100 books like The Naming

Sabriel by Australian author Garth Nix is a YA dark fantasy that captivated me with its visceral descriptions of Charter magic and the brutal realism of life in the Old Kingdom—where the dead do walk.

The protagonist, Sabriel, is raised in a mundane, magic-less world beyond the Wall but is thrust into a realm teeming with dark magic as she searches for her missing father. This journey forces her to grapple with her identity as she navigates the expectations of others who see her only as her father's successor while she remains steadfast in her determination to find and rescue him.

This struggle for self-definition amidst external pressures is a theme that resonates deeply, making Sabriel a must-read for those who appreciate immersive worlds.

Echo North combined several familiar-to-me folk tales, and introduced me to the tale of Tam Lin. I loved the blending of known and original—especially the mirror room, where stories layered upon stories and acquaintances took on completely new qualities. The sewing together of a fracturing magical house also fascinated me. I was never sure about the intentions of certain people until the end, and despite guessing wrong, I was delighted by what really was happening.

I loved this book since before it was published.

I gave a quote for the cover of the first printing of it, in fact. Fifteen years later, it still remains a book that can carry me away to a world where magic is not a gift but a challenge to overcome.

Kristen had a fresh idea here, but it still folded into my love of adventure and magic and finding out who we are inside.

That’s a story that will always get my attention, and the writing in this one is also lush enough to make me want to pause and re-read lines.

Anna writes cozy romantic fantasies that feel like getting a hug from your best friend.

A Cinderella retelling (we love a retelling!) in which our main character, Selah, has to travel the world to find a husband to save her family’s legacy, this book will have you giggling and gasping all the way to the end. And don’t worry – there is a sequel, The Boundless, and it’s just as good.

In this brief and powerful book, esteemed historian Annette Gordon-Reed focuses on “Juneteenth”, the day (June 19, 1865) when enslaved workers in Texas were declared free by the Union Army following the conclusion of the Civil War. For Gordon-Reed, a black Texas woman, Juneteenth, recently declared a federal holiday, offers a starting point for pondering the legacy of slavery and emancipation for Afro-Texans and for thinking more broadly about the tension between history and myth. In the course of all this, Gordon-Reed tells her own personal story about navigating the often fraught terrain of her state’s legacy of racial exploitation.

This book opened my eyes to the effectiveness and consistency of the Republicans elected to Congress in 1860 in advancing their antislavery agenda, for example, by immediately abolishing slavery in the District of Columbia and requiring any new states to prohibit slavery in their Constitutions.

This book describes the earnestness with which these members of the Senate and House pursued their antislavery agenda over the vehement objections of the Democrats from states that had remained in the Union. At the same time, they were quite sensitive to the defects in the original Constitution that had permitted slavery within any of the original 13 states that had retained it. So, they amended the Constitution not once but three times to put an end to slavery and establish political equality in the United States. 

It is hard to think of any book of comparable size that packs a more powerful punch. In less than 150 pages, Camp reveals how in the antebellum South enslaved women resisted their oppression in ways that were both visible and invisible. By challenging slave owners’ control and conception of space, they carved out a “rival geography” where they, along with their friends and families, enjoyed a modicum of freedom despite longstanding and widespread oppression. Camp’s description of late-night plantation frolics, stolen dresses, and the interior walls of slave cabins redefines slave resistance in a way that highlights the efforts of enslaved women to improve the lives of themselves and their loved ones in the face of almost insurmountable odds. 

I love how author/illustrator Don Tate re-discovered and brought to life this true story of an office clerk who risked everything to become a conductor, and took it upon himself to be the record keeper, of the Underground Railroad. With his painstaking records, he reunited countless families torn apart by slavery and preserved an important piece of history. “It wasn’t his job to do,” the book says, “but William thought these written records might help someday.” This message—that we often have to step beyond what may be our “job” to help others and make a difference—will linger in the hearts and minds of kids who experience this powerful story.

Necropolis describes how the yellow fever shaped New Orleans society in the 1800s.

While the fever was killing tens of thousands of people for almost two centuries from the founding of the city in 1718 until the last yellow fever epidemic in 1905, giving its victims horrible deaths in which they cried blood and vomited tar-like bile in the process, the disease helped preserve the city’s Creole culture by killing off a large proportion of immigrants to the city who were more susceptible than native-born New Orleans.

Before reading this book, I had no idea that being “acclimated” to yellow fever by surviving a case of this horrible disease was what made white transplants into bonafide citizens of the city. 

Russell Hoban’s slim (c. 250 pp) novel is a unique futuristic dystopian science fiction political satire fantasy about the re-discovery of gunpowder in a post-nuclear Holocaust England, where disaster has regressed to the Stone Age.

I know no other book like it, and as a reading experience, it can’t be beaten. There are discoveries on every page. Its characters are hunter-gatherers controlled by a shadow government of Punch and Judy puppeteers who are trying to promote another nuclear war. Its hero is Riddley Walker, a 12-year-old 22nd-century Huck Finn. Its hook is language as miscommunication.

The art of writing has been lost and re-invented. Riddley’s phonetic misspellings of ordinary words in his journal/diary produce unintended puns and ominous misspellings and thus misreadings) of words like Parment (“Parliament”) and Hi Mincery  (“High Ministry”) that portend ill for the current society’s ignorant misuse of them.