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Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
What can one say about this classic? It is the quintessential story of old Dublin.
Published in 1914, the collection of fifteen short stories takes the reader on a journey through middle-class Ireland, touching on Irish nationalism and country pride, but also on the forces that were slowing changing Ireland at the time. The stories move chronologically from boyhood to manhood and culminate with what some critics say is the finest short story ever written, “The Dead.”
This story, like many others in Dublinersis both a meditation on everyday urban life and a study of human relationships, including how we live with our memories, our heritage, and how we find ways to manifest our personal emotions.
A definitive edition of perhaps the greatest short story collection in the English language
James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from…
Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
This stunning short novel captures everything about the deep ties that both religion and family have on the Irish experience.
As a boy, I remember my grandmother’s deep religious devotion and how it fueled her way of life. The story touches on this, including an affection for the land, love of community, and the power in doing the right thing. Its moodiness reflects both the story’s unspoken depth and its sublime tenderness.
In Small Things Like These, the protagonist struggles with what he should or should not do after hearing rumors about the local convent and the young girls who live there.
Keegan is a master at delivering the below-the-surface emotions that drive men and women through life’s difficult decisions.
"A hypnotic and electrifying Irish tale that transcends country, transcends time." —Lily King, New York Times bestselling author of Writers & Lovers
Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family
It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him…
Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
Very few writers capture the longings of young men trapped in small towns, struggling to escape to new and better worlds than does Donal Ryan.
I grew up in an Irish-German neighborhood in Pittsburgh, Pennsylvania where few people ever left. I knew those kinds of men.
This book has many of the same elements of Ryan’s past work, yet it brings with it a profound take on Ireland itself. The novel is divided into several sections, each focusing on seemingly unrelated narratives, until the final section when the stories of the men in the novel heartbreakingly come together.
Throughout, Ryan captures the essence of Irish history—the good and the bad—and combines it with the country’s always-present profound and unexpressed emotions, and its beautiful yet curious contradictions.
The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.
Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
What stands out most after reading this story is the writing itself—simple and direct, unadorned, yet the narrative is complex and nuanced.
O’Callaghan is the author of several books of poetry and his prose is dripping with beautiful language. In this story, a frightened girl bangs on the door of a home and after she is allowed to enter, nothing is ever the same with an air of mystery surrounding her life and her family.
The novel is strange, unsettling, and beautiful. And although at times it is a bit perplexing, leaving you wondering what is real and what is false, its magic lies in the attention it gives to the complexities of human emotion, the said and unsaid, the complicated divide between trust and suspicion, and how it asks the question of whether it is better to listen to your head or to your heart.
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
The sweeping saga of two seemingly socially disparate boys caught up in the volatile world of early 1900s Ireland from which springs forth the Easter Uprising. As a writer and a reader,I am amazed at the historical details and language that are completely immersive, as well as by the structure and control O’Neill wields over the book. Yet he never overwhelms with the “history,” nor does he ever lose sight of the true story, the true heart of his stunning novel.
The love story between the boys is timeless and beautiful and, of course, tragic, as is so often the case with gay love stories from our history. It has haunted me since I first read the novel some twenty-two years ago. It is yet another book I often come back to reread, and I am astounded all over…
Praised as “a work of wild, vaulting ambition and achievement” by Entertainment Weekly, Jamie O’Neill’s first novel invites comparison to such literary greats as James Joyce, Samuel Beckett and Charles Dickens.
Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the…
I am a novelist, poet, and short story writer born in Dublin, Ireland. I have always been interested in literature particularly books which I deem as works of art and which throw light on the human condition, something which I try to do in my own work. I have broadcast my poetry and prose on radio and write book reviews for national newspapers. I divide my time now between Kildare and my little mountain abode in West Cork.
I received my first copy of this iconic book, a Bodley Head hardcover edition for my eighteenth birthday from a girl who worked in libraries and knew I liked books. I found the novel tough going initially, having been enraptured earlier by Joyce’s short stories Dubliners which were far more straightforward and accessible. But I went back to Ulysses at different stages in my life, reading different editions, determined to finish the book which I did three times and was glad I did as I learned more about the workings of this novel, loosely based on Homer’s epic, the more often I entered between its covers. In Ulysses, James Joyce paved a new way of looking at the world as it experimented with different modes of narrative, non-linear and without being enslaved to plot, and through his ‘epiphanies’ he saw and showed us the extraordinary in the ordinary things of…
James Joyce's masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on one day in June 1904. It is considered to be one of the most important works of modernist literature and was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience
As a kid, I had a tough time finding books with characters who looked like me after moving from Taiwan to America. That’s usually bad for most kids. However, I was a hideously self-absorbed kid. Having to read about characters who didn’t look or live like me made my childhood infinitely richer. Since becoming an author, I’ve written books that draw from my heritage and lectured about East Asian storytelling at various universities and writing programs. I do this as a love letter to my own heritage but also as a thank you letter to America for sharing its culture with me. Here’s a bit of mine in return.
This book, the first in the staggeringly epic Dandelion Dynasty series, does something unique — it tells a story that has no place-markers of Chineseness (no Chinese-sounding place- or character-names, no great continental empire, etc). Nonetheless, it is one of the most profoundly Chinese books that I’ve ever read. It’s clear that the author is bursting with love for Chinese lore. His interpretation of the source tales of heroic deeds, folk wisdom, and philosophical debates are a huge-hearted celebration of Chinese culture and history. The book also uses the East Asian four-act structure, which withholds the book’s pivotal element until the surprise third act. He thus avoids the cosmetic and cliché indicators of Chinese culture while absolutely capturing the soul of Chinese culture.
Emperor Mapidere was the first to unite the island kingdoms of Dara under a single banner. But now the emperor is on his deathbed, his people are exhausted by his vast, conscriptive engineering projects and his counsellors conspire only for their own gain.
Even the gods themselves are restless.
A wily, charismatic bandit and the vengeance-sworn son of a deposed duke cross paths as they each lead their own rebellion against the emperor's brutal regime. Together, they will journey to the heart of the empire; witnessing the clash of armies, fleets of silk-draped airships, magical books and shapeshifting gods. Their…
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
My favorite book from Texas’ greatest living writer.
I’ve been lucky enough to go from fan to friend of Joe’s and realized a lot of the experiences of his youth ended up in this novel of a young boy in 1958 who discovers a box of love letters that unravel the mystery of a murder that happened decades ago in his small town, but some folks still want silent.
Lansdale captures a time of drive-in movies, early civil rights, and gearing up for times of change. Part Twain’s Huckleberry Finn, King’s The Body (a.k.a. Stand By Me), and all Lansdale.
Young Stanley Mitchell, Jr., enters the underworld of his 1958 East Texas home when he discovers a cache of love letters by a murdered girl, comes to understand how love affects the lives of those closest to him, and experiences his first encounters with blues music, racism, and lost dreams. 20,000 first printing.
For 20 years, I tried to write politically relevant, “important” novels. I teach. One day I told my students that to succeed as a writer, they needed to write about things they knew and loved. Honesty was the key. That night, I resumed work on a novel set in Prague involving Cold War intrigue, capitalism, communism, and some other "isms" I’ve forgotten. I wrote a paragraph and then stopped. My advice was good. Write about things you know and love. So why not follow it myself? What section of the newspaper did I read first? The sports page. Did I live and die with my favorite sports teams? Yes. I put my hopeless Prague novel aside and started On the Devil’s Court. For better or worse, a sportswriter is who I am.
Okay, two books--but they’re really one. The Southpaw is
about Henry
Wiggen the baseball player finding his way in the major leagues. A sports book by and large. And then the fastball to the heart--Bang the Drum
Slowly. The vagaries and tragedies of life intrude on the pristine
baseball field, and Wiggen and the rest have to deal with reality: boys
grow into men; men sicken, men die. These books inspired me when I
decided to become a writer of sports novels. They showed me that not only
could I write a sports book about more than sports, but also that I needed to write
a sports book about more than sports. Why bother otherwise?
Henry Wiggen, hero of The Southpaw and the best-known fictional baseball player in America, is back again, throwing a baseball "with his arm and his brain and his memory and his bluff for the sake of his pocket and his family." More than a novel about baseball, Bang the Drum Slowly is about the friendship and the lives of a group of men as they each learn that a teammate is dying of cancer. Bang the Drum Slowly was chosen as one of the top one hundred sports books of all time by Sports Illustrated and appears on numerous other…
The list reflects my interest in history and my own recollections of the days before the current era of mass tourism and online globalisation. I confess to a feeling of painful nostalgia for a time when we all had a very different worldview, and these books are all of that period. They feature temporal grief for an age that has passed. They are all highly readable books by writers at the top of their game.
A world that has gone forever, portrayed by one of our finest novelists.
Nostalgic bliss in the Oxford of the 1930s, with its dreaming spires and punts down the Isis in the sunshine. The scene shifts to the aristocratic world of the eponymous stately home in its heyday before the war and in the very different conditions of wartime. It was hard for me not to feel pangs of sadness at not being part of this world – I failed the entrance exam to Oxford in 1960.
A masterclass in how to create characters and settings.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
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