Here are 100 books that The Turbulent World of Middle East Soccer fans have personally recommended if you like
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I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners.This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.
Cairo is a 1,400-year-old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people's equanimity to the very limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that colour and shape lives. Packed with incident and anecdote "Cairo: City of Sand" describes the city's given circumstances and people's attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world's most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
This book is a novel written by an Egyptian activist, Omar Hamilton, who lived through the 2011 period. The fiction approach gives the author greater freedom to explore the inner lives of the Tahrir Square activists who he knew well and the momentous events in Cairo. The non-factual approach of a novel offers something missing even in the best journalism because the author brings to life the motivations and personalities involved in the leftist movements which overthrew the Mubarak regime. His first-hand experience of the time fuels the narrative as these revolutionaries faced the failure of the uprising in the long term. The book explores these harsh realities of politics through well-developed characters and expressionistic writing that brings to life this time in Egypt.
'Omar Robert Hamilton brings vividly to life the failed revolution of 2011 on the streets of Cairo, in all its youthful bravery and naive utopianism.' - JM Coetzee
'The City Always Wins is a stirring, clear, humane and immensely savvy novel about political innocence and fearlessness. Its fictive portrayals of the Egyptian 'revolution' of 2011 are nothing less than ground-breaking.' - Richard Ford
'I finished this novel with fascination and admiration. It gives a picture of the inside of a popular movement that we all saw from the outside, in countless news broadcasts and foreign-correspondent reports, a picture so vivid…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.
Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, and Syria, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of texting and Twitter, Marwan M. Kraidy shows that the essential medium of expression was the human…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
As someone who moved to Egypt in 2012 I only experienced the 2011 Revolution in the past tense, in a secondhand way but this book puts this story in a clear, factual way. This is a meticulous work of journalism and passionate study of the time from someone who lived through the street protests and the book has combined on-the-ground reporting with wider investigation of the causes and the revolution’s achievements. The heart of the book is with the struggle of the Egyptian people during 2011 and the author knows Cairo as a city to bring alive this historic narrative for political freedom.
In The Egyptians, journalist Jack Shenker uncovers the roots of the uprising that succeeded in toppling Hosni Mubarak, one of the Middle East's most entrenched dictators, and explores a country now divided between two irreconcilable political orders. Challenging conventional analyses that depict contemporary Egypt as a battle between Islamists and secular forces, The Egyptians illuminates other, equally important fault lines: far-flung communities waging war against transnational corporations, men and women fighting to subvert long-established gender norms, and workers dramatically seizing control of their own factories.
Putting the Egyptian revolution in its proper context as an ongoing popular struggle against state…
As a children’s librarian, teacher, and
parent, I know that children have big feelings. I write heart-filled books that
speak to the issues that they deal with while navigating new experiences. I was inspired to write Evie’s Field Day because
of the frustrations most children deal with when they lose. I hope that my book will encourage children to
enjoy the process of playing sports and games with others and the rewards of
being a friend and a good sport.
Written by soccer superstar, Mia Hamm, this book shows her as a young girl and how she learned to deal with disappointment while learning the sport with her brothers and sisters. She loved being praised when she did well but she became angry and quit when she missed goals. There was a consequence – when she returned to play, she wasn’t welcomed back because “winners never quit.”
There is so much to love about this book as it shows a phenomenal athlete as a girl and the origins of her love of soccer. Also, difficult emotions that children experience are explored (without being preachy) as the young Mia learns a valuable lesson. The illustrations are adorable!
Mia Hamm, American soccer champion and bestselling author of Go for the Goal, tells a true-life-inspired story in this picture book.
Winners Never Quit! can help with the emotional side of playing sports—how to deal with a loss without getting angry or quitting, and how to be a good teammate. A strong choice for the young athlete in your family or classroom.
Soccer superstar Mia Hamm knows the value of teamwork and perseverance. She shares this lesson, paired with energetic illustrations by Carol Thompson, in this motivational story.
I am a Scottish writer who has been obsessed with soccer from an early age. I devour books, new or old, on any topic related to the game and have an extensive collection of books, old and new, that keeps outgrowing my bookshelves. I love learning more about the history of the game and especially new soccer cultures.
It’s tricky to recommend one book that just covers one footballing culture, but when a book is this good, it’s hard to leave out. The justification is that the Dutch have had an enormous influence on modern soccer, and it is their ideas of soccer and manipulation of space that are present in all of today’s top teams.
I bought this book as a 17-year-old, and it was a defining moment in my youth. I read it every five years or so. It is so thought-provoking and illuminating. I learned about art, politics, land reclamation, and, of course, the master Johan Cruyff.
If any one thing, Brilliant Orange is about Dutch space and a people whose unique conception of it has led to the most enduring arts, the weirdest architecture, and a bizarrely cerebral form of soccer―Total Football―that led in 1974 to a World Cup finals match with arch-rival Germany, and more recently to a devastating loss against Spain in 2010. With its intricacy and oddity, it continues to mystify and delight observers around the world. As David Winner wryly observes, it is an expression of the Dutch psyche that has a shared ancestry with Mondrian's Broadway Boogie Woogie, Rembrandt's The Night…
Ghanaian-born, I came to Britain aged twelve with my family and was always a lover of stories. Now a PhD-educated mum of three, it niggled that there weren’t many novels with a Black child as the protagonist, especially a Black British one. As a creative who’d acted and performed poetry in the past, I set out to write a story about a Black child in Britain overcoming challenges. Inspired by anecdotes of children remaining with relatives in their home country as their parents moved to Britain to make a life before sending for them, I was interested in writing a story about such a child after they arrived in Britain.
This is a novel about two Black British boys, eight-year-old Frankie and Shay, who are football-mad best friends, excited to be taking part in the football trials for All Cultures United, the best football team for miles, in the summer holidays. What I love about this novel is its depiction of loving family life; the realistic, believable portrayal of the boys by the writer; the exuberant love the boys have for football and seeing them go for their dreams. You don’t have to be into football to enjoy the book. A fun read.
Shay and Frankie are best friends and football crazy! They eat, sleep and breathe football (even when they're at school!). They dream about playing football, love a kick-about in the park, watch all the big games on TV... all that's missing in their lives is the chance to play for a real football team.
All Cultures United is the best club around for miles and all the footie fans want to on their team... including Shay and Frankie. Are they good enough to impress Coach Reece at the AC United trials? Can their friendship survive the competitiveness of football? Will…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
David Conn’s book was first released in 1997, just a few years after the inception of the English Premier League.
It was the first critical evaluation of the new business of football, in which he sought to understand what was being lost as the game was transformed into a branch of the entertainment industry, while at the same time accepting the many unarguable benefits that were accompanying that transformation.
Its quality and importance are evidenced by the fact that it has been republished at least five times.
It remains essential reading for anyone who wants to understand more about the opaque world of football finance, governance, and ownership.
In eight years English football has been transformed. In 1989 clubs were banned from Europe and the Hillsborough disaster exposed football's crumbling grounds. Today football is cleaned up and is also big business. Since the Taylor report forced English clubs to spend #600 million rebuilding their grounds, and since Sky and the BBC put #1 billion into the game, serious businessmen have arrived in football, and have mostly been welcomed because of the money they were "investing" into the "long-term health of the game". This book examines the transformation and asks is it still a game or a business?
I’ve been a football fan since childhood. I grew up in rural Norfolk, supporting my local club, Norwich City. Even from an early age, though, I realized that it wasn’t just the game itself that fascinated me but also the behavior and passion of the fans. However, as I grew older and became more socially and politically aware, I came to realize that many of society’s deep-rooted problems, such as racism, homophobia, and misogyny, manifested themselves in football and often went unchallenged. Researching them seemed the best way to learn more about them and then challenge them.
I found this autobiography compelling but upsetting. It is not for the faint-hearted, as it’s a blunt reminder of the kind of brutal racism that pioneering Black footballers faced. In the early 1980s, Paul Canoville became the first Black footballer to play for Chelsea. Yet, he faced horrific racist hostility from sections of his own club’s supporters, which is detailed graphically here, as is its impact on Canoville.
The book, therefore, makes for grim and bleak reading in places but is all the more important for that.
Paul Canovilles story is one of extreme racist bigotry, shattering career-ending injury, a decline into drug abuse, battles against cancer, family tragedy and a determination to beat the odds. Canoville was Chelsea's first black first-team player, making his debut in 1982. But as he warmed up on the touchline, his own supporters began chanting 'We don't want the nigger!' The racist bile continued whenever he played, but within a year he had won over the terraces with his explosive pace and skill. Canoville fell out with the Chelsea board and moved to Reading in 1986, where injury suddenly ended his…
I wasn’t really interested in the Olympics until they came knocking at my door. I lived in Vancouver during the 2010 Winter Olympics Bid. When a plebiscite was called, the Yes side plastered the city with billboards explaining why everyone should want the Olympics. Simultaneously, a much less resourced but vocal opposition argued that hosting would be an environmental, social, and economic disaster. The two sides were so far apart that my curiosity was piqued. When I began a postdoctoral fellowship in the UK, I realized that they, too, were in the midst of similar debates, as hosts of the 2012 Summer Olympics. From here a research project was born.
Olympics organizers love to produce economic impact assessments claiming that hosting this mega-event will boost the local economy by astronomical amounts.
Andrew Zimbalist is an economist who painstakingly illustrates why this is never the case. Circus Maximus is written for a lay audience, rather than an academic one, and is easily read even by us non-economists.
He clearly and methodically demonstrates how and why the Olympics and World Cup have never made money for their host cities, and likely never will.
The numbers are staggering: China spent $40 billion to host the 2008 Summer Olympic Games in Beijing and Russia spent $50 billion for the 2014 Sochi Winter Games. Brazil's total expenditures are thought to have been as much as $20 billion for the World Cup this summer and Qatar, which will be the site of the 2022 World Cup, is estimating that it will spend $200 billion. How did we get here? And is it worth it? Those are among the questions noted sports economist Andrew Zimbalist answers in Circus Maximus: The Economic Gamble Behind Hosting the Olympics and the…
