Here are 100 books that Magritte fans have personally recommended if you like
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I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
Leaving me equally tickled as it did in awe, Flatland is easily one of my favorite books of all time.
Delving into concepts quite difficult to think about, let alone explain in such a delightful way, it expanded my mind into not only a better understanding of ‘dimensions’ but also the possibility, and even, the probability, that there is much more in existence than our rather limited little human brains can comprehend.
As weird as it is wonderful, I found myself stopping at various points to either laugh or to try to explain to someone else (to their annoyance I’m sure!) the profound details it explained to me. And when it was all over I was left humbled, and pondered what greater beings there may be all around me, that I simply cannot see.
This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
I bought this book from a second hand shop; the book was fire damaged (perhaps as a result of a closed-minded reader spontaneously combusting?). It is a great introduction to anti-establishment, anti-materialist philosophers, thinkers, and whatnot. Gary Lachman writes in an accessible and conversational style and manages to remain questioning and thoughtful. He also used to play bass for Blondie and guitar for Iggy Pop.
-- What is consciousness like? -- How can consciousness be achieved?
Gary Lachman argues that consciousness is not a result of neurons and molecules, but is actually responsible for them. Meaning, he proposes, is not imported from the outer world, but rather creates the world. He shows that consciouness is a living, evolving presence whose development can be traced through different historical periods. Concentrating on the late nineteenth-century onwards, Lachman exposes the 'secret history' of consciousness through thinkers such as P. D. Ouspensky, Rudolf Steiner, and Colin Wilson, as well as more mainstream philosophers like Henri Bergson, William James, Owen…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
From an early age, art seemed magical to me. Through books, paintings, music, etc. I found I could delve beneath the surface of my existence and grow closer to real life. Art can be more than entertainment, more than inspiration, it can be a magical act that can help us all. I know this to be true from my own experience and I write books and make art with this intention. Jodorowsky believes this too and prescribes artistic acts as therapy in a way that is totally audacious, moving, and often hilarious.
While living in Mexico, Alejandro Jodorowsky became familiar with the colorful and effective cures provided by folk healers. He realized that it is easier for the unconscious to understand the language of dreams than that of rationality. Illness can even be seen as a physical dream that reveals unresolved emotional and psychological problems. Psychomagicpresents the shamanic and genealogical principles Jodorowsky discovered to create a healing therapy that could use the powers of dreams, art, and theater to empower individuals to heal wounds that in some cases had traveled through generations. The concrete and often surreal poetic actions Jodorowsky employs are…
I’m an author and journalist who has published eight books and written for The New Yorker and the New York Times, among other publications. I was diagnosed with a Generalized Anxiety Disorder in my twenties. “Anxiety is a shapeshifter; it visits me in unfamiliar guises,” I wrote about the disorder, and that has been indisputably true throughout my life and career.
This slender, 70-page memoir of a time in which both one woman and the world went mad is a beautifully-rendered portrait of psychosis.
Written decades after the episode, Down Below describes the British-Mexican surrealist painter Leonora Carrington’s psychotic break in 1940, the circumstances of which were themselves aptly surreal. As a 19-year-old art student in London, she had fallen in love with the celebrated (and married) artist Max Ernst, and run scandalously away with him to a farmhouse in Provence. After Germany invaded France, the Jewish Ernst was arrested, leaving Carrington so intensely abandoned and shocked by unfolding history that she vomited repeatedly.
She began to unravel as she wandered her way out of France, eventually entering Madrid, which she perceived “as the world’s stomach, and that I had been chosen for the task of restoring this digestive organ to health. I believed that all anguish had accumulated in me…
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures
In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence.
In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break.…
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
• Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers
• Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders,…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
I wasn’t following professional cycling in the bad old days of systematic doping, but this book made me feel like I was there—not just at the roadside, but in the peloton.
The characters—the good, the bad, and the downright repulsive, are all caught in a system that grinds down the best and brings out the worst, and I couldn’t look away. I wanted integrity to prevail, I wanted justice done, but most of all, I wanted to know what happened next.
Then there’s the prose, which is so bright and vivid that I found a new favourite line in almost every chapter. It’s compulsive, stylish, and cynical—rather like the sport itself.
'Waddington employs a cheerful surrealism to convey the superhuman status of his cyclists and the designer violence of his killer. The encounters with death are funny rather than frightening and the narrator is omnipotent, stylish and amused. Waddington's descriptions of racing, and they are many and enthralling, have the rhythm and intensity of poetry. You're riding with your wheel an inch from the author's, carried along by the surge of the pack, normal life and normal people no more than a muted clamour on the roadside. It's exhilarating stuff.' Joe Cogan in The Independent on Sunday
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
Best known as a surrealist painter, Carrington is one of my favourite artists for her strange, half-dreamy figures and other-worldly paintings. Her written work is similarly disturbing: animals that tear their own faces off, monsters, and the dead populate these short but memorable stories. Surrealism can often be wearing in print, but Carrington is a writer who balances the bizarre with the unsettling perfectly.
“Complete Stories, a collection of Carrington’s published and unpublished short stories—many newly translated from their original French and Spanish—is a terrific introduction to her bizarre, dreamlike worlds.” —Carmen Maria Machado, NPR
Surrealist writer and painter Leonora Carrington (1917–2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.
Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of…
