Fans pick 100 books like A Ring of Endless Light

I found it easy to sympathize with Ponyboy Curtis as a victim of circumstance. He’s poor and raised by someone other than his parents, just like I was. More than that, I loved how he doesn’t cling to any of the early illusions about himself, his family, the neighborhood gang, or even the rival gang from the West side. 

Instead, he tries to see things as they are. And even though this 14-year-old punk, who belongs to a “gang of greasers,” discovers how unfair life can be, he still takes it upon himself to give meaning to what is lost. There is something incredibly noble in seeing a smart, empathetic teen wrestling with loss and struggling to be his own person against all odds.

Because…I love language, and Timberlake spins out one gorgeous sentence after another.

Set in 1871, the story follows Georgie Burkhardt as she tracks her big sister, who’s run away with “pigeoners”, a seedy bunch who follow the migration of passenger pigeons (which once existed in the millions but were hunted to extinction). Georgie’s voice is tough, funny, and wildly original, just like the West itself.

There’s plenty of mystery and suspense, but for me, it’s about the language! Here’s the glorious ending: “I say let all the world be alive and overwhelmingly so. Let the sky be pressed to bursting with wings, beaks, pumping hearts and driving muscles. Let it be noisy. Let it be a mess. Then let me find my allotted space. Let me feel how I bump up against every other living thing on this earth.”

The Pigman was the first YA novel I ever read that’s told in two separate voices. Each chapter alternates between two high school sophomores: John Conlan and Lorraine Jenson. The two meet Angelo Pignati, a lonely widower, due to making a random prank phone call asking for a monetary donation to the “L. and J. Fund.” John and Lorraine nickname Mr. Pignati the “Pigman” because of his deceased wife’s collection of ceramic pigs. Their prank call soon leads to friendship, which horrifically ends in tragedy inadvertently caused by John and Lorraine, thus inspiring both to choose to deal with their grief by writing “a memorial epic” of their friend.

I love the writing style of alternating two character voices, which inspired me to write my own first novel in two voices. The dialogue in The Pigman is filled with dark humor and sarcasm, which for me, brings even more shock… show more.

Lois Duncan's book really struck a chord with me, primarily because it takes such a dark turn from what starts as a seemingly typical high school prank (glad I hadn’t read this before writing my book!

The story revolves around a group of students who plan to kidnap their strict English teacher, Mr. Griffin, to scare him into being less harsh with his grading. But when the prank goes horribly wrong, leading to Mr. Griffin's accidental death, the real drama starts.

Duncan does a great job showing the panic and moral dilemmas faced by the students as they decide whether to come clean or cover up their deeds. What I really liked the most was how the book explored peer pressure and how easily authority can be undermined by youthful recklessness. Each character is drawn into this web of deceit, showing how quickly things can spiral out of control when… show more.

Fabiaschi’s story is told from two very different perspectives.

One is from earth and told from the perspectives of a grieving daughter and husband as they grapple with their loss. The other is from purgatory or a stasis from the perspective of the mother/wife who seems to have committed suicide. But everything is not as it seems. From the afterlife, Maddy tries to help her grieving family find answers and closure.

I was fascinated by the way Maddy attempts to affect the lives of her loved ones.

Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.    

This book made me laugh out loud so many times—it's the funniest fantasy I have ever read. An oddball crew breaks into the protagonist’s prison cell to rescue a prince, so the protagonist claims to be the prince and is rescued along with his cellmate.

The journey back to the prince’s country is a road trip comedy with a wacky cast... but amid all the crude jokes are real emotional moments and characters being kind to each other. The protagonist can’t stop himself from falling for the prince and grows as a person in the process. Nothing about the story ever gets too serious, and the bad bits happen quickly and without prolonged trauma. I loved everything about it.

Detective Tom Shawn interrupts a young woman’s suicide attempt. She professes to know a man that predicts the future, including her father's death. The clairvoyant man predicts his own death, but Detective Shawn suspects foul play.

I enjoyed this story. I could not figure out until the end whether most of the events were within the woman’s runaway imagination, a series of happenstances, or whether the clairvoyant man was the killer. The author slowly peels back a few layers as the story progresses, but there always seems to be more, leading to a surprise ending.

When I read Kessler’s book, a missing piece came into place for me. I had been working hard to absorb my loss, to be brave, to keep going...what I needed, in addition, was to find meaning in what had happened.

This book helped me ask the right questions to begin to do that. It drew me forward into a new stage of acceptance, helping me let go of underlying angst and despair.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.