Here are 100 books that Magritte fans have personally recommended if you like
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I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
The Beatles are widely regarded as the foremost and most influential music band in history and their career has been the subject of many biographies. Yet the band's historical significance has not received sustained academic treatment to date. In The Beatles and the 1960s, Kenneth L. Campbell uses The…
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
Leaving me equally tickled as it did in awe, Flatland is easily one of my favorite books of all time.
Delving into concepts quite difficult to think about, let alone explain in such a delightful way, it expanded my mind into not only a better understanding of ‘dimensions’ but also the possibility, and even, the probability, that there is much more in existence than our rather limited little human brains can comprehend.
As weird as it is wonderful, I found myself stopping at various points to either laugh or to try to explain to someone else (to their annoyance I’m sure!) the profound details it explained to me. And when it was all over I was left humbled, and pondered what greater beings there may be all around me, that I simply cannot see.
This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
I bought this book from a second hand shop; the book was fire damaged (perhaps as a result of a closed-minded reader spontaneously combusting?). It is a great introduction to anti-establishment, anti-materialist philosophers, thinkers, and whatnot. Gary Lachman writes in an accessible and conversational style and manages to remain questioning and thoughtful. He also used to play bass for Blondie and guitar for Iggy Pop.
-- What is consciousness like? -- How can consciousness be achieved?
Gary Lachman argues that consciousness is not a result of neurons and molecules, but is actually responsible for them. Meaning, he proposes, is not imported from the outer world, but rather creates the world. He shows that consciouness is a living, evolving presence whose development can be traced through different historical periods. Concentrating on the late nineteenth-century onwards, Lachman exposes the 'secret history' of consciousness through thinkers such as P. D. Ouspensky, Rudolf Steiner, and Colin Wilson, as well as more mainstream philosophers like Henri Bergson, William James, Owen…
Louise-Elisabeth Vigée-Lebrun
by
Judith Lissauer Cromwell,
This biography follows the remarkable life of Louise-Élisabeth Vigée Le Brun, whose portraits of European high society hang in many of the world’s most important galleries.
As a young woman in the male dominated society of late 18th century France, she was denied an artistic education and forced to nurture…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
From an early age, art seemed magical to me. Through books, paintings, music, etc. I found I could delve beneath the surface of my existence and grow closer to real life. Art can be more than entertainment, more than inspiration, it can be a magical act that can help us all. I know this to be true from my own experience and I write books and make art with this intention. Jodorowsky believes this too and prescribes artistic acts as therapy in a way that is totally audacious, moving, and often hilarious.
While living in Mexico, Alejandro Jodorowsky became familiar with the colorful and effective cures provided by folk healers. He realized that it is easier for the unconscious to understand the language of dreams than that of rationality. Illness can even be seen as a physical dream that reveals unresolved emotional and psychological problems. Psychomagicpresents the shamanic and genealogical principles Jodorowsky discovered to create a healing therapy that could use the powers of dreams, art, and theater to empower individuals to heal wounds that in some cases had traveled through generations. The concrete and often surreal poetic actions Jodorowsky employs are…
I’m an author and journalist who has published eight books and written for The New Yorker and the New York Times, among other publications. I was diagnosed with a Generalized Anxiety Disorder in my twenties. “Anxiety is a shapeshifter; it visits me in unfamiliar guises,” I wrote about the disorder, and that has been indisputably true throughout my life and career.
This slender, 70-page memoir of a time in which both one woman and the world went mad is a beautifully-rendered portrait of psychosis.
Written decades after the episode, Down Below describes the British-Mexican surrealist painter Leonora Carrington’s psychotic break in 1940, the circumstances of which were themselves aptly surreal. As a 19-year-old art student in London, she had fallen in love with the celebrated (and married) artist Max Ernst, and run scandalously away with him to a farmhouse in Provence. After Germany invaded France, the Jewish Ernst was arrested, leaving Carrington so intensely abandoned and shocked by unfolding history that she vomited repeatedly.
She began to unravel as she wandered her way out of France, eventually entering Madrid, which she perceived “as the world’s stomach, and that I had been chosen for the task of restoring this digestive organ to health. I believed that all anguish had accumulated in me…
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures
In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence.
In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break.…
I am the former Enterprise Editor of The Sunday Times and author of eight books about entrepreneurship, personal development and smart thinking. I first became interested in the idea of people taking control of their own destiny when I was a foreign correspondent and met many people who had decided to turn their back on the traditional 9-to-5 and seek a life of adventure and excitement instead, even though they didn’t have much money. I discovered people earning a living by making wine and running cafes and realised that we all have the ability to take control of our own destiny if we really want to.
I loved this book because it tells the story of two lives, both intertwined with each other. The first primary story is that of the brilliantly talented artist Leonora Carrington and her determination to paint and pursue her love of art despite the many hurdles in her way–not least war, poverty, and family disapproval.
The second is that of her second cousin, Joanna Moorhead, who becomes determined to discover her story before it is too late and, in doing so, adds depth and purpose to her own life. This is a wild and fascinating book.
In 2006 journalist Joanna Moorhead discovered that her father's cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today.
Intrigued by her story, Joanna set off to Mexico City to find her lost relation. Later she was to return to Mexico ten times more between then and…
How to Survive and Prosper as an Artist
by
Caroll Michels,
This updated and revised classic handbook puts to rest the popular myth of the starving artist. There is plenty of room to make a living – if artists take an active stand in promoting their careers and learn how to navigate the often-bewildering corridors of power that lead to success…
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
Mortality, desire, memory, and time are my favourite themes, not just in my writing but in my life. I also love anything—music, art, literature—that is evocative, bizarre, and surreal. As a meditator, lover, and writer of poetry and poetic prose, I love books that expand our minds and hearts in ways that conventional acts of writing and creative expressions fail to do.
Goytisolo’s narrative is about a fictitious poet. It is also about the truth about storytelling and the fundamental nature of truth. Different perspectives also conjure up a culture of “hysteria and persecution” surrounding the poet. Can we truly ever know anyone? The book is a perfect metaphor and parable for what happens when we mistake lies for undeniable facts.
Over three weeks twenty-eight story-tellers - one for each letter in the Arabic alphabet - meet in a Marrakesh garden to tell the story of a poet, Eusebio, arrested in Melilla in the early days of the Spanish Civil War. Eusebio, a friend of Garcia Lorca and his Circle, escapes assassination and his life then escapes the control of a single destiny. Some tales embroider his shadowy life with stories from Djemaa-el-Fna - the pasha's cook, the slave-market, Aysha and the stork... Does Eusebio betray his Fascist friends by confessing in a show-trial that they indulged in orgies with the…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
I wasn’t following professional cycling in the bad old days of systematic doping, but this book made me feel like I was there—not just at the roadside, but in the peloton.
The characters—the good, the bad, and the downright repulsive, are all caught in a system that grinds down the best and brings out the worst, and I couldn’t look away. I wanted integrity to prevail, I wanted justice done, but most of all, I wanted to know what happened next.
Then there’s the prose, which is so bright and vivid that I found a new favourite line in almost every chapter. It’s compulsive, stylish, and cynical—rather like the sport itself.
'Waddington employs a cheerful surrealism to convey the superhuman status of his cyclists and the designer violence of his killer. The encounters with death are funny rather than frightening and the narrator is omnipotent, stylish and amused. Waddington's descriptions of racing, and they are many and enthralling, have the rhythm and intensity of poetry. You're riding with your wheel an inch from the author's, carried along by the surge of the pack, normal life and normal people no more than a muted clamour on the roadside. It's exhilarating stuff.' Joe Cogan in The Independent on Sunday
Doctors at War: The Clandestine Battle against the Nazi Occupation of France takes readers into the moral labyrinth of the Occupation years, 1940-45, to examine how the medical community dealt with the evil authority imposed on them. Anti-Jewish laws prevented many doctors from practicing, inspiring many to form secret medical…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
This is the book I used to read with a torch under the bedcovers as a kid. It introduced me to many great science fiction writers. My copy had an excellent cover depicting an ice cream with an eyeball staring out of it. I loved entering the book’s different worlds. It inspired me to lie awake at night, speculating about the universe, only to awake the next morning wondering if this was the day when the school teacher would say, ‘OK enough of these spellings and sums, let’s talk about why life exists.’ I still don’t understand why it never happened.