100 books like The Talk

It’s near impossible not to fall for the lure of urban history when a skilled writer brings to light compelling stories of the men (atlas no women in this book) who transformed New York into an economic powerhouse, the capital of capitalism, in the late 19th century.

Their names are familiar but not so their complete stories: J.P. Morgan, Andrew Carnegie, John D. Rockefeller, Jay Gould, Samuel Gompers, Theodore Roosevelt. The writing is so good, it’s hard to put the book down.

Dee Brown’s landmark 1970 book Bury My Heart at Wounded Knee provided a beautiful and much-needed antidote to the ‘march of the pioneers’ and Manifest Destiny narratives that held sway over much of the history of the western United States from 1850s-1890.

Over time, however, Brown’s book (and more specifically the massacre at Wounded Knee) became calcified as the ‘end point’ of histories about indigenous people. Treuer challenges this perspective by showcasing native resistance, resilience, and flourishing in the wake of Wounded Knee. Indigenous history is deep, varied, and filled with fascinating people and events—Treuer shows us how to find hope and joy in history even though there is also profound pain.

Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.

His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.

Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community. 

It’s hilarious and cringey at the same time to read this honest look at status anxiety. It’s hilarious to watch others seek status. As for yourself, you hopefully relieve your cringing because you see how status has obsessed people throughout history. 

The author says we seek the love of the world as well as the love of a partner. The quest can ruin an otherwise good life, so he offers solutions. I love his explanation of the original “Bohemians.” They were the hipsters of the 19th century! They created those impressionist paintings we love because they were aching for status.

The author is a famous British philosopher who inherited a fortune. He sees that money does not relieve status anxiety. But he misses the real reason: because we’ve inherited the brain of status-seeking animals (as explained in all of my books). 

This book calls itself a novel, but it is deeply intertwined with the author’s own life and experiences as a second-generation immigrant from Pakistan. The chapters often read more like incisive personal essays than segments advancing the plot of a conventional novel, as the author grapples with the economic obsessions and spiritual poverty of contemporary American culture, the experience of everyday racism and the rage it provokes, and the feelings of alienation that many immigrants feel from both their country of origin and their adopted home. 

The central preoccupation of the book is the difficulty of living as a complete, nuanced, self-contradictory individual in a world that forces you to choose—between cultures in conflict with each other, between absolutist world views that permit no ambivalence, between economic success and authenticity. It is a tension that may be especially pronounced in an immigrant’s life, but one that entraps everyone and results… show more.

Most of the books I read with my kids have animals as the main characters, but few books aimed at adults do, so I was thrilled to find these stories where wolves, vultures, and tigers provide nuanced, complex perspectives on a threatened world. I learned about love and deep ocean noise from a young whale and felt the loneliness of a polar bear who is parted from his mother, his twin, and others of his kind.

Through these mythic stories, I realized the deep strangeness that comes from losing my connection to other animals and the true pleasure of returning to my place as a creature of the world—something I felt when I became a mother and again as I read these stories.

This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.

By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women. 

There’s a reason this book is the bestselling success book of all time. When I first read it, this sentence changed my perspective about my wealth ability: “Success comes to those who become success conscious” (p.11). So, if there’s a secret to accumulating wealth, that’s it. According to Hill, if you think it’s impossible to be wealthy, it is, but if you think it’s possible, it is. 

The bottom line is if you’re struggling financially, look no further. This book holds the information that will mold you into a wealthy person. You will learn how to use your innate powers to attract the amount of money you desire. I was broke when I bought this book with little knowledge about the power of my thoughts. After reading it, I was no longer clueless, and I was no longer broke.

Practically every page of this book has something fascinating to say about music, and Denk has an appealing, charming, often funny voice that one doesn’t often encounter in books about classical music.

As an amateur pianist I learned more about technique from Denk than I ever expected from a memoir, from how to use my thumb “as a transit system” to rolling chords at different speeds as if I were “unrolling a carpet.”

He teaches us how to listen more acutely to the messages in music, whether it’s Bach, Mendelssohn, Mozart, Chopin, or Philip Glass, and page by page, he shines a new light on the music we think we know and how an artist approaches it.

I always felt that those with ADHD were not disordered but rather unique brains that sometimes struggled in the current highly stimulating yet sometimes sedentary modern world we live in. When I came across this book, I felt as if all my ideas had been synthesized into one comprehensive and truly revolutionary piece of literature that outlines the biology, history, and research behind why this is correct.

The author lays out why ADHD should not be considered a form of dysfunction or disorder but rather a subset of people who are “hunters in a farmer’s world.”

This book also helped me understand why some vocational tests, academic expectations, and societal norms do not support the unique ADHD brain and why thinking outside the box and asking what the powerful ADHD brain can offer our society has the potential to benefit us all.