Here are 97 books that The Snowman fans have personally recommended if you like
The Snowman.
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I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
Dickens did not “invent” Christmas, of course, but our modern understanding of it undoubtedly derives from him.
For long a Londoner, because of Dickens, Christmas still seems to me at heart a matter of foggy London streets, enclosed city houses, and window-lights and passers-by at dusk. Christmas means rituals, and I, among others, go through the yearly rite of re-reading A Christmas Carol. And every year, it’s just as vivid, as funny, and as moving as the years before.
Dickens celebrates Christmas as a time of renewal, and Scrooge finds redemption by finding the person he used to be and the person he ought to be now. Robert Louis Stevenson said that reading it made him want to do good things, and what better recommendation could there be?
Tom Baker reads Charles Dickens' timeless seasonal story.
Charles Dickens' story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by the three ghosts of Christmas past, present, and future, has become one of the timeless classics of English literature. First published in 1843, it introduces us not only to Scrooge himself, but also to the memorable characters of underpaid desk clerk Bob Cratchit and his poor family, the poorest amongst whom is the ailing and crippled Tiny Tim.
In this captivating recording, Tom Baker delivers a tour-de-force performance as he narrates the story. The listener…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
I will remain forever astonished at the epic feat of world-building in The Arrival. It thoroughly pulls me into an immersive experience where I am learning along with the main character how to navigate the new world into which he has immigrated. As he learns, we learn. I find myself so emotionally involved with his success in his hopeful new reality. The art is amazingly detailed and conveys the complex and richly visual world, yet also sets a strong emotional tone that brings us into the action.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
All my life, books have been a safe space for me to explore emotions, recognize that what I’m experiencing is universal, and see that we can cope with difficult situations. As I pursued my MFA in Writing, I studied and wrote books that address heavy topics in hopeful ways. As Matt de la Pena says, “I can’t think of a safer place to explore complex emotions … than inside the pages of a book.” The picture books I have chosen address the heavy topic of loss in sensitive, hopeful, and empowering ways. I hope these books will touch your life as much as they’ve touched mine.
Oliver Jeffers is a master storyteller. Like the girl in this story, when I lost my father, I wanted to build walls to protect myself from the pain of grief so my heart could never hurt so much again. It took time to find a way to open my heart again and continue to find wonder.
Reading The Heart and the Bottle felt like reading my own story, like Jeffers understood me. With sparce text and simple, but poignant, illustrations, Jeffers clearly shows the process of healing from loss.
Award-winning picture book star Oliver Jeffers explores themes of love and loss in this life-affirming and uplifting tale.
Once there was a girl whose life was filled with wonder at the world around her... Then one day something happened that made the girl take her heart and put it in a safe place. However, after that it seemed that the world was emptier than before. But would she know how to get her heart back?
In this deeply moving story, Oliver Jeffers deals with the weighty themes of love and loss with an extraordinary lightness of touch and shows us,…
As a picture book creator, I am always seeking to use as few words as possible – for me, the best picture books are those where the images do most of the storytelling. Wordless books take things a step further and totally engage the child in interpreting the story - the child becomes the story's voice. Wordless books have a special place in my heart and I’m always on the lookout for new silent treasures as they emerge into the wonderful world of picture books. I want everyone to experience the special magic of ‘reading’ wordless books.
A gorgeous picture book that captures the joys and excitement of being a child at the sea, playing chicken with the incoming waves. The little girl and a gaggle of gulls get braver and braver, until… SPLASH!
Suzy Lee’s lines are so fluid and expressive, her use of a limited palette works brilliantly, and there’s a clever use of the gutter (middle of the book) to build tension. Dare you not to smile and feel joy.
In this evocative wordless book, internationally acclaimed artist Suzy Lee tells the story of a little girl's day at the beach. Stunning in their simplicity, Lee's illustrations, in just two shades of watercolour, create a vibrant story full of joy and laughter.New York Times Best Illustrated Children's Book 2008
As a licensed therapist with a master’s degree in clinical psychology, I’ve helped individuals traverse grief and loss for over thirty years. But when my father passed away last year, I found myself feeling untethered, adrift in a barrage of emotions. In grief, I became more affected by even the smallest glimpse of beauty. The poem that perfectly voiced my heart. The spotted fawn appearing on the edge of the lawn. The purple of the eggplant flowering. Grief slowed me down, opening my eyes to the wonder of this achingly beautiful world we live in. It has become part of my story to endeavor to help others do the same.
For a book with no words, this gorgeous picture book tells its story better than a 50,000-word novel.
Beautifully illustrated, we watch a little girl collect flowers growing up through the cracks in the sidewalk as she walks through the city streets with her father. When they come upon a dead sparrow and she gently places a bouquet on his breast, I cry every time.
Grief speaks a simple language and this children’s book reminded me how powerful one act of kindness can be.
Winner of the Governor General's Literary Award for Children's Illustrated Book
A New York Times Best Illustrated Children's Book of the Year
In this wordless picture book, a little girl collects wildflowers while her distracted father pays her little attention. Each flower becomes a gift, and whether the gift is noticed or ignored, both giver and recipient are transformed by their encounter.
“Written” by award-winning poet JonArno Lawson and brought to life by illustrator Sydney Smith, Sidewalk Flowers is an ode to the importance of small things, small people and small gestures.
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Don’t worry; this gripping 534-page tale of mystery can sweep you through its pages in a single day, especially since its gritty-but-stunning brown and white artwork acts like a movie as it speeds you and a young orphaned boy through an underground train station and across the streets of Paris and up a clock tower in 1931. Why was the boy’s dead father obsessed with repairing a broken clock? And who is the mysterious angry old man anyway?
Orphan, clock keeper, thief: Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. Combining elements of picture book, graphic novel, and film, Caldecott Honor artist Selznick breaks open the novel form to create an entirely new reading experience in this intricate, tender, and spellbinding mystery.
I am a printmaker and book artist and author who is interested in visual narratives. I wrote a book about how to make woodcuts, linocut and engravings titled The Woodcut Artists’ Handbook. My hand-printed limited edition books and art can be found in many collections from the Fisher Rare Book Library, University of Toronto, The Morgan Library & Museum, New York City, and The Museum of Modern Art (MoMa), New York City. I am an Associate Professor of book arts and printmaking at OCAD University in Toronto, Canada.
David Beronä was a friend and fellow collector whose interest in this form of graphic storytelling was our shared passion. In his book Beronä examines the history of and art of pioneers of this form of narrative. The works of Frans Masereel, Lynd Ward, Otto Nückel, William Gropper, Milt Gross, Giacomo Patri Laurence Hyde, and lesser known artists like Helena Bochořáková-Dittrichová and István Szegedi Szüts. The woodcut images in these works are powerful and as relevant today as they were when they were first produced.
"Wordless books" were stories from the early part of the twentieth century told in black and white woodcuts, imaginatively authored without any text. Although woodcut novels have their roots spreading back through the history of graphic arts, including block books and playing cards, it was not until the early part of the twentieth century that they were conceived and published. Despite its short-lived popularity, the woodcut novel had an important impact on the development of comic art, particularly contemporary graphic novels with a focus on adult themes.Scholar David A. Berona examines the history of these books and the art and…
I’m an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best children’s books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
In 1997, Peter Kuper knocked my socks off with The System, a wordless book that exposes the underbelly of New York City as an airbrushed wonderland of strippers, druggies, the homeless, dirty cops, killers, taggers, sleaze-balls, muggers, and—oh, yes—there’s a terrorist with a bomb who wants to blow things up. Never was anything so bright and colorful so decadently revealing.
It has been said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast, and such a premise lies at the core of The System, a wordless graphic novel created and painted by award-winning illustrator Peter Kuper. A sleazy stockbroker is lining his pockets, a corrupt cop is shaking down drug dealers, a mercenary bomber is setting the timer, a serial killer is stalking strippers, a political scandal is about to explode, the planet is burning, and nobody’s talking. Told without captions or dialogue, this piece of art…
I’m an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best children’s books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
This 2006 wordless book left me open-mouthed in awe. Here’s the idea: cartoonist Trondheim was vacationing with family when he found this discarded comic from an alien spacecraft, and it’s reproduced here just as he found it, tattered pages and all. The word balloons, which point to strangely shaped creatures, contain unrecognizable letters and words—so, to those of us who aren’t aliens, this book is wordless. I think the short comic sequences are supposed to be funny, at least to the alien kids who read them, but I’m not an alien, so I was horrified at what happened to all the cute little creatures from another planet. But okay, I’ll admit it—I also laughed, in that “it’s so awful” kind of way. You’ll laugh, too.
Beaten up, tattered, and weather worn, this volume has crossed through space to become the first extra-terrestrial comic book in print on earth. The language and even the alphabet are alien, but as human readers will soon discover, the themes and stories are universal. These interwoven stories and vignettes start out quite simply, but a darker, more complex side is gradually revealed as alien characters act out very human problems, from peer pressure to intolerance to the challenges of friendship. Beneath it's apparently childlike and catoony style, "A.L.I.E.E.E.N." explores human nature, cruelty and kindness with surprising depth and loads of…
I’ve illustrated and written over 50 children’s picture books and now teach the subject of writing and illustration for all stages up to University level. I’m particularly interested when a student presents a challenging theme a publisher might balk at on commercial grounds: we have plenty of books about pirates, fairies, dinosaurs, and monsters under the bed, but relatively few on the important lessons that life can throw at a child. Race, abuse, depression, or disability (with which I have personal experience) are subjects rarely seen in book stores and can be difficult starting points for a successful children’s book. But the restrictions themselves can often be the source of great creativity.
This is a book by one of my students, and it’s the reason I first began to notice that bereavement was an important subject for children – who might experience the death of pets, grandparents, parents, or even siblings – but one in which publishers see little commercial potential. Obviously, publishers are reluctant to print a bedtime story that ends on a downbeat note, but a children’s book can often be the best way to introduce a difficult subject or concept that starts a conversation.
"Where are you Lydie?" is a special picture book centred around the subject of sibling loss, sensitively written and illustrated for children between 3 and 7 years old. It is a facilitative story and guide for young children and their parents to explore death and bereavement together and to start those difficult conversations or explore the questions that may come up after the death of a baby in a safe and inspiring space. Grandparents, Teachers, Caring Support Professionals and friends can also share the story as a platform for exploration too.
"It's Lydie's birthday today but she's not here. In…
