94 books like The Obituary Writer

This masterpiece is a story of the Grimké sisters, Sarah and Angelina—path-breakers in the abolitionist and women’s rights movements—interwoven with the story of Hetty, a young slave girl given to Sarah on her 11th birthday.

Hetty and Sarah find their way through the prejudice and barriers of a patriarchal society that views them as less than. Both learn to soar.

This book affected me deeply as a writer. Kidd is simply a master of words. But the story itself stripped away my naivety about what our society would look like had these women not taken on the patriarchal system. It is jolting to realize that the fight for women’s rights is not over, but ongoing.

We owe such a debt to those who struggled through the painful and sometimes deadly slings and arrows of culture to stand up for what was right. And we are not done.

The Orphan Train is a novel about forgotten and neglected children left to fend for themselves in an antiquated welfare program. The story weaves memories of an old woman with the naiveté of a present-day teenager teaching the reader that everything is not as it appears.

Christina Baker Kline breathes life into a horrible moment of American history making us rip the bandage off, look at our past and see the unexpected silver lining.

I love this book because it has everything, believable, engaging characters, a riveting plot, a vivid setting, and a cause. Larger-than-life Margery O’Hare and lady-like Alice are unlikely friends, but friends they become in this great story.

When I first saw photos of those "librarians on horseback," the wonderful women who responded to Eleanor Roosevelt’s call to take books to the rural poor of Kentucky in the depressed 1930s, I longed to know more. Jojo Moyes gives us lots more. There’s an array of well-drawn characters, but it’s Margery and Alice who drive the story forward, defying the odds to achieve their aims and find men who love and appreciate them.

Yes, it’s a love story, too, and a whodunnit? Perfect!

I recommend One for the Blackbird, One for the Crow for three reasons. First, it’s set in the same general time and place as my novel and depicts many of the hardships that frontier women faced in the second half of the 19th century. It also tells a story about an unlikely but necessary friendship, thematically akin to my novel. And finally, the prose is lovely and a joy to read.

Upon receiving the news that her two young daughters had been killed by a drunk driver, Genevieve Jurgensen didn’t think she could go on, let alone ever write about her loss. Fortunately for us, she eventually found a way to tell this story. Through letters to a friend, she draws us in, circling the pain of that terrible day, musing about the mysterious ways in which loss can coexist with a happy, ongoing life. With its raw and intimate feel, the book is a profoundly moving testimony to the complicated process of healing.

In late 1950s London, Jean Swinney is a journalist on a local paper, resigned to being given the soft 'women's interest' stories at work, and going home each evening to her crochety, demanding mother.

I worked as a journalist in the 1980s, and even then, the women on the team were often patronised and the men kept the good stories for themselves, so I could absolutely empathise with Jean.

She's far from your classic heroine yet Clare Chambers writes her so beautifully: thoroughly fed up with her lot, yet managing to keep a wry sense of humour and find small moments of pleasure in life.

As a peculiar work assignment led her to a chance at happiness, I was on the edge of my seat, hoping for a happy ending.

Claudia Jones was a Black Trinidadian woman who moved with her family to Harlem during its Renaissance. Her experiences seeking work radicalized her, and she joined the Communist Party. In 1952, the United States government deported her, and because the colonial government of Trinidad wouldn’t accept her due to her political commitments, they sent her to Britain.

There, she became the editor of the West Indian Gazette, which brought together global and local news. Jones was one of the first people I chose for my book because her life experience and writing show us that solidarity is never a flattening of identity. Instead, it is reaching beyond ourselves to find a connection in shared struggle.

I include this refreshing travel memoir for escapism – something to be savoured as well as to stretch the mind. Written by an open-minded British author, it describes her solo trip around the Islamic Republic on a motorcycle. By turns entertaining, amusing and full of love for a country and people of which she had no knowledge beyond Western propaganda, it is brilliantly written. Pryce challenges her own assumptions, widens her perspective and has a blast in an engrossing, compelling, easy-to-read travelogue.

Without Reservations gave me hope following the death of my beloved husband of 37 years. Living with his unique and nontraditional worldview, I’d grown into and inhabited a wider, less conventional way of being than my suburban middle-class upbringing had prepared me for. But once he was gone, what and who was I going to be? Steinbach’s travelogue goes to many of the places my husband and I traveled in England and Europe, and that brought reminiscences of great pleasure. But it was her inner journeying in search of her soul that gave me the courage to embark on the inner travels toward self-discovery and the independence I faced in a newly widowed existence.

I often wonder what inspires someone to write, and in this book, Lesa Cline-Ransome does a great job of explaining how Ethel Payne became such a groundbreaking journalist.

I love that this book will inspire young readers to listen to stories like Ethel Payne did her entire life. The distinctive illustrations complement the lyrical text beautifully. What I also like about this book is that it’s a great example of writing articles. The book shows Ethel’s passion for the written word as a journalist and her persistence in telling the stories.