The most recommended horror books

The Good Demon is unlike anything else I’ve read. It’s eerie, intimate, and spellbinding. Clare’s demon was her best friend, her Only, right up until her parents called a priest to cast the demon out. Now the only thing Clare wants is to get her demon back. It’s hard to say more about this book other than that it is very, very, good. The horror elements are scary in the way of abandoned houses and shadows seen from the corner of your eye. If you like your stories strange and moody and your characters flawed, you should definitely give this book a try.

This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.

I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.

This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula (1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.

As the best introduction to the American Gothic chosen by one of the most prolific modern masters of the genre, this anthology spans two centuries. It offers insightful context and an engaging historical road map to the current site of the genre, the weird and wounded world of the suburbs.

Joyce Carol Oates, who has written some of the most chilling contemporary examples of American Gothic fiction, dissects the shadowy heritage of our national preoccupation with the macabre themes that haunt the American Dream. From Poe, Hawthorne, and Melville through James and Wharton to Anne Rice, Raymond Carver, Stephen King, and several lesser-known writers, Oates provides readers with a provocative selection that probes beneath superficial normality to reach the dangerous psychological abnormalities of our national identity.

This is another book that kept me guessing all the way through–not only about the whodunnit but also about what kind of book it even is.

I loved Vesta Gul, an older widow who just moved into a rural community, as the unlikely sleuth. You’d think she had enough problems living in the middle of nowhere with no support network other than her dog, but after she finds a mysterious note in the woods, she’s determined to solve the murder mystery on her own, even before she finds a body.

I enjoyed watching her find a destructive new sense of purpose as she stopped at nothing to complete the case.

I love reading aloud, and I love read-aloud books that have sounds or actions that the reader and listeners can do as they follow the story. This book is delightfully physical—as you clap, clomp, wiggle, nod, and boo along with the shoes, pants, shirt, top hat, gloves, and pumpkin head that the little old woman meets as she walks home one night. Being followed by clomping shoes or wiggling pant legs might be terrifying, but this little old woman is not afraid of anything, something she proves when all these animate items come knocking at her door. Bravely she offers them a task where they can really be frightening—and the clomping shoes, wiggling pants, shaking shirt, clapping gloves, nodding hat, and boo-crying pumpkin head become the perfect scarecrow in the little old woman’s cornfield. Such a fun book!

K.P. Kulski is one of the essayists in my book and an enthusiastic supporter of Asian women’s voices, and she brings it all out in this powerful novel. Set in a mysterious Joseon-era palace and told from the pov of three generations of women, the story's strength is its blend of cultural heritage and feminist themes.

Kristi draws inspiration for this book from the Korean folk tale A Tiger’s Whisker. I greatly respect KP Kulski for daring to use menstruation as an integral part of the plot. This book is compelling for those interested in a unique blend of historical setting, folklore, and a poignant examination of female identity—all three are a win for me.

Most know VE Schwab for her YA Series, though she's also written some exemplary middle-grade books.

Her City of Ghosts series is one of my favorites, mainly because of the relationship between Cassidy and Jacob. I find there are few books for kids with great boy-girl friendships, and this one is made even better by the fact that poor Jacob is dead—or caught into the veil between life and death—or something.

Readers of the three books will learn why and travel deep into the spooky shadows of the most haunted cities in the world. 

This is how you commit to the bit on interestingly formatted books! This is so incredibly well done, and brilliantly thought through - an example of when the substance is as strong as the style, which is so often not the case with interestingly formatted books.

Personally, I do love an interestingly formatted epistolary and this delivered! The formats (tweets, blogs, reddit, etc) all fit well together and make sense in the narrative. The only thing I wasn't so keen on was a quirk in the actual layout - it tripped me up in places where the next epistle started right at the bottom of a page rather than on a fresh page but it's a small quibble.

I really enjoyed the story itself, a few interesting twists and turns that kept it fresh and interesting to the end. And, rather skillfully, the characters feel well crafted and you can… show more.

I found this a captivating read. It was morbid, dark, and grim, but it was also exciting. I was quickly drawn into the world of Immanuelle Moore, whose mother was called a witch and died giving birth to her. I loved the author’s attention to detail.

The villages of Bethel and the Darkwood are so vivid that I could believe the protagonists’ lives in the puritanical, secluded world full of zealots, idolatry, sexism, and racism. The book is also beautifully atmospheric—the village, the trees, and the large cathedrals are so well described.

One of the book's main themes was self-discovery, which is why I think it’s more aimed toward YA, but I recommend it to anyone interested in witches, small towns, religion, and feminist themes.