universe, it’s consciousness.
We tend to picture an observer inside our heads experiencing consciousness as if watching a movie. But that just pushes explanation back a level: What’s inside that observer? The prolific philosopher Daniel Dennett dismantles many common intuitions about awareness, showing them to be illusions hiding the intricate and deceptive mechanics of the mind and brain. This was one of the first books on consciousness I read. I don’t agree with everything Dennett has to say on the matter, but he’s a great guide to think with.
In Consciousness Explained, Daniel C. Dennett reveals the secrets of one of the last remaining mysteries of the universe: the human brain.
Daniel C. Dennett's now-classic book blends philosophy, psychology and neuroscience - with the aid of numerous examples and thought-experiments - to explore how consciousness has evolved, and how a modern understanding of the human mind is radically different from conventional explanations of consciousness.
What people think of as the stream of consciousness is not a single, unified sequence, the author argues, but 'multiple drafts' of reality composed by a computer-like 'virtual machine'.
I saved many lives as a doctor working in the hospital, the ER, and the ICU. But the people whose lives I couldn’t save fascinated me the most. Many of them found a place of peace, healing, and profound knowledge before they died. This made me question what I learned in medical training. I loved science but knew there was something beyond what we could see and measure. I wasn’t religious, but I could sense some kind of ultimate and eternal love just beyond our grasp, creating and maintaining everything. I adore books that capture this sense of radical love and show us who we really are—so we can discover it today.
I love this book because it blows my mind open to the difference between who I thought I was and who I really am. It’s a clear, concise, and hilarious roadmap to freedom from your self. Yes, I mean your self, not “yourself.”
Michael shows clearly and simply that, no, you are not that voice in your head that never stops telling you who you are and what to do. You are really the clean, clear awareness that lies behind your mind.
After I read this book, I knew what Buddha, Jesus, and all the saints and sages of the ages were trying to teach: that you can gain total freedom in life by letting go of your self.
Who are you? When you start to explore this question, you find out how elusive it really is. Are you a physical body? A collection of experiences and memories? A partner to relationships? Each time you consider aspects of yourself, you realize that there is much more to you than any of these can define. In this book, spiritual teacher Michael Singer explores the question of who we are and arrives at the conclusion that our identity is to be found in our consciousness, the fact of our ability to observe ourselves and the world around us. By tapping into…
