100 books like The Occitan War

The subtitle gives it away—this is my (and, I’m guessing, most other medieval military historians’) go-to book for that most famous of crusades. France masterfully combines a captivating narrative with abundant historical detail, keen tactical/operational/strategic analyses, and expert interpretation. Each chapter is a delight, but not to be missed is France’s discussion of medieval generalship, his close study of army sizes, and especially the three full chapters on the fighting in and around Antioch in 1097-1098—which still constitute the best scholarly treatment of the events there. Despite a rash of newer works on the First Crusade over the last three decades, this remains the standard treatment for those interested in the war’s martial contours.

If, as Napoleon once quipped, an army indeed marches on its stomach, then surely military historians should work from a firm understanding of logistics and sustainment. Conceived during a 2002 workshop on the subject held in Sydney, Australia, this volume includes fourteen substantive chapters authored by some of the foremost historians in the field, as well as one specialist in game theory! The covered subjects are impressive in scope: provisioning, finance, rates of march, supply and resupply, cartography, roads, and communications (for both Christian armies and their Muslim foes), with due attention given not only to land warfare but also naval affairs. Fourteen maps, seven figures, and sixteen data tables complete what is currently the best available book on medieval logistics.

Morton is quickly making a name for himself in military history circles, and this book won the 2022 Verbruggen Prize for best medieval military history book (awarded by De Re Militari: the Society for Medieval Military History). On the heels of his successful 2018 book on the Battle of the Field of Blood in 1119, here Morton examines the size, structure, and deployment of military forces in the four Crusader States. Along the way, he sketches a military narrative of Levantine events from the end of the First Crusade through Saladin’s triumph at the Battle of Hattin. Concluding with two thought-provoking chapters on the interpretation of battles and cross-cultural exchanges between Christian and Muslim combatants, this book updates the subfield of crusading warfare in interesting ways.

A classic. Originally published in 1956, it was one of the first retorts to the dominant strain of military history that emphasized decisive battle, as seen through the eyes of 19th-century theory. Instead, Smail advances the notion—now widely held—that medieval warfare deemphasized risky battles and instead utilized a range of effective operational approaches (raiding, ravaging, sieging, and skirmishing) in a coherent, positional fashion. Similarly in opposition to older approaches, Smail examines not only western warfare through the activities of crusader and crusader-state armies but also how Muslim forces were organized, sustained, and fought. While his sections on military organization, fortifications, and technology have been greatly updated by newer studies, this remains a standard text for anyone interested in the general subject.

Not called a classic for nothing, the book covers the rivers Dordogne, Lot, and Tarn. A pioneering travel writer, Freda White was aided in her research by a little Morris Minor, her Oxford history degree, her good French, her journalism, her erudition, and a curious mind. Anyone who wants to understand the Lot in all its many guises should start here. It is written in an evocative and accessible prose.

Break of Day is a uniquely beautiful book, short and elegant. It's about the solace Colette's house and garden in the South of France provided her after a broken marriage. No truer book has been written about that part of France, and how that land can ravish a visitor. I thought of it often when I was writing my own book. Colette had a house in the hills above St.-Tropez, and she writes about gardening, the movements of the day, her animals, the people who come and go, and the delicious, sensual tastes of that part of the world. Break of Day is also an elegy to the memory of her mother, whose strength guides the writer through her exquisite melancholy. Colette writes with a pen dipped in sun, oil, sweat, and salt. 

Found in the University of Wales Trinity Saint David’s Library in Carmarthen during my MA Creative Writing.

Bogin delivers racy translations of the female troubadour poetry and a substantial essay on their context. This was a serendipitous find for me, as I was writing about an 11th-century woman in southern France at the time, Almodis de La Marche, and it set me off on another bout of research that led to another bout of writing.

Female troubadours figure in several of my novels and a very louche, Welsh bard spy is a key character in my trilogy. He is based on my best friend and muse.

Anyone who wants to read a love story – all of us, surely – has to start with this story of young love set on the coast of the South of France in the early 20th century. Colette’s prose has been well matched by her translators and she’s simply a jewel of a writer and the first woman who really told the truth about love and sexuality.

This novel couldn’t be more different from my other choices. It is set on a high-tech park called Eden-Olympia nestling (malevolently!) in the hills behind Cannes. The story is fantastic in a way that is born of Ballard’s brilliant mind. It is a twenty-first century, stylised thriller, and way ahead of its time. Ballard takes the edgy, seamier side of life on this French Riviera coast with its racism and elitism several imaginative steps too far and delivers a shocking tale. I read this novel when it was first published and it haunted me for years. After two more readngs, it remains as powerful as my first introduction to it. Definitely a novel I wish I had written.

In my opinion this is one of the great novels about adolescence. What makes it so special is that it is deliciously French and amoral. The story of a French teenage girl, Cecile, and her father. They are a team. You might almost call them a couple. Cecile accompanies her father everywhere including to casinos and bars. She accepts his mistresses. Matters take a more macabre turn when her father invites one of his ladies to holiday with them in the south of France and Cecile learns that he intends to marry this particular woman. Françoise Sagan was eighteen when she wrote this, her first novel. Within months of its publication she became an overnight sensation. The writing is sexy and chic. Sagan perfectly describes the French Riviera in the mid-fifties and a woman’s role in society back then. It was an instant classic and deserves its place in the… show more.