Here are 100 books that The Creative Explosion fans have personally recommended if you like
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While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
No book list on any aspect of southern France would be complete without one of Peter Mayle’s many books on his travels and adventures in Provence.
His initial best seller is a grand introduction to the many small villages, customs, foods, and peoples who maintain the traditional aspects of the unique lifestyle to be found there, which in some places reflects hundreds of years with little change.
I have found in my travels that because this area of France was spared the ravages of the two World Wars, any trip to the region puts the visitor in touch with this remarkable past in a way few other European locales can. I often found myself wrapped up in the incredible history that surrounded me everywhere I went in the region, leading to my own attempt at expressing some of it.
I’ve learned that Peter Mayle, through his books, is like having…
A personal description of Provencal life as seen through the eyes of the author and his wife when they move into an old farmhouse at the foot of the Luberon mountains between Avignon and Aix. The bestselling work of non-fiction in paperback of 1991 in the UK.
While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
It is virtually impossible to write or even investigate medieval southern France, especially the famous Cathar Period without delving into this classic work.
Still available in different translations, Le Roy Ladurie takes us into the life of a 14th-century French mountain village and its people in a way no one else has ever attempted. Based upon meticulous church records of contemporary individual interviews and interrogations with alleged heretics in one small village by Church Inquisitors, the author gives us a look into the lives of common people of that time that has never been equaled.
I found myself returning to this small book time and again in creating my own setting and characters (including borrowing authentic names at times) for a near-contemporary portion of the story I wanted to build within the larger framework of time and place I was focused upon.
"Emmanuel Le Roy Ladurie has had a success which few historians experience and which is usually reserved for the winner of the Prix Goncourt...Montaillou, which is the reconstruction of the social life of a medieval village, has been acclaimed by the experts as a masterpiece of ethnographic history and by the public as a sensational revelation of the thoughts, feelings, and activities of the ordinary people of the past."―Times Literary Supplement.
With a new introduction by author Le Roy Ladurie, this special edition offers a fascinating history of a fourteenth-century village, Montaillou, in the mountainous region of southern France, almost…
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved reading this book because it’s a historical time-slip mystery. The story switches from 13th-century France to the more modern-day setting of 2005.
It tells the story of two women, Alaïs in 13th-century France and Alice Tanner in 21st-century France. The story skillfully weaves together the lives of these two women and transports you to the ancient Occitan city of Carcassonne. Not only did I learn about medieval France, but I also learnt a lot about religious persecution of the day and the brutality that accompanied that age.
July 2005. In the Pyrenees mountains near Carcassonne, Alice, a volunteer at an archaeological dig, stumbles into a cave and makes a startling discovery-two crumbling skeletons, strange writings on the walls, and the pattern of a labyrinth.
Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading…
While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
Why a book on Toulouse-Lautrec on a booklist about southern France? I might have asked myself that same question before visiting the region.
In the city of Albi, attached to the amazing 14th Century medieval cathedral there, I happened into the Toulouse-Lautrec Museum and learned he was born and raised in the town. After his death, his mother assembled the largest collection of his works, which are housed at this location. I became fascinated by his troubled and unusual life and followed him to Paris and the Moulin Rouge, where he became a famous Impressionist painter and pioneer of poster prints.
This collection of essays by several experts deals not only with his unique early life, physical handicaps, and amazing, if troubled and short, career as an artist but also delves into the larger scene of turn-of-the-century Paris in 1900 at a time when the world of art was…
Childhood illness and injuries steered Henri de Toulouse-Lautrec (1864-1901) away from customary rural aristocratic avocations and toward a profession as an artist. He became a painter, draftsman, and lithographer whose work was immersed in famously hedonistic, fin-de-siecle Paris. In his hands, advertising posters were raised to a high art; he portrayed the nightlife of Montmartre - circuses, cafes, dance halls, and brothels - with clear, bold color and a certain seamy panache that is instantly recognizable as his. His much mythologized life has found its way into many biographies and into two feature-length movies called Moulin Rouge. Lavishly illustrated with…
For thirty-five years I’ve studied and written about consciousness, the evolution of the mind, and the development of human social and cultural forms. I think we’re all fascinated by who we are and why we have minds. In my case, that fundamental question, which we must all answer in some way during our lives, has become a drive to bridge our theory of consciousness with a full description of the human condition. I believe we cannot progress ethically without such a bridge. Although in my novels I don’t usually write explicitly on such themes, they’re always present, providing the framework in which my characters live their lives.
There are many books on prehistoric cave paintings, but this one is an acknowledged masterpiece. For decades, the power, beauty, and intense enigma of the European cave paintings in particular have fascinated me, not least because they allow us a window into the most critical of periods of our evolution when we were anatomically and psychologically modern, yet when our cultural and social forms were newborn. I strongly believe that to complete a description of the human condition we have to get to grips with cave paintings and other forms of prehistoric art. This book presents a powerful and brilliantly argued theory of shamanism, the use of metaphor, and of burgeoning human creativity. A truly inspiring work.
What does the breathtakingly beautiful art depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, seemingly from nowhere into the human story?
The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.
I’m a writer and a teacher of writing who fell in love with France after my first visit fifty years ago. I was lucky enough once to spend a year in a small village about thirty miles west of Avignon in the south where I was able to observe, and eventually participate in, the daily life of this village. I wrote my book, French Dirt, about that experience. I have read intently about the South of France ever since with an eye for those books that truly capture the spirit and character of these people who are the heart of this storied part of France.
Break of Day is a uniquely beautiful book, short and elegant. It's about the solace Colette's house and garden in the South of France provided her after a broken marriage. No truer book has been written about that part of France, and how that land can ravish a visitor. I thought of it often when I was writing my own book. Colette had a house in the hills above St.-Tropez, and she writes about gardening, the movements of the day, her animals, the people who come and go, and the delicious, sensual tastes of that part of the world. Break of Day is also an elegy to the memory of her mother, whose strength guides the writer through her exquisite melancholy. Colette writes with a pen dipped in sun, oil, sweat, and salt.
Colette began writing Break of Day in her early fifties, at Saint-Tropez on the Côte d'Azur, where she had bought a small house after the breakup of her second marriage. The novel's theme―the renunciation of love and the return to an independent existence supported and enriched by the beauty and peace of nature―grows out of Colette's own period of self-assessment in the middle of her life. A collection of subtle reflections about love and life, it is among her most thoughtful and stylistically bold works.
A francophile and a researcher. I ran the research department of The Guardian newspaper for many years. I decided to write my book after it became apparent that there were no English language guidebooks devoted to the Lot alone (and not many in French either). I have been travelling all over France since I was a child in the 50s and discovered the Lot, en route to Spain, in about 1956. I have visited every year since. Pretty well all my interests in life are centred around my passion for this area, but extend beyond it -- history, ecclesiastical architecture, vernacular architecture of Quercy, gastronomy, cave art, the Resistance.
Not called a classic for nothing, the book covers the rivers Dordogne, Lot, and Tarn. A pioneering travel writer, Freda White was aided in her research by a little Morris Minor, her Oxford history degree, her good French, her journalism, her erudition, and a curious mind. Anyone who wants to understand the Lot in all its many guises should start here. It is written in an evocative and accessible prose.
I’m just a guy who once obsessed over Forgotten Realms novels as a kid and, now, teaches history to military officers at the Command and General Staff College at Fort Leavenworth, Kansas.In between, I got married, earned a PhD at the University of Delaware, and spent 12 years teaching in Baltimore. I’m very interested in cross-cultural warfare—as the crusades are a window into not only western and eastern warfare but also facets of cultural, literary, political, religious, and social history, studying them is endlessly fascinating and infinitely rewarding. My next book, Jerusalem Falls: Seven Centuries of War and Peace, continues my interest in the subject.
Not all crusades were concerned with Jerusalem. This book is the best military account of crusading within Christendom: the war against the so-called Cathar heretics in Languedoc (today, southern France). Launched by Pope Innocent III in the early thirteenth century, the crusade drew in an assortment of European elites, including Simon de Montfort and King Peter II of Aragon, who fought battles, raided territories, and dealt with heretic insurgents in a struggle over both territorial rights and confessional orthodoxy. Marvin’s operational and tactical analysis of the campaigns during the crusade provides a needed complement to more conventional social and religious approaches to the subject of heresy.
In 1209 Simon of Montfort led a war against the Cathars of Languedoc after Pope Innocent III preached a crusade condemning them as heretics. The suppression of heresy became a pretext for a vicious war that remains largely unstudied as a military conflict. Laurence Marvin here examines the Albigensian Crusade as military and political history rather than religious history and traces these dimensions of the conflict through to Montfort's death in 1218. He shows how Montfort experienced military success in spite of a hostile populace, impossible military targets, armies that dissolved every forty days, and a pope who often failed…
I love a library, an eccentric bookshop, or the roadside book exchange cupboards where I live in rural southwest France. There is serendipity and synergy in what can be found through browsing (as opposed to purposeful searching). I am the author of five historical novels set in medieval Europe and centred on strong female leads. Idiosyncratic bookshops and lovely libraries bring unexpected twists to my research and writing. My six-year-old grandson recently started to read after his mum and I read many bedtime stories to him. It was a thrilling moment to hear him join the ranks of readers. Writing is inspired by and learned from voracious reading.
Found in the University of Wales Trinity Saint David’s Library in Carmarthen during my MA Creative Writing.
Bogin delivers racy translations of the female troubadour poetry and a substantial essay on their context. This was a serendipitous find for me, as I was writing about an 11th-century woman in southern France at the time, Almodis de La Marche, and it set me off on another bout of research that led to another bout of writing.
Female troubadours figure in several of my novels and a very louche, Welsh bard spy is a key character in my trilogy. He is based on my best friend and muse.
This is the first twentieth-century study of the women troubadours who flourished in Southern France between 1150 and 1250-the great period of troubadour poetry. The book is comprised of a full-length essay on women in the Middle Ages, twenty-three poems by the women troubadours themselves in the original Provencal with translations on facing pages, a capsule biography of each poet, notes, and reading list.
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Anyone who wants to read a love story – all of us, surely – has to start with this story of young love set on the coast of the South of France in the early 20th century. Colette’s prose has been well matched by her translators and she’s simply a jewel of a writer and the first woman who really told the truth about love and sexuality.
The author captures that precious, painful moment when childhood retreats at the onslaught of dawning knowledge and desire. Philippe and Venca are childhood friends. In the days and nights of late summer on the Brittany coast, their deep-rooted love for each other loses its childhood simplicity.
