I've had many professions over the years: theatrical stage technician, stage manager, scenic artist, teacher, writer, driver, husband, and father. I've always had a love for horror and fantasy stretching from the classic Gothic to the incredible worlds of Tolkien, Pratchett, and many more. I never set out to write, but I love the escapism and freedom that both reading and writing allows. I was a military child and having followed my father across Europe, I settled in the beautiful cathedral city of Lincoln, UK, which itself has its horror, hauntings, and history. Fantasy writing seemed to be the next stage of my development, combining macabre with the fascinating task of creating a fantastical world.
My wife was given this book as a gift, unfortunately, much to my joy, she gave it to me. This fast-paced adventure is a testament to all that is fantasy. Darkness, light, good fighting evil, this is everything any Fantasy fan requires from a book of this genre. I shall (and have already) embarked on reading more of Tricia’s rich and vibrant works which connects fabulously with her audience.
She sings the song that only his heart can answer.
His loyalty lies with the Royal Fae Court and with his people. Love is a distraction that royal warrior, Nolan, will not let ruin his future.
Alone and distrustful, Imogen refuses to accept her attraction for the warrior after he steals her ship and forces her on a quest where Dark Fae battle good and magick rules the night.
A prophecy realized.
The Dark Fae have risen, determined to wreak havoc upon the unsuspecting people of Ireland. Their goal? To destroy the woman in the prophecy before she discovers her…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Jim Fitzpatrick’s CV may include the world’s most famous portrait of Che Guevara, but in Ireland, he is better known for his glorious depictions of our native myths and legends. If anything can be said to be his masterpiece, it is his work in The Book of Conquests. The text is a translation of a medieval manuscript, Lebor Gabála Érenn. This account of the mythical origins of Ireland was my most important inspiration for writing The Call. But as a child, it was the pulse-pounding illustrations that really made my jaw drop.
THE BOOK OF CONQUESTS, published in 1978, is the first volume of a trilogy of works, which tell the story of the ancient and magical race: the Tuatha Dé Danann. The second volume, THE SILVER ARM was published in 1981; while volume three, THE SON OF THE SUN is in preparation. THE BOOK OF CONQUESTS tells the story of Nuada, king of the Tuatha Dé Danann, and the First Battle of Moy Tura, one of the most important sagas in Early Irish Literature.
I write novels that enthrall, enrich, and enliven you. I've been student of Buddhism for more than thirty years and spend long periods of time with the most generous Tibetan Buddhist nuns in their monasteries in the remote Himalayas, relishing the solitude and contemplative life. Their tales of resilience are an enormous inspiration to me. The biographies of Western Buddhist women I’ve selected are everything I look for in ‘great writing’. The stories are engaging and entertaining, but also make us pause and reflect to appreciate the astonishing opportunities of the privileged times we live in, and challenge us once again to be and do better—every moment of this precious life.
I read this book when it first came out in 1995 and have kept a copy of it for all those years, re-reading it again and again. This book is the journal and letters of Maura O'Halloran, a young Irish-American who went to Japan and joined a Zen Buddhist temple for monks at a time (the early 1980s) when few western women were admitted to such extremely arduous training. It tells of her three years in the temple in a heart-warming, honest way, with an abundance of humor. This book gives a brilliant look into life in a Zen temple, and Maura’s detailed observations and humble descriptions of her breakthroughs are a heartfelt reminder that no matter where we are on our spiritual path, we're human and there’s always hope.
One of the most beloved Buddhist books of all time-having inspired popular musicians, artists, a documentary film, and countless readers-is now in an expanded, new edition, loaded with extras. Absolutely absorbing from start to finish, this is a true story you might truly fall in love with.
At only 24, Maura O'Halloran left her Irish-American family stateside and traveled to Japan, where she began studying under an inscrutable Zen master. She would herself become recognized as a Zen master-in an uncommonly brief amount of time. Pure Heart, Enlightened Mind is Maura's beautifully-written account of her journey. These journal entries and…
As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.
In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.
`the ideal reading...for the hours after midnight'
Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant.…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
Hugo Hamilton’s 2003 autobiography The Speckled Peoplerecounts his Dublinchildhood experiences of being brought up by a brutal, Gaelic-speaking and nationalist father who forbade him from speaking English and a German mother who escaped from Nazi Germany.
Hugo’s linguistic difficulties and cultural disparities restricted his personal development where confusion and frustration led to isolation. I am fascinated by his search for self-identity through his love of English resulting in a thought-provoking narrative that reflects the powerful role of language in the representation of the self and identity formation. I can vouch for this in my own memoir where the increasing complexity of language of the ageing child highlights the stages of my linguistic and cognitive development.
'This is the most gripping book I've read in ages ... It is beautifully written, fascinating, disturbing and often very funny.' Roddy Doyle
The childhood world of Hugo Hamilton, born and brought up in Dublin, is a confused place. His father, a sometimes brutal Irish nationalist, demands his children speak Gaelic, while his mother, a softly spoken German emigrant who has been marked by the Nazi past, speaks to them in German. He himself wants to speak English. English is, after all, what the other children in Dublin speak. English is what they use when they hunt him down in…
In the 50s I was a shy minister’s daughter in small-town Canada. Friends, life skills, coping skills, and career skills were in short supply. My refuge came in books where I found sisterhood, ordinary courage, and life skills. I learned my skills from the heroines who faced trials, solved mysteries, and never gave up. I gravitate to women who persevere, risk, and make their way in life against all odds. Several careers, a family, and decades later these story elements still inform and inspire me. They are what I read and what I write.
I have a soft spot for women during times of war or adversity. This story spans the early years of the 1900s as Maggie lives her father’s legacy to “make a difference in the world.” She never gives in, or gives up, and contributes to the safety of those around her during the end of the Great War and troubles in Ireland. Setting is a big thing for me, and in this book the location, the surroundings, and the times evoked an understanding of Ireland and the Irish. As with the fictional characters I like most, Maggie is a person I’d love to have as a friend.
Her country overtaken by a foreign power, Maggie Gilligan signs up to fight for her people's freedom. Daniel Healy, in love with Maggie, joins the enemy - to try to save her.
Falling in love is never easy. At times of war, it's lethal.
Through the Barricades is a story of friends to lovers at a time of war, of two people who are prepared to die: Maggie for her country, Daniel for Maggie. Their conflicting duties put them on opposite sides. Will they and their love survive?
The fifth installment in the Sean Duffy detective
series, Rain Dogs is as compelling, intelligent, and dark as the others.
Duffy
is an Irish Catholic policeman in a mostly Protestant police force, solving
crimes in 80s Northern Ireland. (Yes, I was on a Northern Ireland kick this
year). He is smart and knows it, but he’s also flawed and very decent. He
fights valiantly for what he believes is right, regardless of the side that
lands him on politically.
But mostly, I love this book, and the series, for the
gorgeous, spare prose and, in audiobook, for Gerard Doyle’s superbly dry,
acerbic narration.
New York Times Bestselling author Adrian McKinty won an Edgar Award for this “standout in a superior series” (Booklist).
“Shot through with a smart, crackling humor that manages to be both dark and witty…”―The Boston Globe
It’s just the same things over and again for Sean Duffy: riot duty, heartbreak, cases he can solve but never get to court. But what detective gets two locked-room mysteries in one career?
When journalist Lily Bigelow is found dead in the courtyard of Carrickfergus Castle, it looks like a suicide. Yet there are a few things that bother Duffy just enough to keep…
When Bono’s book Surrender: 40 Songs One Story was published, I had to read it.
Having loved his lyrics and melodies, I wanted to know if they sprang from real life. Where did he find meaning? What does he love? Who does he love? Surprisingly, his wife has remained his best friend and critic having shared his entire journey.
Bono has always been a storyteller, and he poetically tells his life story from a boy in Dublin to a world renown musician and philanthropist. His desire to connect spirituality with real life flows through all his days.
Because I had to reckon with an abusive father myself, I was interested to learn that Bono’s “father wars” left him with an anger that needed to be excavated and healed. In writing, he opens his heart with unbelievable honesty and more wisdom than I expected.
One of the greatest rock memoirs ever written and a Sunday Times bestseller now out in paperback - the honest, irreverent and powerfully entertaining life story of the U2 front-man.
Bono - artist, activist and the lead singer of Irish rock band U2 - has written his autobiography- honest and irreverent, intimate and profound, Surrender is the story of the remarkable life he's lived, the challenges he's faced and the friends and family who have shaped and sustained him - now out in paperback.
'When I started to write this book I was hoping to draw in detail what I'd…
Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
What stands out most after reading this story is the writing itself—simple and direct, unadorned, yet the narrative is complex and nuanced.
O’Callaghan is the author of several books of poetry and his prose is dripping with beautiful language. In this story, a frightened girl bangs on the door of a home and after she is allowed to enter, nothing is ever the same with an air of mystery surrounding her life and her family.
The novel is strange, unsettling, and beautiful. And although at times it is a bit perplexing, leaving you wondering what is real and what is false, its magic lies in the attention it gives to the complexities of human emotion, the said and unsaid, the complicated divide between trust and suspicion, and how it asks the question of whether it is better to listen to your head or to your heart.
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.
It is a powerful first-person narrative follows the story of a young Irish girl from her earliest memory to around twelve years of age, tracing the shaping of "the Dublin Angela" into "the English Angela" and ultimately Angela of Lysterby, "the Irish rebel." This tale is told from the perspective of her older self, now "a hopeless wanderer" with youth and optimism behind her. The narrative opens with a startling sketch of Angela's mother, "a handsome, cold-eyed woman, who did not love me," before relating fragmented memories of an idyllic time spent in rural Kildare while "put out to nurse"…
