Fans pick 61 books like The Mind in the Cave

Nicholas Humphrey is our Darwin of the human mind. I first came across him in the mid-1980s when his television series The Inner Eye was broadcast. It was a revelation to me that such an elegant, comprehensive, and beautiful theory as his existed, explaining the evolution and nature of human consciousness. I bought the accompanying book at once, and it remains for me the best explanation of consciousness—a constant source of inspiration, including for my novels. Humphrey’s social intelligence theory remains, after forty years, the most widely accepted explanation of the evolution of consciousness.

Although not Fromm’s best-known book, The Sane Society is crucial because it states for the first time a description of the human condition. I was astonished when I first read it, as it presented to me the possibility that the human condition could be described, and, therefore by implication, understood, something which had never before occurred to me. Fromm’s thesis is that society in the 20th century, when he was writing, can be characterised as insane, because it does not meet humanity’s real needs. Part of the revelation of this book is that such needs can be developed from an analysis of the human condition. Since reading the book, I have followed Fromm’s conviction that a real and true description of ourselves is crucial to humane ethical progress. 

Dorothy Rowe’s books I discovered by accident in a Winchester second-hand bookshop, placed in the psychology section. A woman of considerable wisdom gained through her psychotherapy practice and her experience of the vicissitudes of life, Beyond Fear deals with something we all have to encounter, yet which so few of us properly understand and therefore disempower. Rowe explains in this life-changing book how fear manifests through various conditions, such as depression, a subject on which she is an acknowledged expert. I love it that she refused to simplify life, confronting it in all its difficult complexities. Life isn’t easy—we all discover that.

I remember reading this slim volume for the first time and being amazed by its clarity. For elegance and power of explanation, it is impossible to beat. For me, it was the bridge between my understanding of the individual human mind and minds in societies and in culture—especially ancient and prehistoric societies. I have always been fascinated by the evolution of the mind, and books that dare to deal with that topic are rare indeed. This one stunned me with its sophisticated descriptions of the types of myth we use throughout our lives, a sophistication matched with clarity of vision rarely put down on paper. It has always been a profound inspiration to the themes of my novels.

In taking on any project dealing with the origins of art or religion in any time and place I have found Pfeiffer’s book to be an excellent and easily readable starting point. 

As an experienced journalist and writer, his ability to take on difficult subjects in the human origins story in a way the average reader can comprehend and enjoy keeps his work relevant, despite the passing years.

Following his own path through some of the art caves of southern France many years later, I found a reread of this book and the still relevant questions it asks and attempts to answer a virtual guidebook to my own understanding of this rapidly changing subject. Profusely illustrated and supported with color photos, this book challenges the reader to begin elevating both the abilities and complexity of our stone age ancestors in ways we may not have considered or even thought possible.… show more.

You cannot judge a book by its cover, especially this one.

I know it looks like a coffee table book—and it is a gorgeous book full of incredible photos of the cave painting sites and much more, all by the author—but it is so much more than that.

First off, it is an adventure story, and it quickly becomes a story of exploration and discovery. I found myself as gripped by it as by the plot of any mystery tale, and I am so grateful that the author taught me about, and inspired me to learn even more about, Baja’s amazing and mysterious cave paintings.

This book was truly an inspiration to me.

The first thing I love about this book is the very unusual use of 2nd person: “You live in a cave with your parents.” The child in this story loves exploring and using his imagination. Everyone else is busy with the job of surviving. The child sees shapes in the clouds and wonders why no one else can see what he sees. One night, without thinking, he takes a stick and draws on the cave walls. Now everyone can see what he sees, and it is the first-ever drawing. Everyone is amazed by it, thinks it is magic, and it is! The ability to use our imaginations to create art is magic, and it is what the author has done in this book, inspired by the real first drawing.

This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.

I love this lavishly produced 2013 book. It overarches my other recommended “best books for following mythical beasts through time.” Titles of early chapters—“What is an Imaginary Animal?” “Every Real Animal is Imaginary,” and “Every Imaginary Animal is Real”—encompass the book’s interplay between nature’s animals, imaginary ones, and human beings.

Open Imaginary Animals anywhere to get a glimpse of its variety and scope. Boria Sax’s interdisciplinary, learned, and conversational text sweeps across folklore, legends, myths, and natural history of worldwide cultures from antiquity to today. Accompanying art, much in color, spans a Lascaux cave painting and a photograph of a human-looking robot; throughout are fantastic creatures in paintings, early natural history engravings, and other pictorial forms.

As Dr. Sax writes, “Imaginary creatures can be overwhelming in their multiplicity.”

It is a great question, right? For your curious child (or anyone that especially likes a giggle), this is the perfect “art history, explained” reader. I’m a big fan of this one. The book is structured around twenty-two questions, and some are straightforward, like the title question, while others ("Why is everything so flat in Egyptian art?" or "Are stick men art?") might make grown-ups think differently, too. Whether you're a longtime art lover or just setting foot into a museum for the first time, I guarantee that this book will teach you something new.