Here are 100 books that The Writer's Compass fans have personally recommended if you like
The Writer's Compass.
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I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
I connected with the author on LinkedIn and fell in love with the grammar tips she would post. Then I discovered her book on proofreading tips and had to grab my copy. Every single page had me grinning and bobbing my head. I love how she can turn a grammar rule into something fun and memorable. Whether you’re a writer, editor, proofreader, or even publisher, I would recommend adding this fantastic read to your collection.
English can be beastly. With all its soundalike and lookalike words, its peculiar punctuation rules, its ridiculous spelling inconsistencies, and those teeny-tiny apostrophes that love landing in all the wrong places, writing can get downright intimidating.
HAVE NO FEAR! Unflubbify Your Writing is here! Packed with fun examples, this book shows you how to:
Keep spellings straight: capital and capitol, stationary and stationery, forego and forgo, etc.
Avoid comma splices and grocer’s apostrophes.
Pluralize last names.
Understand when to use fewer instead of less.
Use i.e. and e.g. correctly.
Know when—and when not—to…
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
This was one of the first books I bought when I started my proofreading career. It has come in handy so many times and still does as a refresher. It not only shares the grammar or punctuation rules for one style, but has actual comparison lists for each style out there. Want a good reminder about the rules that guide the best writing? This is one of the best books to have on your library shelf, period.
This all-in-one reference is a quick and easy way for book, magazine, online, academic, and business writers to look up sticky punctuation questions for all styles including AP (Associated Press), MLA (Modern Language Association), APA (American Psychological Association), and Chicago Manual of Style.
Punctuate with Confidence—No Matter the Style
Confused about punctuation? There’s a reason. Everywhere you turn, publications seem to follow different rules on everything from possessive apostrophes to hyphens to serial commas. Then there are all the gray areas of punctuation—situations the rule books gloss over or never mention at all. At last, help has arrived.
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
Another excellent book about plot and the importance of making sure you have a good one. The difference between a good plot and a great plot is a bestseller. If you want your story’s plot to speak of mastery, do not miss out on reading this insightful book. Add it to your personal library for good measure. It’s always a good idea to have it there, so you can reference it in the future even after finishing it.
Discover how to create stories that build suspense, reveal character, and engage your audience with this ultimate guide to writing.
When it comes to writing bestsellers, it's all about the plot. Trouble is, plot is where most writers fall down-but you don't have to be one of them. With this book, you'll learn how to create stories that build suspense, reveal character, and engage readers-one scene at a time.
Celebrated writing teacher and author Martha Alderson has devised a plotting system that's as innovative as it is easy to implement. With her foolproof blueprint, you'll learn to devise a successful…
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
This book played a part in my main source of income. Starting my own proofreading business wasn’t easy. I did have help from others, but I wanted to mention this book as a good starter to give insight and ideas on how to start your own freelance proofreading business. You can start it as a side-hustle, or you can go full-time, it’s up to you!
Proofreading is a highly marketable skill that makes for a great side-hustle or second income, especially for teachers. As more people write a variety of content across numerous industries, opportunities abound for professionals with above average language skills to bankroll their knack for words into a profitable home-based business. Now more than ever before, the stage is set for good writers, editors, proofreaders and teachers to sharpen their skills and promote their services. The field of freelance proofreading is wide open with potential clients everywhere. For the curious and the determined, Start Your Proofreading Side-Hustle: Maximize Your Writing Skillsanswers the…
As a reader and writer, I work with a pretty broad definition of “mystery.” You’ll find my own novels in the fantasy section of the bookstore, but my books are mysteries too — and romances, and tales of adventure, and intimate character studies, and reflections on our reality, no matter how fantastical the worlds in which they take place. I love melding genres! So when I think of my favorite mysteries, I try not to limit myself to the mystery section of the bookstore. Few things make me happier than discovering partway through a book that a mystery has been building that I didn’t even notice.
The less I say about the plot of this book, the better your reading experience will be. I avoided reading the flap copy, and I recommend you do too. What I can promise you is this: a book set in Arizona and firmly grounded in the reality of racism and deportation in the USA, mixed together with spirituality, mythology, sci-fi pop culture, a surprising solution to a mystery, and, just possibly, aliens from outer space. Plus, beautiful writing! This is one of those books with super short chapters, each of which is a little gem. I loved it.
“In a world where we are so often dividing ourselves into us and them, this book feels like a kind of magic, celebrating all beliefs, ethnicities, and unknowns.” —The New York Times Book Review
Aristotle & Dante Discover the Secrets of the Universe meets Roswell by way of Laurie Halse Anderson in this astonishing, genre-bending novel about a Mexican American teen who discovers profound connections between immigration, folklore, and alien life.
It’s been three years since ICE raids and phone calls from Mexico and an ill-fated walk across the Sonoran. Three years since Sia Martinez’s mom disappeared. Sia wants to…
I experienced being a parent as a return to my own childhood. As much as I enjoyed teaching my children, I loved learning from them as well. That got me thinking about how one might recapture the joys and insights of childhood. As a philosopher interested in education, I have long wondered whether we leave childhood behind or somehow carry it with us into old age. I discovered that several important philosophers, such as Aristotle, Augustine, and Rousseau have keen insights about the relation of childhood to adulthood. And the biblical Jesus seems to have been the first person to suggest that adults can learn from children.
David Norton really shakes up our assumptions about human lives. According to him, we develop within the stages of life but not across them. The goal of life, he says, is self-actualization, meaning to become who we really are, but this goal excludes childhood because children don’t have a self to actualize and old age because the elderly cannot actualize their selves.
At each stage, we solve problems unique to that stage: for example, reconciling ourselves to death is a stage that might happen at any age from 18 to 80. Each stage is unique and cannot be compared to other stages. I found Norton’s book to be very insightful and thought-provoking.
What is the meaning of life? Modern professional philosophy has largely renounced the attempt to answer this question and has restricted itself to the pursuit of more esoteric truths. Not so David Norton. Following in the footsteps of Plato and Aristotle, Kierkegaard and Nietzsche, Jung and Maslow, he sets forth a distinctive vision of the individual's search for his place in the scheme of things. Norton's theory of individualism is rooted in the eudaimonistic ethics of the Creeks, who viewed each person as innately possessing a unique potential it was his destiny to fulfill. Very much the same idea resurfaced…
I’ve always been fascinated by the power of language to propel everything we think—from our values and beliefs, to political views, to what we take for absolute truth. Once I learned there’s a whole field devoted to studying language called “rhetoric”—the field in which I’m now an expert—there was no turning back. Rhetoric has been around for more than 2,000 years, and since its inception, it has taught people to step back from language and appraise it with a more critical eye to identify how it works, why it’s persuasive, and what makes people prone to believe it. By studying rhetoric, we become less easily swayed and more comfortable with disagreement.
I love tracing things back to their roots. Rhetoric was the first discipline devoted to the study of language, and this was the first book written on that subject. Although it’s over 2,000 years old, many of Aristotle’s insights floor me with their timely relevance.
Aristotle was the first to explain how language creates emotional effects and how negative emotions especially prompt us to act. Because it feels as though emotions well up inside our bodies, we feel that what stirs them must be real. Negative emotions are particularly persuasive in this regard because, Aristotle observed, we enjoy feeling them.
It’s fascinating to me that Aristotle discovered what brain science has discovered only recently: We’re negativity junkies, and the way we talk can change the way we feel.
Based on careful study of the Greek text and informed by the best modern scholarship, the second edition of this highly acclaimed translation offers the most faithful English version ever published of On Rhetoric. Updated in light of recent scholarship, the new edition features a revised introduction--with two new sections--and revised appendices that provide new and additional supplementary texts (relevant ancient works).
I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
Peter Garnsey was my PhD supervisor and he is a generous soul with a love of big topics. This book gives an overview of the many ways in which the ancients thought about slavery. It is true that there was no Roman abolition movement, but many ancient writers thought deeply about slavery and the issues involved. Sometimes they justified it, other times they criticised it, but throughout slavery was seen as unavoidable. The Christians called their God “dominus” just as slaves would have done their master.
This study, unique of its kind, asks how slavery was viewed by the leading spokesmen of Greece and Rome. There was no movement for abolition in these societies, nor a vigorous debate, such as occurred in antebellum America, but this does not imply that slavery was accepted without question. Dr Garnsey draws on a wide range of sources, pagan, Jewish and Christian, over ten centuries, to challenge the common assumption of passive acquiescence in slavery, and the associated view that, Aristotle apart, there was no systematic thought on slavery. The work contains both a typology of attitudes to slavery ranging…
I’m an artist, designer, writer. I usually work in collage. I enjoy how the constraints of collage generate more inventive thinking, forcing me to come up with unexpected solutions. I also like how the found material retains traces of its original context. I’ve always been interested in the interplay between words and images – for 15 years I did the weekly Lost Consonants series in the Weekend Guardian – and that gradually led me to writing fiction. All my books have visual or structural elements designed to bring an additional narrative dimension to the story. Over the years, I’ve become fascinated by what makes great stories great. Hence this list.
Another book focusing on the medium of film, but again the lessons to be learned about good storytelling are universal. Alexander ‘Sandy’ Mackendrick directed such classic Ealing comedies as The Man in the White Suit and The Ladykillers, also the Hollywood masterpiece, Sweet Smell of Success. After retiring from filmmaking in 1969, he spent nearly 25 years as a professor at CalArts in Los Angeles where he helped students to write better stories and communicate them effectively through the craft of filmmaking.
This book is compiled from Mackendrick's legacy of masterly handouts and lectures. One section I found incredibly insightful is his comparison of two versions of a key scene from the script of Sweet Smell of Success (initially written by Ernest Lehman and subsequently rewritten by Clifford Odets), seeing how increased tension between the characters is achieved.
An invaluable analysis of the director's art and craft, from one of the most revered of all film school directors. Alexander 'Sandy' Mackendrick directed classic Ealing comedies plus a Hollywood masterpiece, Sweet Smell of Success. But after retiring from film-making in 1969, he then spent nearly 25 years teaching his craft at the California Institute of the Arts in Los Angeles.
Mackendrick produced hundreds of pages of masterly handouts and sketches, designed to guide his students to a finer understanding of how to write a story, and then use those devices peculiar to cinema in order to tell that story…
I grew up in a world steeped in pre-Vatican II Catholicism including four years spent in a Catholic religious order. My theological training led me to philosophy, to question my theology, and to my life as a philosophy professor. There's a blaze of light in every word, Leonard Cohen says, so I've been seeking the blaze of light in the word God. My idea is that God is neither a real being nor an unreal illusion but the focus imaginarius of a desire beyond desire, and the “kingdom of God” is what the world would look like if the blaze of light in the name of God held sway, not the powers of darkness.
This book contains a magisterial rendering of the mystical poet Angelus Silesius’s verse, “The Rose Is Without Why” as part of a critical analysis of the emergence of the modern idea of “reason.”
This book has never left me since I first encountered it in my doctoral dissertation on Heidegger back in the 1960s. It landed like a bombshell on a young Catholic like me, opening a poetic and mystical sense of life free from the creeds and authoritarianism of religion as well as from the doctrinaire dismissiveness of Enlightenment rationalism.
Written at the end of his career, it encapsulates everything Heidegger was getting at. We must never forget the horrible stain of Heidegger’s National Socialism, which I have analyzed (Demythologizing Heidegger), but there is more to Heidegger than that, and you can find it here.
The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955-56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most…
