Here are 100 books that True West fans have personally recommended if you like
True West.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Allen Morris Jones writes with such grace, humility, and empathy that I just knew, from the earliest paragraphs, that I’d follow him wherever he wanted to go with this one.
I like stories, whether on the page, on film, or in the oral tradition, in which the answers aren’t easy, and Jones obliges. This story of a hardscrabble Montana poet who witnessed something horrible as a child and searches for a way to live with it as an adult moved me in a deep and still way.
It’s one of those books I finished, set quietly down, and thought about for days afterward. The thinking about it persists years later.
Eli Singer, a rancher and poet in remote Eastern Montana, sees his life upended when a long-buried corpsewhich turns out to be a murder victim from Eli's childhooderodes out of a hillside on his property. This discovery forces Eli to turn inward to revisit the tragic events in his past that led to a life-changing moment of violence, while at the same time he must reach outside himself toward Chloe, a literary agent from New York whom he is falling in love with. In the tradition of such classic western writers as Thomas McGuane, James Lee Burke, Ivan Doig and…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Sometimes the compelling central character of a book is the author. So it is with this one, by the current poet laureate of Montana. Page after page, I was mesmerized by what La Tray could weave out of a single, seemingly simple thought that, it turned out, contained galaxies of complexity and nuance.
I think La Tray is a true original in Western letters, a man of deep conviction, conscience, humor, righteousness, and love. His talents are on full display here.
"La Tray is a perimeter man, seeing the reality in wildness yet dealing the best he can at
rec onciling truth in nature." - Barry Babcock author of Teachers in the Forest
This book is a collection of poems and essays from the writer's experiences of travelling through landscapes both wild and civilized. They speak with delicate simplicities ranging from the death of a favorite pickup truck, to the joy of hitting the trail with a four-legged companion. There are…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
I think it’s easy to live on the fault lines of conflict in the West today and be judgmental about who’s right and who’s wrong. What I love about Elise Atchison’s debut novel is that she avoids those binaries and instead tells the story of a changing Western town through the lens of the land, which bears the transformations—for good or for ill—but also has its own say.
I think Atchison smartly, instinctively employs an excellent piece of writing advice: A good antagonist thinks he/she is the protagonist.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
I was utterly awed by Kase Johnstun’s boundless love for the characters in this novel, which I learned later was informed by memories of and letters by his grandparents.
It overflows with some of my favorite things about the literature that most often resonates with me: When an author of great skill can mine memory and history, spend time with it, apply the transformative agent of imagination, and emerge into the world with work laden with genuineness.
I find Johnstun’s work to be imbued with love, which he marries to considerable storytelling chops. He’s a writer more people should know about, so it’s become a bit of a mission of mine to shout his name.
"Beautiful and expansive…in Johnstun's Let the Wild Grasses Grow, Colorado has a successor to Kent Haruf." —SEAN PRENTISS, author of Finding Abbey
Let the Wild Grasses Grow chronicles the lives of Della Chavez and John Cordova, childhood friends separated by a tragic accident, who find each other again during World War II after leading separate lives of struggle through the Great Depression, the Dust Bowl, and, for John, abuse at the hands of his grandfather. This sweeping American love story celebrates the power of home landscapes, family heritage, and first love.
By lucky lottery of birth, Missoula, Montana, nestled between forested mountains and sliced through by trout-filled rivers, is where I was born and raised. Public land conservation came into my consciousness naturally as clean, pine-scented air. But when I moved to overcrowded New York City in 2001 to try a career in journalism, homesickness made me begin researching conservation. Why are there public lands in the West? What forces prompted their creation? Who wants public lands, and who opposes them? Can their history teach us about our present and our future? These books began answering my questions.
From this bracing and brilliant biography, I learned about how John Wesley Powell went on an epic Western discovery adventure and became inspired to challenge thousands of years of Anglo dogma about rain, rivers, land, and how humankind must live with them.
Basic conservation is such a part of American life today that, like gravity, which Newton gets credit for discovering, we forget the genius it first took to conceptualize it. No one is more foundational to conservation than one-armed Grand Canyon explorer Powell. His story is here told by an admiring author, Wallace Stegner, who understood that genius because he was one.
From the “dean of Western writers” (The New York Times) and the Pulitzer Prize winning–author of Angle of Repose and Crossing to Safety, a fascinating look at the old American West and the man who prophetically warned against the dangers of settling it
In Beyond the Hundredth Meridian, Wallace Stegner recounts the sucesses and frustrations of John Wesley Powell, the distinguished ethnologist and geologist who explored the Colorado River, the Grand Canyon, and the homeland of Indian tribes of the American Southwest. A prophet without honor who had a profound understanding of the American West, Powell warned long ago of…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
She’s a super-smart Civil War historian, and this book does something I haven’t seen in a lot of Civil War books—it shows how important the West was to the way the US developed after the Civil War—it wasn’t just that the nation expanded, but she writes about how both the North and South relied on racial hierarchies, and she centers Native Americans, which I think is a really important part of that story.
In this provocative new work, Heather Cox Richardson argues that while the North won the Civil War, ending slavery, oligarchy, and giving the country a "new birth of freedom," the victory was short-lived. Settlers from the East pushed into the West, where the seizure of Mexican lands at the end of the Mexican-American War and treatment of Native Americans cemented racial hierarchies. The Old South found a new home in the West. Both depended on extractive industries-cotton in the former and mining, cattle, and oil in the latter-giving rise to a white ruling elite, one that thrived despite the abolition…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
This historical fiction novel features nineteen-year-old Jim Keath, born white, but rescued and adopted by the Crow when he was badly wounded by a bear. He lives as a trapper now, avoiding both sides of his life, but when his younger siblings write to him, asking for his help in staking a land claim, he can't run from his past anymore. The story deals beautifully and honestly with human nature, the harsh realities of survival in Oregon Territory, and the importance of family. And the stark western landscape plays a large part in the story.
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this volume Belue has done the almost impossible task of transcribing the text of Draper’s unpublished manuscript of Boone’s life. Draper spent his career collecting documents and interviews about Boone and the settlement of the Ohio Valley, but never managed to finish the work. Only those who have tried to read Draper’s manuscripts can appreciate the heroic task Belue has accomplished. I relied extensively on this volume.
Draper, the first secretary of the State Historical Society of Wisconsin, collected more than 500 volumes of material on the famed frontiersman Daniel Boone. His biography of Boone remained unfinished for 100 years until Ted Franklin Belue, a widely read scholar of early Americana, added his authoritative editing. This long-awaited work is filled with little-known information on Boone and his family, long hunters, the Shawnee, the fur trade, and frontier life in general.
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
Mark Twain is my writing idol. Before Roughing it, I’d never read a book
written during the Civil War era which didn’t take sides and grind axes.
From it, I learned detachment, that personal adventures can live
side-by-side with even the most earth-shattering events. And that
hilarious stories like “Bemis and the Buffalo” are the best antidote for
the chaos and pain of war.
The celebrated author of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn mixes fact and fiction in a rousing travelogue that serves as “a portrait of the artist as a young adventurer.”*
In 1861, young Mark Twain found himself adrift as a newcomer in the Wild West, working as a civil servant, silver prospector, mill worker, and finally a reporter and traveling lecturer. Roughing It is the hilarious record of those early years traveling from Nevada to California to Hawaii, as Twain tried his luck at anything and everything—and usually failed. Twain’s encounters with tarantulas and donkeys, vigilantes…
