Here are 60 books that The Rings of Saturn fans have personally recommended if you like
The Rings of Saturn.
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
This book blew me away. I loved how it was told with a range of characters and stories converging into a single whole—like the forest and the trees. I learned more about trees than I ever thought I would care to know and loved every minute of it.
There's nothing more humbling, perhaps, than the vast forests that blanket our planet, and this novel and its unforgettable characters made me feel that in my bones. I'll never look at a tree or planet Earth quite the same way again.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
I’ve long been inspired by Butler’s writing, which features BIPOC characters front and center. As a multiracial person, I seldom saw people who looked and thought like me in the older fiction I read.
The notable thing about this book is that it’s technically science fiction, not alternate history, since the novel's beginning in 2024 (this year!). However, much of what Butler wrote has come to pass, raising one question: Has her vision of the future become an alternate version of the past? I love trying to wrap my head around that conundrum.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
Float started out as a comedy of manners set in a coastal Maine town, but the more I learned about fishing and the oceans, the more the characters began to struggle with questions about their responsibility to the natural world. By the time I was finished, Float had morphed into a dark comedy about plastic in the ocean, which is not just unsightly and a killer of sea animals, it is made from fossil fuels. I have stayed active in the fight against plastics ever since, and have participated in a number of programs on the intersection of the arts and climate science.
I like a good satire and I love Ian McEwan. Set in academia, Professor Beard, with his Nobel prize in physics clutched to his chest, is offended by the idea that art might be as good a tool for curing a sick planet as his analytical facts. For all his scientific knowledge, he fails to understand that art has power. His younger colleague tries his best, explaining how images created by art bypass the modern cerebral cortex and go straight to our ancient limbic brain which controls memory and emotion, the part of the brain where we process value judgments, judgments that exert a strong influence on our behavior. This book makes the case for climate change as an important subject in literature, art, and music, because we need to touch hearts before we can create change. And it’s pretty funny on top of it.
Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.
When Beard's professional and personal worlds collide in a freak accident, an opportunity presents itself for Beard to extricate himself from his marital mess, reinvigorate his career and save the world…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.
Fiction. A Sámi woman studying Alaska fish populations sees our past and future through their present signs of stress and her ancestral knowledge. A teenager faces a permanent drought in Australia and her own sexual desire. An unemployed man in Wisconsin marvels as a motley parade of animals makes his trailer their portal to a world untrammeled by humans. Featuring short fiction from authors around the globe; FIRE & WATER: STORIES FROM THE ANTHROPOCENE takes readers on a rare journey through the physical and emotional landscape of the climate crisis--not in the future; but today. By turns frightening; confusing; and…
I’ve always loved challenging books. They work your brain and confront your ideas. They’re written in a foreign tongue that somehow or other we understand. In my 2019 PhD, I examined how W. G. Sebald used nostalgia and the uncanny in his four great prose fictions. My own The Hands of Pianists is greatly influenced by Sebaldian techniques. It received a rave review from arguably Australia’s best literary critic and was among five novels shortlisted for the 2022 Australian Prime Minister’s Literary Awards. Five of my short stories have been longlisted and shortlisted in recent UK competitions. Last Meal won the UK’s 2020 Fiction Factory prize.
First published in 1935, The Green Child is among the strangest books you’ll ever read. It enchanted me, forcing me to believe that Olivero, a South American dictator, could fake his own assassination, return to his roots in England, and save a speechless translucent creature, the Green Child, from her sadistic husband. I revelled in the exquisite writing – Sir Herbert Read was a renowned stylist who penned the classic English Prose Style -- and the improbable’s being made real. At one time Norton Professor of Fine Arts at Harvard, Read called his novel a philosophical myth to which ‘all types of Fantasy should conform’. Itwas his only long fiction. One reviewer called it an ‘organic fusion of thought and imagination into a crystalline beauty’.
The Green Child is the only novel by Herbert Read - the famous English poet, anarchist, and literary critic. First published by New Directions in 1948, it remains a singular work of bewildering imagination and radiance. The author considered it a philosophical myth akin to Plato's cave.
Olivero, the former dictator of a South American country, has returned to his native England after faking his own assassination. On a walk he sees, through a cottage window, a green-skinned young girl tied to a chair. He watches in horror as the kidnapper forces the girl to drink lamb's blood from a…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
When one reads Bernhard, one never reads anything else the same again. In fact, every story feels false by comparison. Maybe it’s because The Loser is written in one unbroken paragraph or because it repeats a line ad nauseum or because the story, in any other writer’s hands, would feel mawkish.
But this novel about a triangular intellectual relationship between piano virtuoso Glenn Gould and his two students is anything but. It’s funny, heartbreaking, and confusing. The way life is.
Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable…
I’m an English professor, a poet, a lover of reading, and a happy husband and father. How did all this happen; what historical processes made my good fortunes possible? I get answers to these questions from great fiction and great nonfiction. It’s hard to find two more sensitive and beautifully written novels about marriage’s personal and social dimensions than Virginia Woolf’s Mrs. Dalloway and E. M. Forster’s Howards End. Their psychological insights are complemented by two marriage historians and one sociologist with broad knowledge about love’s evolution over the centuries. I’ve read these books multiple times and shared them with many students (and friends)! They never get old.
I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.
As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.
The working title of Mrs. Dalloway was The Hours. The novel began as two short stories, "Mrs. Dalloway in Bond Street" and the unfinished "The Prime Minister". It describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure.
In October 2005, Mrs. Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.
Exploring what is hidden beneath our feet has been a long-time obsession of mine, a passion has taken me into subterranean Syrian tombs, Kurdish caves, Thai grave pits, and buried Assyrian palaces. Since I break things, I let others do the digging and I do the writing. I'm particularly drawn to places that can help explain why humans became the urban species we are today. What did they believe, think, eat, drink, and dream about? And I'll take a dusty and nearly vanished mudbrick Sumerian sanctuary in a remote Iraqi desert to a crowded Egyptian stone temple any day.
This is the go-to history of Jerusalem, an easy read that makes the city’s vast past digestible. It won’t leave you feeling overwhelmed with dates and names.
This is a fine effort to tell a complicated story in a single volume, with the caveat that it lends more weight to the Jewish and Christian points of view, and less to Arab and Muslim perspectives.
A new, updated, revised edition of JERUSALEM: THE BIOGRAPHY, the wider history of the Middle East through the lens of the Holy City, covering from pre-history to 2020, from King David to Donald Trump.
The story of Jerusalem is the story of the world.
Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the site of Judgement Day and the battlefield of today's clash of civilisations. How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East? Drawing…
Exploring what is hidden beneath our feet has been a long-time obsession of mine, a passion has taken me into subterranean Syrian tombs, Kurdish caves, Thai grave pits, and buried Assyrian palaces. Since I break things, I let others do the digging and I do the writing. I'm particularly drawn to places that can help explain why humans became the urban species we are today. What did they believe, think, eat, drink, and dream about? And I'll take a dusty and nearly vanished mudbrick Sumerian sanctuary in a remote Iraqi desert to a crowded Egyptian stone temple any day.
There are many sweeping histories of Jerusalem, but this book tells the intimate stories of people and places that often get short shrift.
Teller takes us into the Arab as well as Jewish worlds of the Old City, and he serves as a gentle guide in the passionate and fraught politics of a city that, as he writes, “wears its history like a teenager wears a school uniform – joyless.”
'Original and illuminating ... what a good book this is' Jonathan Dimbleby
'A love letter to the people of the Old City' Jerusalem Post
In Jerusalem, what you see and what is true are two different things. Maps divide the walled Old City into four quarters, yet that division doesn't reflect the reality of mixed and diverse neighbourhoods. Beyond the crush and frenzy of its major religious sites, much of the Old City remains little known to visitors, its people overlooked and their stories untold. Nine Quarters of Jerusalem lets the communities of the Old City speak for themselves. Ranging…
