92 books like The World We Make

Magic is real. To wield it requires sacrifice.

Its allegiance shifts and changes over time. To hold it, Houses of Magic put on an epic tournament at every Turning, where their best and brightest act as champions in battle. But what the champions don’t know, because their elders have never taught them, is that the magic itself draws from a dark source, and that source is crumbling.

Powerful magician Sydney has emerged from The House of Shadows to fight for a sponsor who wishes to establish his own house. But Sydney has first-hand experience with the darkness.

And she doesn’t want to help restore the establishment. She wants to burn it to the ground.

A fast-moving, gritty, wholly satisfying read. 

In my comic strips, all my people, streets, and buildings look real because I walked those New York streets and sketched from life. Eisner’s fictional stories are also jam-packed with reality. But his people, Bronx streets, and buildings were already stored in his memory banks, ready to be released onto the page through his bold and expressive ink lines. Hang on, because Eisner will take you by the sleeve—or, more often, the throat—saying, “Look at this world, at these people, listen to them, this is life!” and you sense that it’s also his life he’s talking, and drawing, about.

Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.

What I like most about this book is its richly painted characters. The Hamlet parallel serves only as a well-crafted backdrop, and there are virtually zero instances of “clever, matchy-matchy” with Shakespeare’s text. (I hate that. Can you tell?) This book actually is clever (no quotes) in addressing themes of life, mortality, and love.

This story goes beyond Hamlet to enlist the services of other recognizable characters like Macbeth’s three witches. All of this is done with impressive craft and style. I didn’t even mind that it is, at its core, a love story, mainly because love is portrayed as a cog in a wheel that features other themes and how they are all interconnected. 

To build a better future, you must find other world builders. N.K. Jemisin is just that—someone who can craft a convincing imaginary world. I love that the characters are complex personifications—avatars—of cities, including the boroughs of NYC.

The book is in conversation with one of my favorite lyrics from artist Lucy Dacus: “You say nobody loves a city | Nobody loves what can't love 'em back.” Place is so important to the human experience in part because it shapes who we are, and we exist in relation to it. At the same time, I believe cities (towns and other spaces) *do* live, breathe, change, grow, die, and are reborn.

Jemisin’s world-building is a lovely way to explore these concepts alongside themes like justice, care, creation, and power. 

This is a modern retelling of Beauty and the Beast.

I loved that the book was from the beast’s point of view, and I loved seeing this arrogant New York high schooler undergo a transformation of both appearance and soul. The modern setting is so fun. The POV is so fun.

This is a quick, delightful read, and one I’m proud to have on my shelf. (There’s also a movie adaptation, if you’re interested.)

Valiant is a great example of why I love the morally gray so much. Like in many anime, the characters are all shown to be dysfunctional to some degree and really stand by their choices with a good amount of agency that I adore. The MC’s loss and addiction make her a relatable lead as she struggles to navigate this dark, mysterious underworld she has ended up in. As with the anime Kakegurui, her and her friends’ addictions skew their judgment and make everyone susceptible to influence if they can get what they desire. The love interest was my favorite part of this book. He is rough, but he knows what he’s talking about and helps guide the MC to a better path.

Anyone who is curious about other cities and cultures will love the complete series of the This Is… books by Miroslav Sasek. They are filled with exciting facts and the colorful illustrations are truly delightful. From New York, to London, to Hong Kong, and many more, these books will inspire you to travel the world!

I am definitely recommending some very big books here! 

This one is easily recognizable because of the size of its spine, but it’s also incredibly interesting – an economic, social, and political history of New York City from its founding to consolidation, I think the best thing about this book is all the subjects it covers which I knew nothing about. 

New York City during the American Revolution comes to mind. So does the early history of New York’s apartment buildings. There’s a reason this book won a Pulitzer Prize. 

I like the sequel too (called Greater Gotham, only by Wallace), but prefer this book, I think, because I know the post-1898 history better while much of this book was novel to me.

Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America.  Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.