Here are 100 books that How the South Won the Civil War fans have personally recommended if you like
How the South Won the Civil War.
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By Laura Hooton, Paul Spickard, and Francisco Beltrán
Author
Why are we passionate about this?
Paul Spickard wrote the first edition of Almost All Aliens. He invited Francisco Beltrán and Laura Hooton, who worked under Dr. Spickard at UC Santa Barbara, to co-author the second edition after working as research assistants and providing suggestions for the second edition. We are all historians of race, ethnicity, immigration, colonialism, and identity, and in our other works and teaching we each think about these topics in different ways. We did the same for this list—this is a list of five books that talk about topics that are important to Almost All Aliens and approaches that have been influential in how we think about the topic.
Why did Laura, Paul, and Francisco love this book?
Kendi’s book is the most recent in a long line of fantastic scholars who have tackled discussions of racism in America, especially anti-Black racism. Kendi focuses specifically on racist ideas, and how those ideas were created and then used to rationalize policies and inequalities for generations. The book is a New York Times Bestseller for a reason: it is accessible, has important ideas that are well-supported, and the reader doesn’t get lost in a history that covers a wide span of time.
Stamped from the Beginning is a redefining history of anti-Black racist ideas that dramatically changes our understanding of the causes and extent of racist thinking itself.
** Winner of the US National Book Award**
Its deeply researched and fast-moving narrative chronicles the journey of racist ideas from fifteenth-century Europe to present-day America through the lives of five major intellectuals - Puritan minister Cotton Mather, President Thomas Jefferson, fiery abolitionist William Lloyd Garrison, brilliant scholar W.E.B. Du Bois, and legendary anti-prison activist Angela Davis - showing how these ideas were developed, disseminated and eventually enshrined in American society.
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
I love this book because it’s political science at its best; it uses a lot of great data to study how history affects us in the present; it shows us how hard change is and also what makes it possible. It’s depressing and hopeful and super smart. It’s social science but it’s also very readable.
The lasting effects of slavery on contemporary political attitudes in the American South
Despite dramatic social transformations in the United States during the last 150 years, the South has remained staunchly conservative. Southerners are more likely to support Republican candidates, gun rights, and the death penalty, and southern whites harbor higher levels of racial resentment than whites in other parts of the country. Why haven't these sentiments evolved? Deep Roots shows that the entrenched views of white southerners are a direct consequence of the region's slaveholding history. Today, southern whites who live in areas once reliant on slavery-compared to areas…
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
This is another readable book—and it’s really important because these authors don’t just focus on the norms that Trump violated and that get so much attention, but actually offer an interesting analysis of the things he did administratively that weakened the office of the presidency and the national government. People tend to think Trump was a poor administrator, and in many ways, of course, he was, but his actions have consequences that we don’t always see and this book tells us about them.
"This is a book for everyone who has developed an unexpected nostalgia for political 'norms' during the Trump years . . . Other books on the Trump White House expertly detail the mayhem inside; this book builds on those works to detail its consequences." ―Carlos Lozada (one of twelve books to read "to understand what's going on")
"Perhaps the most penetrating book to have been written about Trump in office." ―Lawrence Douglas, The Times Literary Supplement
The definitive account of how Donald Trump has wielded the powers of the American presidency
The extraordinary authority of the U.S. presidency has no…
I am a political science professor who has always been interested in authoritarian regimes, how they function, and how they control their citizens. In particular, I find it fascinating why citizens may genuinely adore and respect the (sometimes outrageous) autocrats that lead them, even though they rule with an iron fist. Additionally, the rise of authoritarianism in democracies also caught my attention. Terms like “slow-moving coups” and “insurrections” are being used when referring to democracies now. In some ways, this is shocking to me—but it’s motivated me to better understand how this happened—and the ways in which autocracies and democracies seem to be mimicking each other.
If you are still wondering how democracies fall apart, How Democracies Die, is one of the more accessibly written accounts of how, where, and why democracy is in danger. The book explains why democracies are no longer ending with a coup, but rather with a steady and slow erosion of democratic institutions. Chock-full of examples, this book highlights what the institutional guardrails are in a democracy and how these safeguards are weakened by leaders and other elected representatives (like Donald Trump, Recip Erdoğan, and Viktor Orbán, etc.), who hold little regard for democratic norms and are willing to engage in a scorched earth style of politics just to maintain power. I like that this was written for a wide audience.
'The most important book of the Trump era' The Economist
How does a democracy die? What can we do to save our own? What lessons does history teach us?
In the 21st century democracy is threatened like never before.
Drawing insightful lessons from across history - from Pinochet's murderous Chilean regime to Erdogan's quiet dismantling in Turkey - Levitsky and Ziblatt explain why democracies fail, how leaders like Trump subvert them today and what each of us can do to protect our democratic rights.
'This book looks to history to provide a guide for defending democratic norms when they are…
Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.
Punke’s book chronicles a story of heroism and company greed that isn’t that far in the past of America’s labor battles. It tells of a fire that spread through the underground tunnels of the copper mines belonging to J.D. Rockefeller’s Anaconda company and others. The book centers on the men trapped underground who exhaust every possible option in a dire bid to survive, including some ingenious methods and some which hasten their demise. Punke touches as well on political, labor, and business wranglings that put the workers at risk. He also follows Butte’s history to present day, demonstrating that the Montana city has never quite recovered from its past as a copper city.
The author of the #1 New York Times bestseller, The Revenant -- basis for the award-winning motion picture starring Leonardo DiCaprio -- tells the remarkable story of the worst hard-rock mining disaster in American history.
A half-hour before midnight on June 8, 1917, a fire broke out in the North Butte Mining Company's Granite Mountain shaft. Sparked more than two thousand feet below ground, the fire spewed flames, smoke, and poisonous gas through a labyrinth of underground tunnels. Within an hour, more than four hundred men would be locked in a battle to survive. Within three days, one hundred and…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
The Journey Home is a fitting sequel to Desert Solitaire in which Abbey makes a compelling case for saving what remains of the western United States. A long-time “desert rat,” Abbey lives his message of anarchism with a profound sense of humor. My exposure to Abbey’s writings while I was in college contributed to my love of the American West, where I grew up, and also contributed to my desire to pursue anarchism.
The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we'll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein.
Abbey, our foremost "ecological philosopher," has a voice like no other. He can be wildly funny, ferociously acerbic, and unexpectedly…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
I first learned about “proving up” from the eponymous Karen Russell story.
The history of the practice was so fascinating that, when I heard Victor LaValle had written an entire novel about it, I immediately preordered. And wow did it not disappoint.
Part horror and part Western, the story centers a Black woman named Adelaide in the early 1900s who has moved to Montana to prove up as a “lone woman,” carrying with her only a single steamer trunk bearing her “curse.”
LaValle ratchets up the suspense in every chapter while beautifully capturing the desolation of life in the Wild West.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
Guthie’s autobiography describes the wild, western United States from his perspective as a 64-year-old westerner. Born in 1901, Guthrie provides a compelling account of the rugged beauty of the West. Guthrie’s writing is lucid and compelling. I had read most of his books by the time I turned 30.
"It was a fine country to grow up in. To find riches, a boy had only to go outside," writes A. B. Guthrie, Jr., aobut his childhood in Montana early in the twentieth century. This autobiography was originally published in 1965 when he was sixty-four and still had miles to go. It recounts lively adventures and reflects on a career that brought fame for The Big Sky (1947) and led to the Pulitzer Prize for The Way West (1949).
In an afterword David Petersen, who edited Big Sky, Fair Land: The Environmental Essays of A. B. Guthrie, Jr. (1988), describes…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
Louis L'Amour wrote dozens of novels about the West but this one I loved because of the sweet wistfulness that was contrasted with the harsh reality of frontier living. Evie Teal is a widow whose husband rode out for cattle and never came back, leaving her alone in the wilderness with two children and only guesses as to how he could have died. Conn Conagher is a poetry-loving, quiet cowboy who hasn't much but his integrity and good name. Neither thinks the other could possibly be interested in them, and the quiet, understated love story just draws you in.
As far as the eye can see is a vast, empty horizon. Evie Teale has finally accepted that her husband won’t be coming home. To make ends meet she runs a temporary stage station. But though she is diligent and careful, Evie must prepare for the day when the passengers no longer come and she must protect her children in an untamed country where’s it’s far easier to die than to live.
Miles away, another solitary soul battles for survival. Conagher is a lean, dark-eyed drifter who is not about to let a gang of rustlers push him around. While…
