Here are 100 books that The Witch of Matonge fans have personally recommended if you like
The Witch of Matonge.
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I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.
While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
Murder mysteries, thrillers, whodunnits, all in the context of the "Indian," or Native American, experience, that's my subject. But really I'm writing about family and friends. Love letters to a people and life. My mother's father was native, and I lived and worked near and on two reservations growing up, White Earth and Red Lake. My novel, for example, was written out of my experience of being a hunting/fishing guide for Sabaskong Bay Lodge. My current work, about the Indian Boarding School genocide, has been inspired by first-person witness to that atrocity.
Subversive, edifying, and laugh-out-loud funny, Yeatman’s satirical novel follows Victoria, a woman in a failing marriage, from her initial fantasies of dispatching her clueless husband to the act itself. And no less employing the necessary help of her too-sweet and clueless gal-pal, Holly.
A book about a bookworm, Victoria, it contains countless Easter Eggs and riffs on some of the greats while spinning out a wholly engaging and, by all means, original and captivating story.
“Imagine if Patricia Highsmith had written The Secret Life of Walter Mitty and instead of heroic daydreams she gave her protagonist murderous ones—that would be Bookworm. Robin Yeatman’s story is subversive, surprising, and satisfying in a way that only the best comic noir can be.”—Claire Oshetsky, author of Chouette
A wickedly funny debut novel—a black comedy with a generous heart that explores the power of imagination and reading—about a woman who tries to use fiction to find her way to happiness.
Victoria is unhappily married to an ambitious and controlling lawyer consumed with his career. Burdened with overbearing in-laws, a…
Murder mysteries, thrillers, whodunnits, all in the context of the "Indian," or Native American, experience, that's my subject. But really I'm writing about family and friends. Love letters to a people and life. My mother's father was native, and I lived and worked near and on two reservations growing up, White Earth and Red Lake. My novel, for example, was written out of my experience of being a hunting/fishing guide for Sabaskong Bay Lodge. My current work, about the Indian Boarding School genocide, has been inspired by first-person witness to that atrocity.
A sensation in France and elsewhere in Europe, David Vann is a writer of brutally unsparing narratives. This book, one of his best, surprises, shocks, and horrifies—and sometimes amuses, too—and all at once.
It is a story about a family on what should be nothing more than a hunting trip. Only after a senseless murder, it becomes a meditation on the power of myth. The story is as real as real gets, though it’s far larger than that. It becomes the stuff of revelatory—and prophetic—nightmares. It’s a big dark dream of a book, unforgettable.
A shocking, suspenseful and daring new novel from one of the greatest American writers at work today, whose previous books include Caribou Island, Dirt and Legend of a Suicide.
In David Vann's searing novel Goat Mountain, an eleven-year-old boy is eager to make his first kill at his family's annual deer hunt. But all is not as it should be. His father discovers a poacher on the land, a 640-acre ranch in Northern California, and shows him to the boy through the scope of his rifle. With this simple gesture, tragedy erupts, shattering lives irrevocably.
Murder mysteries, thrillers, whodunnits, all in the context of the "Indian," or Native American, experience, that's my subject. But really I'm writing about family and friends. Love letters to a people and life. My mother's father was native, and I lived and worked near and on two reservations growing up, White Earth and Red Lake. My novel, for example, was written out of my experience of being a hunting/fishing guide for Sabaskong Bay Lodge. My current work, about the Indian Boarding School genocide, has been inspired by first-person witness to that atrocity.
This book is a compelling and, at times, shockingly revealing story of a love that cannot be, should not be, but is.
Seventeen-year-old Mari, after an altercation at the hotel where she works, becomes involved with the perpetrator of it, a much older man of, to all but Mari, unacceptable morals. Through its unsparingly graphic depiction of the lovers’ sometimes extreme but mutual intimacies, Ogawa’s novel navigates the rarely explored region between violence and impassioned love.
A tale of twisted love from Yoko Ogawa―author of The Diving Pool and The Housekeeper and the Professor.
In a crumbling seaside hotel on the coast of Japan, quiet seventeen-year-old Mari works the front desk as her mother tends to the off-season customers. When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire,…
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Commonly thought to be about death, and our fear thereof, what I find most striking about this book is its piercing and utterly haunting analysis of the role of memories in making us who we are. The most important memories are the ones that are lost, and then return in a new form, deeply woven into our bodies, emotions, and feelings – as blood, as glance and gesture, as Rilke puts it. Rilke was a poet; this was his only excursion into the art form of the novel. So, the book falls apart after a while. But if anyone has written anything better than the first fifty pages or so, I am unacquainted with it.
First published in 1910, Rilke's "Notebooks of Malte Laurids Brigge" is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
I believe the Bible is God’s Word, that Jesus Christ is the Savior of the world, and that he loves us. But after enduring years of physical, mental, and emotional pain, special needs in one of our children, two job losses, and a degenerative ankle, I’ve struggled to understand why he’s allowed it. Over the years, God has been teaching me that there is more to our suffering than meets the eye. And what we see as pointless, God promises to redeem and use for his good purposes. As I’ve grown to trust Jesus, he’s changed me, and given me comfort, hope, and joy in the midst of my sorrows.
Sometimes the pain of our suffering is multiplied because those around us act as though grieving is a sign of weakness and lack of faith. Although we live in a world with many wonderful things, we will all experience suffering at some point. And trying to numb or avoid our pain doesn’t make our hurt and grief disappear. For that reason, I’ve been helped and encouraged by Mark Vroegop’s book because it teaches us to lament, which is acknowledging our grief and pain to God, giving ourselves the space and time to grieve while holding onto hope at the same time.
This book seeks to restore the lost art of lament in order to help readers discover the power of honest wrestling with the questions that come with grief and suffering.
I am an expert in customer retention and membership growth with 30 years of experience working with businesses across more than 80 industries. As the President of Be Unleavable, Inc., I specialize in helping subscription companies grow their membership and create loyal, dedicated customer bases. I have authored several books on the subject, including the widely-acclaimed Retention Point, which teaches businesses how to foster a group of excited fans who become their best customers and recommend the business to others. My focus is helping businesses foster long-term relationships with their customers rather than having a series of “one-night stands.”
Sticky Church may initially seem like an unconventional choice for business owners looking to improve customer retention, as it focuses on growing a congregation within a church setting.
However, the principles of customer retention remain the same across different contexts and can offer valuable insights to entrepreneurs.
Imagine enticing your customers to visit your business every week and even bringing friends and family with them - that's the power of Sticky Church.
While the book delves into Sermon Based Small Group meetings, which might not directly apply to most businesses, the underlying principles of connecting customers with each other and encouraging them to share their experiences are universal.
These ideas form the foundation of political movements, committed fan bases, and customer groups like Apple fans.
In the context of a church, Sticky Church offers unique customer retention insights that might be difficult to glean from a business-centric book. It's an…
Why closing the back door of your church is even more important than opening the front door wider.
In Sticky Church, author and pastor Larry Osborne offers a time-tested strategy for doing so: sermon-based small groups that dig deeper into the weekend message and tightly velcro members to the ministry. It's a strategy that enabled Osborne's congregation to grow from a handful of people to one of the larger churches in the nation-without any marketing or special programming. Sticky Church tells the inspiring story of North Coast Church's phenomenal growth and offers practical tips for launching your own sermon-based small…
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation.
Christianity has often been suspicious of the human imagination, equating it with what is imaginary or merely made-up, while in the secular world the arts are often seen as little more than a source of entertainment. In Lifting the Veil, Malcolm Guite explores the vision from which all his writing springs - that there is a radiant reality at the heart of things which our dulled sight misses, and that the imagination is an aspect of the image of God in us that can awaken us to the presence and truth of God shimmering through all creation.
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
You can’t overstate the impact of religion on this tumultuous period. The transition from paganism to Christianity not only coincided with, but greatly impacted everything that happened in early medieval Europe. Catherine Nixey’s controversial book focuses on that transition and shows it in full, gory detail – the violence it spurned, and the destruction it caused to the ancient culture that preceded the onset of Christianity. A necessary read for understanding the full picture of the 4th and 5th centuries in Europe.
In The Darkening Age, Catherine Nixey tells the little-known - and deeply shocking - story of how a militant religion deliberately tried to extinguish the teachings of the Classical world, ushering in unquestioning adherence to the 'one true faith'.
The Roman Empire had been generous in embracing and absorbing new creeds. But with the coming of Christianity, everything changed. This new faith, despite preaching peace, was violent, ruthless and intolerant. And once it became the religion of empire, its zealous adherents set about the destruction of the old gods. Their altars were upturned, their temples demolished and their statues hacked…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
This somewhat academic collection of articles, essays, and poems began in a Boston living room when a group of Jewish women recognized that traditional Jewish study was invariably seen through the lens of men. These women had formerly dismissed the Book of Ruth as irrelevant to them, nothing more than a tale about an old man marrying a younger woman.
They decided to compile a commentary about the Book of Ruth using female voices. These writings encouraged me to compile my own midrash (interpretation) and deeply impressed me with their understanding that this Biblical story is relevant for women today to explore powerlessness, vulnerability, loss, women mourning and rejoicing, and relationships.
"The Book of Ruth is one of Western civilization's great narratives of women's relationships. This collection of modern-day interpretations brings together the wisdom, sensitivity, and spirituality of the biblical story with the struggles and insights of contemporary women. Readers will be moved and inspired by these essays." --Susannah Heschel Editor of On Being a Jewish Feminist With Reading Ruth, two creative scholars have brought together an amazingly eclectic group of Jewish novelists, essayists, poets, rabbis, psychologists, and scholars--including Cynthia Ozick, Marge Piercy, Francine Klagsbrun, and Nessa Rapoport--to explore one of the most beloved stories in the Bible. In lively essays,…
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