I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This book surprised me a lot. I was expecting a gory, grimdark, good-for-her revenge story—and it is that—but this book is also darkly funny! It gives What We Do in the Shadows vibes, but with demons.
The comic follows a duo of hapless twin siblings who are way over their heads, coming to terms with their demonic heritage, coping with emotionally unavailable parents, and running the family restaurant. I feel it perfectly balances dark comedy and gripping horror in its themes. (CW: gore)
The Night Eaters: She Eats the Nights is the first volume in a graphic novel horror trilogy from author Marjorie Liu and illustrator Sana Takeda—the creative team behind the New York Times bestselling series Monstress.
NAMED A BEST GRAPHIC NOVEL OF THE YEAR BY THE WASHINGTON POST NAMED A BOOK WE LOVED BY NPR
Chinese American twins Milly and Billy are having a tough time. On top of the multiple failures in their personal and professional lives, they’re struggling to keep their restaurant afloat. Luckily their parents, Ipo and Keon, are in town for their annual visit. Having immigrated from…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Stephen King has arguably perfected creating stories in which supernatural things happen to ordinary people. This set-up—what I loved so much about Rod Serling’s The Twilight Zone TV series—is irresistible. Across fourteen tales, King delivers mind-bending tales that draw you in. “1408” a story about a ghost skeptic/writer who stays in a haunted New York hotel room is especially gripping. King was a big, early influence on me and though I didn’t keep up with his work much past Misery, whenever I do dive into his later work, I invariably find him as good as ever.
A spine-tingling collection of stories from the No. 1 bestselling master of horror - now with a stunning new cover look.
Nothing is quite as it seems.
Expect the unexpected in this veritable treasure trove of enthralling, witty, dark tales that could only come from the imagination of the greatest storyteller of our time.
In this eerie, enchanting compilation, Stephen King takes readers down a road less travelled (for good reason) in the blockbuster e-book 'Riding the Bullet'. Terror becomes deja vu all over again when you get 'That Feeling, You Can Only Say What It Is in French'. 'LT's…
I am and have always been fascinated with supernatural creatures, particularly if they have horns and dwell in the dark swamps of wooded hinterlands. I spent a greater part of my childhood in the African bush. A formative experience was the day an isangoma(witchdoctor) cast knuckle bones at me in a particularly energetic frenzy. Rather than being scared, I was fascinated by the power these little bones had to command spirits and creatures I had only seen in my nightmares. An obsession was born.
When I went into this book, I sensed that Amelinda would pull zero punches. I was so right it was glorious. Skye isfed up. Fed up of being responsible for her insufferable little sister, Dierdre. Fed up with the stories, with the games, with their endless childhood fantasies. Moving halfway across the country seems like the perfect chance to start over. Finally, in this new, isolated neighbourhood, Skye is managing to fit in. Not Dierdre, though. No, Dierdre seems to be slipping more and more into a world of her own. And then one day: Dierdre vanishes. When a creature unlike anything Skye has ever seen comes scratching at her door claiming to know who took Dierdre, Skye is going to have to suspend her disbelief and re-enter a childhood of warped imagination.
A bone-chilling read about creating monsters, sisterhood turned toxic, and secrets that won't stay buried, perfect for fans of The Night She Disappeared, Wilder Girls, and The Blair Witch Project. Sixteen-year-old Skye is done playing the knight in shining armor for her insufferable younger sister, Deirdre. And moving across the country seems like the perfect chance to start over as someone different. In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones. Then Deirdre disappears. And when…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
The world opened to me in a safe space when I learned to read as a child, and by 6th grade, inspired by Jo March, I hoped to be an author and regularly hauled stacks of books home from the library. I had put aside my dream of writing until my marriage to Mark Buehner. It was his career as an illustrator that opened up a path for me, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
I love reading aloud, and I love read-aloud books that have sounds or actions that the reader and listeners can do as they follow the story. This book is delightfully physical—as you clap, clomp, wiggle, nod, and boo along with the shoes, pants, shirt, top hat, gloves, and pumpkin head that the little old woman meets as she walks home one night. Being followed by clomping shoes or wiggling pant legs might be terrifying, but this little old woman is not afraid of anything, something she proves when all these animate items come knocking at her door. Bravely she offers them a task where they can really be frightening—and the clomping shoes, wiggling pants, shaking shirt, clapping gloves, nodding hat, and boo-crying pumpkin head become the perfect scarecrow in the little old woman’s cornfield. Such a fun book!
“A great purchase for Halloween or any time of year.” —School Library Journal (starred review)
Once upon a time, there was a little old lady who was not afraid of anything! But one autumn night, while walking in the woods, the little old lady heard . . . clomp, clomp, shake, shake, clap, clap.
And the little old lady who was not afraid of anything had the scare of her life! With bouncy refrains and classic art, this timeless Halloween story is perfect for reading aloud.
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
Just when I thought I was done with vampires, Silvia Moreno-Garcia’sCertain Dark Things came along.
I was burned out on the genre. Most of the characters in vampire stories are rich, privileged, and frankly, not that interesting. Atl, the main character in Certain Dark Things, is the exception.
A descendant of Aztec blood drinkers, she finds herself caught between the rival vampire clans that dominate Mexico City. When she develops an unexpected attachment to a street kid named Domingo, her life gets even more complicated.
Domingo could have been nothing but a Renfield, a plaything for her vampire lead. But Moreno-Garcia explores the tender bond that develops between them, a connection that puts both in jeopardy. An engrossing new spin on the vampire tale.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood-drinkers, is smart and beautiful - and very dangerous. Domingo is mesmerised.
Atl needs to escape the city quickly, to get far away from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, she finds herself warming up to the scrappy young man and his undeniable charm. As the trail of…
During my decades in the corporate world, I traveled extensively and spent months in England, where I became a devoted Anglophile. I am privileged to have met Queen Elizabeth II and Philip, and to have attended a knighting at Westminster. English history fascinates me, but so do gripping spy thrillers occurring in European and Middle Eastern settings. There’s nothing better than finishing a satisfying first book in a series—fiction or not--and deciding to ration the remaining ones so you can savor the experience a little longer!
Many of my books are ghost stories, and I enjoy finding other authors who write scary stories in that genre. Darcy Coates, a prolific author from Australia, does a wonderful job creating an eerie, spine-tingling setting and characters who will remind you of that monster you thought was in the closet. These are downright scary stories that will cause you to sleep with the light on. She has written numerous excellent stand-alone books, but her Gravekeeper series is a great way to delve into the mind of an author who has this genre nailed down tight (just like that coffin that might be hidden behind a wall in your basement)!
USA Today bestseller and rising queen of atmospheric horror Darcy Coates returns with a ghost story that will haunt you long after the final page. She hears them whispering... Homeless, hunted, and desperate to escape a bitter storm, Keira takes refuge in an abandoned groundskeeper's cottage. Her new home is tucked away at the edge of a cemetery, surrounded on all sides by gravestones: some recent, some hundreds of years old, all suffering from neglect. And in the darkness, she can hear the unquiet dead whispering. The cemetery is alive with faint, spectral shapes, led by a woman who died…
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
Masterpieces of Terror and the Supernatural is, hands down, the best collection of over fifty short stories, novellas, and poems I've ever read in one, skin-prickling book.With authors like Bram Stoker, Sheridan Lefanu, Edgar Allan Poe, Richard Matheson, Isaac Asimov, A.M. Burrage, Robert Bloch, and H.P. Lovecraft, you're in for many sleepless nights. My personal favorites include; "Last Respects" by Dick Baldwin, a story of two morticians preparing a body for a wake, only the body doesn't seem to be quite at rest; "The Quest for Blank Claveringi" by Patricia Highsmith, a story that proves snails can be terrifying. This one had me short on breath halfway through; and most disturbing of all, "His Unconquerable Enemy" by W.C. Morrow. It's about a rajah that has a surgeon amputate his servant Neranya's limbs off, then keeps the poor man in a small pen of open ironwork above his bed for…
This exceptional compilation contains more than fifty short stories, novellas and poems, both classic and modern, by some of the most distinguished writers of all time. Masterful works by Bram Stoker, H.P. Lovecroft, Mary Shelley, Sheridan LeFanu, Isaac Bashevis Singer, Tennessee Williams, Isaac Asimov, J.R.R. Tolkien, in addition to little-known masterpieces of fantasy and terror by such authors as Stanley Ellin, Patricia Highsmith, John Dickson Carr and Damon Runyon, make this one of the most wide-ranging, outstanding collections of its kind. Marvin Kaye provides fascinating prefatory notes to each selection and an annotated bibliography of other recommended reading, as well…
I am a lover of ghosts, historical murders, and all things spooky. I am also the author of eight YA novels, including two YA horror novels, Small Town Monsters and Hatchet Girls. Being half Puerto Rican, I try to lend my culture to my characters. Historically, the horror genre has been dominated by white male authors. And while I love their work, Stephen King is a master, I'm excited that women and POC writers are finally getting their stories told. What scares women is often very different from what scares men, same with people of color, and by releasing more diverse stories, like mine, we add ways to frighten new fans.
This YA Horror novel, by an Afro Dominican nonbinary author, won the prestigious Pura BelpréAward and was a finalist for the Bram Stoker Award.
The Bronx setting is depicted with such grit (spanning decades), it’s practically a character in its own right. I loved how the novel tied together a twisted “game,” similar to an urban legend, with a real, and very dark chapter of NYC history. It will definitely appeal to true crime fans, like myself, and features likable teen characters that are also relatable to adult readers.
Mysterious disappearances. An urban legend rumored to be responsible. And one group of friends determined to save their city at any cost. Stranger Things meets Jordan Peele in this utterly original debut from an incredible new voice.
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize's cousin goes missing, Raquel starts to pay attention-especially when her own mom comes down with a mysterious illness that seems linked to the…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
I’m recommending this book because of how well the author described the events taking place in a country where they lived. It’s another story about a virus, similar to the deadly Covid one, but the people who die come back as zombies. I love how the main characters have to deal with the outbreak & how they try to stop it.
PROLOGUE Finaghy, Northern Ireland 17th June 2010 There was a woman screaming in his face. She was one of many, crowding around him. But he couldn't hear her. With the headgear he was wearing, Sergeant George Kelly couldn't hear what any of them were saying. They were all just muffled words. Muted. Censored. Like sounds you would hear under water. But he could see her talking, see her screaming. And he knew she was swearing. It was something about the way her lips were moving. Shaping the words as if they were heavy. Teeth showing. Almost growling rather than speaking.…
