96 books like Nothing On Earth

In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life.  Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.

Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked. 

Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked. 

Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked. 

I am both a writer and a publisher of Superversive fiction. Even before I encountered the term and the official definition of it, my fiction writing has always tended to be Superversive. Which makes sense as I am drawn to Superversive stories as a reader. I want to read and write about heroes and heroines. I want to be drawn into incredible universes and taken along on amazing adventures. I want stories where evil appears to be winning but good eventually finds a way to triumph in the end.  

I’m proud to be Irish, from a long heritage of storytellers and poets. Science fiction grabbed me from the first Asimov books I found, and I see the genre as an exploration of possibilities. I volunteer at SF Cons, including Dublin’s Worldcon in 2019. My profession is tree surgery, with an early apprenticeship in demolition, all of which has brought me to interesting places. I also love horses and became a national standard showjumper. I’ve qualified in multimedia journalism and ecology. My novels explore the past, present, and future. I write crime, science fiction, romance, and YA stories, including the Irish Lockdown series about young people during the Pandemic.

As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trek universe, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.

I’ve always been in love with books and writing, but in high school I realized I wanted to touch people’s lives on an emotional level. A friend told me my writing had changed their perspective about an incident where their brother almost died. It made me think that if I could positively impact one person with a play, what else could I do (even for complete strangers). We all struggle with emotions, and it’s okay! We should be allowed to feel our emotions—regardless of our age or gender identity. Everyone should know that they’re not alone; emotions are universal. They are part of what connects us to each other. 

In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.

I am a historian of the American Revolution. I am interested in the war that created the United States, why it happened, and its lasting effects on the world today. The British government kept meticulous records of the lead-up to American independence and I have scoured these for new and interesting stories that historians have missed. I teach history at Eastern Michigan University, and I am currently completing a book on buggery in the British army that will be out in 2024.