100 books like The Renegat

Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.

I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.

In 1966, I traveled to brave new worlds with the crew of the Starship Enterprise. Star Trek immediately became my lodestone, the focal point of my ten-year-old self, and I never missed an episode. A few years later I found Dune, and my love for the SF genre was cemented. I freely admit that I am not a hard science writer. I like to have fun with my stories, to play with ideas. I write first to entertain myself, and hopefully a reader or two along the way. I am a philosopher, a reader, and a writer.

In 1966, I traveled to brave new worlds with the crew of the Starship Enterprise. Star Trek immediately became my lodestone, the focal point of my ten-year-old self, and I never missed an episode. A few years later I found Dune, and my love for the SF genre was cemented. I freely admit that I am not a hard science writer. I like to have fun with my stories, to play with ideas. I write first to entertain myself, and hopefully a reader or two along the way. I am a philosopher, a reader, and a writer.

I am a geologist who studies the origin and evolution of continents, which has required traveling the world to conduct fieldwork. Most of that experience has focused on Greenland and the wilderness fringe that bounds the inland ice cap. For weeks at a time, I and two colleagues, John Korstgård and Kai Sørensen, camp in some of the world’s greatest wilderness landscapes. Over years of such research, I have come to treasure the exquisite emotional power fieldwork in wilderness settings provides. It is the most direct way to begin the journey of understanding the place of humanity in the unfolding progress of cosmic evolution and was the impetus for my recent book.

My childhood diary entries often turned into poems. Writing and art have been in my life a long while. After earning a BA in Advertising and Design, I became an art director for Prentice Hall, a large educational publisher. My reading tastes are eclectic. Reading the work of poets came to me later in life when poetry began oozing out my pores. I’ve maintained an art & writing blog since 2014. I self-published an illustrated collection of poetry in 2016. My work has been published in a variety of journals. Do check out the books on my list, they are unique, just like you.

I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that. 

As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.

Murder mysteries, thrillers, whodunnits, all in the context of the "Indian," or Native American, experience, that's my subject. But really I'm writing about family and friends. Love letters to a people and life. My mother's father was native, and I lived and worked near and on two reservations growing up, White Earth and Red Lake. My novel, for example, was written out of my experience of being a hunting/fishing guide for Sabaskong Bay Lodge. My current work, about the Indian Boarding School genocide, has been inspired by first-person witness to that atrocity.   

I’ve been in the DEI trenches for over 20 years, and let me tell you, it's been one hell of a ride. As a Black woman navigating this shit show, I've seen it all—from clueless executives to well-meaning “allies” who can't get out of their own way. My passion? Calling out the bullshit and actually making DEI work. I've gone toe-to-toe with tech giants, founded Inclusology, and now I'm tackling a second PhD because I believe in the work, even at is most discouraging. DEI-ing is my no-holds-barred guide to creating real change. I’m all about busting AI bias and building DEI that sticks, not just some feel-good fluff.