Here are 100 books that Crazy Mountain fans have personally recommended if you like
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I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Allen Morris Jones writes with such grace, humility, and empathy that I just knew, from the earliest paragraphs, that I’d follow him wherever he wanted to go with this one.
I like stories, whether on the page, on film, or in the oral tradition, in which the answers aren’t easy, and Jones obliges. This story of a hardscrabble Montana poet who witnessed something horrible as a child and searches for a way to live with it as an adult moved me in a deep and still way.
It’s one of those books I finished, set quietly down, and thought about for days afterward. The thinking about it persists years later.
Eli Singer, a rancher and poet in remote Eastern Montana, sees his life upended when a long-buried corpsewhich turns out to be a murder victim from Eli's childhooderodes out of a hillside on his property. This discovery forces Eli to turn inward to revisit the tragic events in his past that led to a life-changing moment of violence, while at the same time he must reach outside himself toward Chloe, a literary agent from New York whom he is falling in love with. In the tradition of such classic western writers as Thomas McGuane, James Lee Burke, Ivan Doig and…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Sometimes the compelling central character of a book is the author. So it is with this one, by the current poet laureate of Montana. Page after page, I was mesmerized by what La Tray could weave out of a single, seemingly simple thought that, it turned out, contained galaxies of complexity and nuance.
I think La Tray is a true original in Western letters, a man of deep conviction, conscience, humor, righteousness, and love. His talents are on full display here.
"La Tray is a perimeter man, seeing the reality in wildness yet dealing the best he can at
rec onciling truth in nature." - Barry Babcock author of Teachers in the Forest
This book is a collection of poems and essays from the writer's experiences of travelling through landscapes both wild and civilized. They speak with delicate simplicities ranging from the death of a favorite pickup truck, to the joy of hitting the trail with a four-legged companion. There are…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Here, I veer off into nonfiction, but only because nobody would believe any novelist who conjured up the likes of the real-life people Betsy Gaines Quammen talks to in constructing this portrait of how things got so fraught out West.
In my view, it takes a writer of particular skill and empathy to honestly get at the thoughts and motivations of folks with whom she likely disagrees on fundamental questions. Further, it takes a writer of inherent fairness to call balls and strikes on all sides of contentious issues. Quammen, for my money, is such a writer.
“True West disentangles reality from centuries of myth and mystique."
—HAMPTON SIDES, New York Times bestselling author of Blood and Thunder
From the Northern Rockies to the Southwest deserts, Betsy Gaines Quammen explores how myths shape our identities, heighten polarizations, and fracture our shared understanding of the world around us. As she investigates the origins and effects of myths of the American West, Gaines Quammen travels through small towns and big cities, engaging people and building relationships at every stop. Misperceptions about land, politics, liberty, and self-determination threaten the well-being of people and communities across the country, and Gaines Quammen…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
I was utterly awed by Kase Johnstun’s boundless love for the characters in this novel, which I learned later was informed by memories of and letters by his grandparents.
It overflows with some of my favorite things about the literature that most often resonates with me: When an author of great skill can mine memory and history, spend time with it, apply the transformative agent of imagination, and emerge into the world with work laden with genuineness.
I find Johnstun’s work to be imbued with love, which he marries to considerable storytelling chops. He’s a writer more people should know about, so it’s become a bit of a mission of mine to shout his name.
"Beautiful and expansive…in Johnstun's Let the Wild Grasses Grow, Colorado has a successor to Kent Haruf." —SEAN PRENTISS, author of Finding Abbey
Let the Wild Grasses Grow chronicles the lives of Della Chavez and John Cordova, childhood friends separated by a tragic accident, who find each other again during World War II after leading separate lives of struggle through the Great Depression, the Dust Bowl, and, for John, abuse at the hands of his grandfather. This sweeping American love story celebrates the power of home landscapes, family heritage, and first love.
As a former Human Resources executive I’m fascinated by the history of women in the workforce, especially in jobs that have traditionally been held by men. I was first drawn into the topic as a writer of WWII novels. Through memoirs, autobiographies, and oral history interviews I learned firsthand about women who entered the workforce to take the place of men who were serving in combat or the defense industry. In an effort to spotlight the women of this era as well as those who have gone before, many of my protagonists hold unusual jobs such as spy, war correspondent, pilot, doctor, restaurant owner, and gold miner.
I love a book that teaches me something, and A Brides Portrait of Dodge City, Kansas taught me a lot, from photography (complete with technical descriptions that somehow weren’t too dry!) during the late 1800s/early 1900s to laws about women (they differed by territory). I appreciated that although Adeline was a strong protagonist, she wasn’t “modern” or behaved in ways that didn’t fit with her time period. There was an element of mystery to the story when her shop is vandalized, and I enjoyed trying to solve the whodunit. I have read this book multiple times.
Quench your craving for good fiction with this wonderfully written Old West adventure. Hoping to leave the shadows of her shady yesteryears behind, Adeline Reid is focusing on her photography career. But when her ex-boyfriend’s compatriot in crime shows up in Dodge City her entire past is threatened by exposure. Can Addie keep her secrets while helping to catch a killer? Deputy Miles Carr’s investigation into a shopkeeper’s murder leads him to Addie’s door. Will his attraction to this female photographer keep him from catching the true culprit? Or will Addie lead him off course in more ways than one?
I’ve loved learning about the Old West for as long as I can remember. Is this because I was born a few miles from the spot where Jesse James robbed his first train? Or is it because my family watched so many classic western movies and TV shows when I was a kid? Either way, writing books set in the Old West is a natural fit for me. I love researching the real history of that era just as much as I love making up stories set there. In fact, I write a column about the real history of the Wild West for a Colorado-based newspaper, The Prairie Times.
Thanks to Hollywood, we tend to think of the Old West as being populated primarily by white people and Native Americans. This book helps dispel that mistaken concept by highlighting the role of African-Americans in the American West during the 1800s. Showcasing the true diversity of that era is something I am passionate about learning more about and including in my own books.
This book brings to life the biographies of ten African American women who bravely tackled life on the frontier. Among them are teachers, businesswomen, civil rights crusaders, and a stagecoach driver! Each story is very different, but they all serve to show how important African American women were to the settling of the West.
The brave pioneers who made a life on the frontier were not only male-and they were not only white. The story of African-American women in the Old West is one that has largely gone untold until now. The stories of ten African-American women are reconstructed from historic documents found in century-old archives. Some of these women slaves, some were free, and some were born into slavery and found freedom in the old west. They were laundresses, freedom advocates, journalists, educators, midwives, business proprietors, religious converts, philanthropists, mail and freight haulers, and civil and social activists. These hidden historical figures include…
Jim Rasenberger is a writer and author of four books - Revolver, The Brilliant Disaster; America, 1908, and High Steel. He has contributed to the New York Times, Vanity Fair, Smithsonian, and other publications. A native of Washington, DC, he lives in New York City.
Posthumously published in 1970 by the University of Illinois Press, this is a must-have for anyone interested in the early years of the western migration. Unruh — who died young shortly after completing the manuscript —performs the essential task of assembling credible data about emigrants and Native Americans, and — most importantly — about their encounters with each other. Popular myths and Hollywood movies notwithstanding, Unruh makes clear that Native Americans seldom caused emigrants much harm. Indeed, emigrants of the 1840s were more likely to shoot themselves and each other by accident than require a gun for self-defense.
One of three finalists for the Pulitzer Prize in History and the winner of seven awards, including the John H. Dunning Prize of the American Historical Association, the Ray A. Billington Book Award of the Organization of American Historians, and the National Historical Society Book Prize.
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
I go by the title AmericanStudier in my public scholarship and take that name very seriously. I believe nothing is more important for our future than better remembering our past and that pushing the nation toward its most inspiring ideals requires grappling with our hardest and most painful histories. On my AmericanStudies blog, in my Saturday Evening Post Considering History column, and in all my other scholarly, public, and social media content, I am committed to sharing our histories and stories, figures and works, voices, and writing in all forms and for all audiences. I hope you’ll join me in this work by reading and sharing these great books!
No book captures more clearly and compellingly the horrific, inspiring, and vital histories and stories of Native Americans than Brown’s.
I love the ways that Brown offers a profoundly new perspective on the American West, on the foundational myths that too often limit the way we see ourselves and the realities with which we must grapple instead, and on Indigenous communities as an essential part of the American story at every stage.
Revisionist Westerns are one of my very favorite genres, and this is the best one I know.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
I recall the exact moment when my interest sparked about frontier prostitution and Denver’s underbelly — a friend mentioned the ‘bad blood’ in her family — an ancestor who was a second-rate madam and who employed her own daughters. The quest started. Who were these women, and why did they make the choices they did? I’ve spent years chasing down traces of the old west’s prostitutes, fascinated by their identities and lives. The west had opportunities for women who were willing to take chances. As a fifth-generation Coloradoan, I hoped to capture the story of these enterprising and overlooked women, their lives, and the world around them.
By now, readers can get a sense of where my recommendations are going with all of this. Life in the West was hard, and alcohol and drugs were turned to (often) to help reduce the pain, discomfort, and loneliness of living in the western United States. Whiskey tended to be of poor quality, drugs were not known to be addictive, and a lot of the stereotypical old west behavior stemmed from the use of liquor and drugs – often to the detriment of the users…and innocent bystanders.
This book explores the role and influence of drink and drugs (primarily opium) in the Old West, which for this book is considered to be America west of the Mississippi from the California gold rush of the 1840s to the closing of the Western Frontier in roughly 1900. This period was the first time in American history that heavy drinking and drug abuse became a major social concern.
Drinking was considered to be an accepted pursuit for men at the time. Smoking opium was considered to be deviant and associated with groups on the fringes of mainstream society, but opium…
