Here are 66 books that The Resilient Farm and Homestead fans have personally recommended if you like
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If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
First, let me explain where I'm coming from – my husband and I spent over a decade growing nearly all of our own vegetables and a considerable portion of our other sustenance on our homestead. So even though our current smaller plot only feeds us a side dish or three per day, I tend to think of gardening as something that should be good for our wallets as well as our bellies and the earth. Gardening When It Counts is all that and is 100% based on the author's personal experience growing most of his own food. Highly recommended.
The decline of cheap oil is inspiring increasing numbers of North Americans to achieve some measure of backyard food self-sufficiency. In hard times, the family can be greatly helped by growing a highly productive food garden, requiring little cash outlay or watering. Currently popular intensive vegetable gardening methods are largely inappropriate to this new circumstance. Crowded raised beds require high inputs of water, fertility and organic matter, and demand large amounts of human time and effort. But, except for labor, these inputs depend on the price of oil. Prior to the 1970s, North American home food growing used more land…
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
If you only grow from the last frost to the first frost, your gardening season is extremely short. But a few simple season-extension techniques can mean you harvest fresh food nearly every day of the year. I've used Eliot Coleman's crop suggestions and his quick hoops and can say from experience that they make all the difference during the cold season.
"Brimming with ingenuity, hope, and eminently practical advice, The Winter Harvest Handbook is an indispensable contribution."-Michael Pollan
"Useful, practical, sensible, and enlightening information for the home gardener."-Martha Stewart
With The Winter Harvest Handbook, everyone can have access to organic farming pioneer Elliot Coleman's hard-won experience. Gardeners and farmers can use the innovative, highly successful methods Coleman describes in this comprehensive handbook to raise crops throughout the coldest of winters.
Building on the techniques that hundreds of thousands of farmers and gardeners adopted from Coleman's The New Organic Grower and Four-Season Harvest, this book focuses on growing produce of unparalleled freshness…
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
I have a love/hate relationship with permaculture. I adore the concept...and when I put most authors' assertions into practice, I find that I get a much lower yield than doing things the old way. That's why I enjoy books like this one from gardeners who walk the walk, not just talk the talk. Warning: You will be sorely tempted to buy ducks. Resist, resist!
Scientist/gardener Carol Deppe combines her passion for organic gardening with newly emerging scientific information from many fields - resilience science, climatology, climate change, ecology, anthropology, paleontology, sustainable agriculture, nutrition, health, and medicine. In the last half of The Resilient Gardener, Deppe extends and illustrates these principles with detailed information about growing and using five key crops: potatoes, corn, beans, squash, and eggs.
In this book you'll learn how to:
*Garden in an era of unpredictable weather and climate change
*Grow, store, and use more of your own staple crops
*Garden efficiently and comfortably (even if you have a bad back)…
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
This is a different type of book than the ones listed above but is nonetheless essential for the gardener who wants to enrich rather than deplete their soil. Once you learn about the beneficial fungi, bacteria, and other critters that make up the soil food web, you'll think twice about tearing up their landscape with a rototiller.
Smart gardeners know that soil is anything but an inert substance. Healthy soil is teeming with life not just earthworms and insects, but a staggering multitude of bacteria, fungi, and other microorganisms. When we use chemical fertilizers, we injure the microbial life that sustains healthy plants, and thus become increasingly dependent on an arsenal of artificial, often toxic, substances. But there is an alternative to this vicious cycle. We can garden in a way that strengthens the soil food web the complex world of soil-dwelling organisms whose interactions create a nurturing environment for plants. "Teaming with Microbes" extols the benefits…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I’ve often wondered about the lives of the migrant farmworkers who come to Vermont, most often from Mexico, Guatemala, and Jamaica, but whom I only ever see in the grocery store checkout line or waiting at the service desk for cash transfers.
While it’s easy to idealize the rolling hills dotted with Holsteins, perfect for postcards and Ben & Jerry’s ice cream cartons, dairy is big business in Vermont, and, like everywhere in the US, many of our farmworkers are immigrants without legal protection. Language and cultural barriers, and their very real fears of deportation, keep these workers’ lives hidden. This book, which brings together nineteen stories of personal witness, told by immigrant workers and illustrated, graphic-novel-style, by local comics artists, goes a long way to change that. While there are some common themes—the dangers of crossing the desert, longing for home, working endless shifts in all weather—the stories are…
This non-fiction comics anthology presents stories of survival and healing told by Latin American migrant farmworkers in Vermont, and drawn by New England cartoonists as part of the El Viaje Más Caro Project-a health care outreach effort of the Open Door Clinic and UVM Extension Bridges to Health aimed at addressing the overlooked mental health needs of these vulnerable immigrants. Originally distributed to farm workers as individual Spanish language comic books, this collected edition brings the lives and voices-as well as the challenges and hardships-of these workers to an English-language audience, granting insight into the experiences and lives of the…
Dogs make great supporting characters, adding drama or humor or pathos, and revealing so much about the humans in the story. I discovered this in writing my first novel: The narrator’s dog keeps her grounded when things go wrong and makes it possible for her to keep going through difficult times. For the reader, he provides levity and depth without turning it into a book about a dog. I had a great model – I used my own dog Boris, even appropriating his name. I think of the fictional Boris as real-life Boris’s best self.
This is a feel-good book with just enough punch to keep it from being cute.
It comes with a building project, some hurricane-induced drama, a bit of romance, and two dogs.
Cooper and Bubba are the canines who wind themselves around the main characters, as most dogs do in real life. Cooper is everyone’s friend, and he orchestrates introductions.
But he’s also a bolter who gets lost just as flooding begins and evacuation becomes unavoidable.
Catherine Drake’s books are always a respite between heavier reading, and this one is one of the best.
A young, determined woman figures out life and love while staying true to herself in this whip-smart and genuinely witty debut.
Twenty-eight-year-old Hannah Spencer wants nothing more than to change everything about her life. After ten years of living in cities, Nathan Wild has just moved back home to Vermont and doesn't want to change anything about his.
Recently laid off from her depressing job in Boston and ready for a challenge, Hannah heads to Vermont for the summer to take care of her sister's kids and do some serious soul searching. There, against the stunning landscape of the Green…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
Few things put me off more in a novel than a protagonist I can’t relate to. With this book, though, it’s precisely the nuance of the unreliability of Charity—the female main character—that conquered me. Her bossy yet loving attitude toward her husband, children, and friends worked like a magnet. I was fascinated by her continuous shifts to and fro the ideal woman and the nightmare of a wife.
In this novel, I admired Stegner’s ability to give depth to his characters—Charity, in particular. Under different circumstances (a different story or writing style), her slap-me-across-the-face attitude might have made me throw the book across the room. Instead, it firmly sits on my bookshelf, ready to be read again in the coming future.
A novel of the friendships and woes of two couples, which tells the story of their lives in lyrical, evocative prose by one of the finest American writers of the late 20th century.
When two young couples meet for the first time during the Great Depression, they quickly find they have much in common: Charity Lang and Sally Morgan are both pregnant, while their husbands Sid and Larry both have jobs in the English department at the University of Wisconsin. Immediately a lifelong friendship is born, which becomes increasingly complex as they share decades of love, loyalty, vulnerability and conflict.…
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
I’ve always been a Thomas Perry fan going all the way back to The Butcher’s Boy, and thoroughly enjoyed his Jane Whitefield series. His novel, The Old Man, was recently adapted for television, starring Jeff Bridges, who’s perfect as the protagonist. The thing I’ve always appreciated about Perry’s books is his careful plotting and attention to detail, which is particularly noticeable in the Jane Whitefield books. The other thing about his books is the way he can turn a villain —like the Butcher’s Boy—into a likable protagonist.
To all appearances, Dan Chase is a harmless retiree in Vermont with two big dogs and a grown daughter with a life of her own. But most sixty-year-old widowers don't have multiple drivers' licenses, savings stockpiled in banks across the country and two Beretta nanos stashed in the spare bedroom closet. Most have not spent decades on the run.
Now, the toppling of a Middle Eastern government suddenly makes Dan Chase, and the stunt he pulled thirty-five years ago as a young hotshot in army intelligence,…
When I met my husband, he had two dogs—Gus the collie and Charlie the Yorkie. When the collie crossed the rainbow bridge, we brought another big dog into the household—a golden retriever. Charlie let Sam know that my husband was HIS human, and Sam could have me if he wanted. That began a beautiful twelve-year love affair. I knew I had to write about the relationship between man and dog, and chose the mystery novel as my framework. I spend hours every day researching my books – walking my current goldens, Brody and Griffin; feeding them; grooming them; playing with them; and observing how they interact with the world.
This book was short-listed for the Mary Higgins Clark Award and named the Dogwise Book of the Year. It features ex-soldier Mercy Carr and retired military K-9 Elvis, who were both traumatized when Mercy’s fiancé—also Elvis’s handler—was killed on their last deployment.
Paula Munier is another author with a deep connection to the natural world. She is studying for a naturalist certificate in her home state of Vermont, and the books are full of great details.
It may be the Fourth of July weekend, but for retired soldiers Mercy Carr and Belgian Malinois Elvis, it's just another walk in the remote Lye Brook Wilderness - until the former bomb-sniffing dog alerts to explosives and they find a squalling baby abandoned near a shallow grave filled with what appear to be human bones. U.S. Game Warden Troy Warner and his search and rescue Newfoundland Susie Bear respond to Mercy's 911 call, and the four must work together to track down a missing mother, solve a cold-case murder, and keep the citizens of Vermont safe on potentially the…
I am a winegrower, farmer, writer, photographer, and pop-upeuse. I fell in love with food and wine while living and working in Italy, then returned stateside to create an homage to the people and place that embraced us and taught us so much. That endeavor--the restaurant osteria pane e salute opened with my chef husband Caleb Barber—was where I curated the wine program and became passionate about wines farmed artfully. I began working as a winegrower in 2007, a personal landscape experiment that led me down the rabbit hole of growing and making wine from hybrid varieties focused on regenerative viticulture and low intervention winemaking.
Pioneer Species is a book of poems by friend and farmer-poet Ross Thurber. A small vineyard I work with in southern Vermont, my own agricultural essay and investigation on a sense of place different than my own, is part of Ross’s Lilac Ridge Farm. Like Mary Oliver, Ross is intensely bound to the natural and cultivated world of his farm in which he lives and his poems capture a language that brings forward the light, the shadow, the fog, the till, the butterfly, the flower, the cow. I am constantly inspired by his poems to be out in my own fields and to contemplate and communicate my own place in them. A delicious collection about a deeply personal and lyrical view of farm life.
This collection of poems from Vermont farmer Ross Thurber is divided into four sections: "Green Popplewood," "Sunburnt Juniper," "Stag Horn Sumac," and "Snow Melt, Black Brook." Each section represents a seasonal form of succession that is both literal and abstract. Ultimately the poems in this manuscript have been winnowed to represent a narrative that echoes the idea that, like a lyric poem, stability is only a moment in time―one to be cherished.
