72 books like The Pugilist at Rest

This wild, uproarious classic still makes me laugh out loud when I read it, though I must have been through it eight or ten times. And while it’s darkly funny, that’s not even the best thing about it.

This book gives an intimate portrait of early-seventies drug culture, as well as American society and its political realities, in real-time. There’s no sense of distance or retrospection, except when he thinks about the countercultural explosion of a few years earlier. He sees it nostalgically and clearly sees its demise. Not everyone will agree with his assessment of that demise, but his take on it is an important one. For all its hilarity, it’s a very dark book.

As a young man, Ken Kesey worked as an orderly in a psychiatric ward and participated in CIA-funded hallucinogen studies conducted in the hospital. Looking out at the patients and nurses, he wondered what separated them.

What emerged from those experiences is the mesmeric narrator of his first book: the giant, Chief, sees the world through a terrifying poetic lens. Observant and cunning, he perceives all the forces of authority and conformity as a single machine he calls “The Combine.”

Kesey’s novel is a fable about the power of the individual to oppose any coercive larger force, even if victory isn’t certain. It’s dark, unflinching, and profoundly on the side of the freaks.    

I grew up in rural Ireland, so not exactly the gritty urban Scotland of Welsh’s novel, but the first thing that struck me about the book was its savage, semi-feral, intensely real Scottish dialect. I’d never seen anything quite like it in print.

The prose feels almost illegal, a ne’er-do-well that has simply decided to break into the publishing house and force its way onto the page without anyone’s permission. I didn’t consciously plan to steal this technique for my own novel, but how could I not endorse it?

Welsh has written more explicitly psychedelic works, but this book remains for me his masterwork, underscoring how, in many ways, his protagonist Renton’s life is at its weirdest when he tries to get sober.  

Many could argue that picking the most mind-bending Philip K. Dick book is an impossible task. His imagination spawned some of the best science fiction books of his era, which inspired several groundbreaking films (Bladerunner, Total Recall, Minority Report, etc.) I agree: it’s impossible to pick one.

But I love this book because it explores an intriguing idea from drug-induced psychosis—that of cross-chatter, or the notion that the brain’s two hemispheres can keep secrets from each other. The story follows the hapless Bob Arctor, an undercover narcotics agent trying to spy on himself and his junkie friends who are addicted to the mysterious Substance D. 

Dick conjures a mesmeric psychedelic tale, at turns hilarious, unnerving, and a poignant farewell to real-life addict friends who died too soon.  

The quality and production of this phenomenal hardcover of imposing size are mesmeric. Its metaphoric text on mental illness and accompanying artwork are visually appealing and poignantly immersive. Transformative text transports the reader, any reader—child, young adult, adult—to beauty and hurt, evolution and transformation. The perfect book for anyone living with psychosis or other illness, and for everyone else to understand the fragility of debilitating conditions.  

Slipstream fiction doesn’t get more uncanny than this collection of short stories featuring dead children and sometimes parents behind those deaths. The Forest of Dead Children is a startling book, absolutely alarming, in its suspense and incongruity pertaining to matters of little ones, especially if you’re a parent. The allure of European slipstream author Andrew Hook’s collection is in its darkness and revelation of the potency and frailty of parenthood, right there on the balance, and what, what, could possibly go wrong? Wholly unconventional and disturbingly captivating. 

This book comprehensively addresses a wide range of topics geared toward teen music students, from the foundations of practicing and understanding theory to working with a teacher and parents, playing in an orchestra, or planning a music career. Although some of the topics are useful for any musician (such as practice ideas and improving one’s musicality), this book is best for guiding adolescents on a musical path.

This is a nice resource for teachers to have at their disposal. The book encompasses various grade levels. It was nice of the author to give permission to teachers to make copies for their classrooms. I love that besides the lessons, games, worksheets, and puzzles, it also includes a listening CD and PowerPoint presentation.

Booth wrote this book to be a complete guide for musicians seeking to expand their careers by offering educational concerts and in-school residencies, but the unusual title is likely a subtle reference to “lessons” that challenge widely accepted assumptions in the world…of music performance.

Open to any chapter to read important, focused information on designing a compelling educational concert, but it doesn’t take long to come shocking statements like “being a teaching artist makes you a better artist” (is it possible?) or a demand that we answer the question “why an inner-city fifth grader should give a damn about Mozart” (you mean they don’t?).

Whether Booth is astutely defining the difference between entertainment and art, exploring the importance of good questioning, or reminding us how play is essential to learning and growth, the nuggets of teaching wisdom embedded in these pages are worth their weight in gold.

The Listening Book is about rediscovering the power of listening as an instrument of self-discovery and personal transformation. By exploring our capacity for listening to sounds of music, nature, and one’s own breathing, we can awaken and release our full creative powers. Mathieu guides the reader to hearing the connections between all sounds of music and everyday life. It is insightful and surprising to notice what is around us at any moment of the day and apply this heightened awareness to understanding and connecting with music listening or performance. This awareness can be neglected but applicable to connecting our inner soul with the outside world and to life. Brilliant illuminations from a genius composer, musician and teacher W.A. Mathieu.