Fans pick 100 books like Tyger

Wolf Light dazzled me with its original premise. Three girls, born in different lands on the same day – Zula from Mongolia, Adoma from Ghana, and Linet from Cornwall – communicate through magic.

Zula is a shaman’s daughter, and her father shows her how to connect with her sisters, all destined to be guardians of the earth. Zula’s mountain home is threatened by copper-mining, Adoma’s forest by gold prospectors, and Linet is the guardian of the Linet Lake.

When their homelands are threatened, the girls must use their shared powers to defend them, at great cost to themselves.

Where the Mountain Meets the Moon drew me in with its beautiful illustrations and glimpse into the rich mythologies of China.

Minli, a poor girl, lives where Fruitless Mountain and Jade River meet and like Haroun, has a storyteller father. When she spends two copper coins on a talking goldfish, it tells her how to find the Old Man on the Moon and change her family’s fortune. Minli sets off on her quest in the company of a dragon who cannot fly and discovers that good fortune means more than riches.

A delightful fable of friendship and family, with stories from Chinese folklore embedded within the main narrative.

In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.

The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.

On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)… show more.

It's hard to believe that Kiran Millwood Hargrave’s The Girl of Ink and Stars only came out in 2016.

The book has become a modern classic, combining beautifully poetic writing with the compelling first-person voice of Isabella, the mapmaker’s daughter. When Isabella ventures into the mysterious interior of the island of Joya Governor, to search for her friend, the Governor’s daughter, she must navigate a mysterious labyrinth, supernatural demon dogs, and a volcano-dwelling deity.

The magic elements here are inspired by the indigenous culture of the Canary Isles. 

I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.

Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.

It just made the challenges of being a child… show more.

Cesca Major's book is my pick in the spate of recent time-loop novels that feature romance. The Groundhog Day concept, where the protagonist repeats the same day over and over to (hopefully) get it right, is fertile ground for a great romance. Who hasn’t wished they could get a do-over with a loved one or potential partner? 

Our protagonist, Emma, keeps reliving the day her husband, Dan, died after being hit by a car after a marital fight. I love Emma’s agony in trying all the possibilities to avoid Dan’s death, to the extent of virtually driving her insane. The lack of consequences, given she always wakes up on the Monday morning, is another thing that pushes her to increasing extremes.

This is not a typical romance, but the focus on saving her marriage no matter what makes this book a perfect magic-realism romantic novel. I also adore the London… show more.

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.

I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.

Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too.