Fans pick 89 books like To Zenzi

Heck’s plain-spoken memoir of his indoctrination into Nazism as a young boy and his time in the Hitler Youth and the German military is powerful and honest. Long after he’d left Germany as an adult, Heck continued to grapple with his own complicity in the regime and his fervent beliefs in its goals. The Hitler Youth was particularly adept at tapping into young boys’ yearning to be heroes. Heck explains the lingering effects of his indoctrination, noting that, “Despite our monstrous sacrifice and the appalling misuse of our idealism, there will always be the memory of unsurpassed power, the intoxication of fanfares and flags proclaiming our new age.” This was a fascinating read for me personally, given the similarities between Heck’s experiences and those of my father, and it was an invaluable resource as I wrote my own novel. 

Based on a true story, this novel focuses on Anna and Otto Quangel, a working-class married couple who begin to resist the Nazis after losing their only son in the fighting. The novel is dense, immersive, and rich with characters, ranging from rabid Nazi members to those opposing the murderous goals of the party and those in the middle trying to survive the regime. “Most people today are afraid, basically everyone, because they’re all up to something forbidden, one way or another, and are worried someone will get wind of it,” Quangel thinks to himself. Fallada wrote the novel in just twenty-four days while in a mental institution, and he died before it was published. A compelling read with characters that linger in the imagination.

In this devastating collection, Böll explores the emotional aftershocks of war. German soldiers grapple with the desire to flee, to understand what they’ve lost in the fighting, and to make even fleeting connections with each other and the civilians they meet in the bombed out cities and towns. In “Stranger, Bear Word to the Spartans We…” a wounded soldier only gradually comes to realize the extent of his injuries. The weight of the war works its way through all the stories in one way or another, even when the narrators don’t expressly refer to combat or the regime.

An epistolary novel written as a letter from an elderly German man explaining his time as a soldier on the Eastern Front to his grandson. The novel has both the immediacy of a wartime narrative and the introspection of a memoir. “Eat now, sleep now, march now, follow your leader — that’s what they’d demanded of us; we’d followed, and they’d led us into disaster,” the narrator says as he describes his own predicament, but it serves to explain the horrors of the regime as a whole. It resonated for me personally, highlighting the silence and shame that surrounds the experiences of so many Germans who were young adults during WW2. Starritt is half-Scottish and half-German, and We Germans was inspired in part by his grandfather’s time on the Eastern Front. The novel was the recipient of the Dayton Peace Prize.

We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace. 

Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later. 

The Gentleman Bastards are a fun, exciting group with a connection that feels genuine throughout the story and has, by far, some of the best and most hilarious dialogue I've ever read in a book. I've also learned quite a bit about fantasy storytelling from this story, in that you can craft a compelling fantasy story without huge, world-changing stacks by making the characters emotionally motivated in their goal.

The mystery was also a pleasant surprise, as it incorporated clever clues and plot points that came together nicely for a satisfying conclusion. Actions and choices actually weighed in on the events.

Rydr is on her way from California to Chicago via rail, to meet a relative who will take care of her now that her grandmother no longer can. What I love most about this book—aside from the fact that it takes place on the California Zephyr, one of my very favorite train rides in the world—is that Rydr’s experience is so influenced by the strangers she meets on the train. That’s why I love train travel so much: you never know who you’re going to meet. And you almost always end up sharing a meal and a story with someone you would never have met otherwise. 

This might seem like a strange recommendation, since the Shadow & Bone Trilogy is already popular and is certainly not known to be a seafaring adventure with pirates and magic.

While the whole trilogy isn’t, the second book Siege and Storm is, and it features one my top favourite pirates of all time, Sturmhound. The sarcasm and the wit of this character gives me life, and I would follow this man across the seas.

On top of this, the entire trilogy is full of adventure (on the land and sea) morally grey characters, found families, betrayals, and a setting set in a long ago Russia. So it ticks all my boxes and then some. 

Do not be put off by the fact this book, and the others in the Sally Lockhart quartet, are often marketed as children’s/YA literature. Like the best of fiction, they transcend categorisation.

The Ruby in the Smoke introduces us to the indomitable Sally Lockhart, orphaned and forced to uncover the secret behind her father’s death. She’s feisty and fiercely independent, navigating her way in a world where the chips are stacked against her. Pullman provides us with an impeccably researched foray into the 1870s, all wrapped up in a hugely entertaining read. 

One of the wonderful things about Tomi Ungerer’s books is that the characters and stories are so unexpected. The pictures in The Three Robbers are powerful and beautiful, with lots of black at the beginning when the robbers are being monstrously bad and stealing from their hapless victims. But by the end of the story the blue, green, yellow, red, and white have taken over the pictures and the robbers’ hearts have been melted by a little orphan girl. It is a joyful story of robbers being reformed and doing good with all their ill-gotten gains. The colours themselves help so much in communicating the emotions of the story.