100 books like The Sane Society

Nicholas Humphrey is our Darwin of the human mind. I first came across him in the mid-1980s when his television series The Inner Eye was broadcast. It was a revelation to me that such an elegant, comprehensive, and beautiful theory as his existed, explaining the evolution and nature of human consciousness. I bought the accompanying book at once, and it remains for me the best explanation of consciousness—a constant source of inspiration, including for my novels. Humphrey’s social intelligence theory remains, after forty years, the most widely accepted explanation of the evolution of consciousness.

Dorothy Rowe’s books I discovered by accident in a Winchester second-hand bookshop, placed in the psychology section. A woman of considerable wisdom gained through her psychotherapy practice and her experience of the vicissitudes of life, Beyond Fear deals with something we all have to encounter, yet which so few of us properly understand and therefore disempower. Rowe explains in this life-changing book how fear manifests through various conditions, such as depression, a subject on which she is an acknowledged expert. I love it that she refused to simplify life, confronting it in all its difficult complexities. Life isn’t easy—we all discover that.

I remember reading this slim volume for the first time and being amazed by its clarity. For elegance and power of explanation, it is impossible to beat. For me, it was the bridge between my understanding of the individual human mind and minds in societies and in culture—especially ancient and prehistoric societies. I have always been fascinated by the evolution of the mind, and books that dare to deal with that topic are rare indeed. This one stunned me with its sophisticated descriptions of the types of myth we use throughout our lives, a sophistication matched with clarity of vision rarely put down on paper. It has always been a profound inspiration to the themes of my novels.

There are many books on prehistoric cave paintings, but this one is an acknowledged masterpiece. For decades, the power, beauty, and intense enigma of the European cave paintings in particular have fascinated me, not least because they allow us a window into the most critical of periods of our evolution when we were anatomically and psychologically modern, yet when our cultural and social forms were newborn. I strongly believe that to complete a description of the human condition we have to get to grips with cave paintings and other forms of prehistoric art. This book presents a powerful and brilliantly argued theory of shamanism, the use of metaphor, and of burgeoning human creativity. A truly inspiring work.

Tomasi offers a new synthesis of Rawlsian high liberalism and market-oriented libertarianism, which he calls "market democracy." It treats capitalistic economic freedoms as crucial elements of liberty, but demands that institutions be designed so that their benefits are shared by the least fortunate citizens. His central focus is the value of entrepreneurial activity as a moral ideal. I have a lot of disagreements with this book, but without its smart provocations I might not have written my own.

Capitalism and Freedom is the greatest exposition of the consequential case for libertarianism. In other words, Milton Friedman’s case for libertarian policies rests not on moral assumptions or “natural” rights but on showing that capitalism is important because it has positive consequences – it enables human prosperity and flourishment.

Perhaps as importantly, Capitalism and Freedom shows that economic freedom is a necessary condition not just for economic prosperity but for personal and political freedom. Thus, free markets are not only compatible with democracy (contra what many people claim), but a necessary condition for protecting democracy and personal freedoms.

This book’s outlook is probably the closest to the one articulated in my book. It is also the most recent one on the list, making it an easy read.

Tomšič basically identifies why psychoanalysis is an anti-capitalist technique and how it emerged in response to the social structure of capitalist society. Psychoanalysis counters resistance to psychic change and to social change, a resistance that manifests itself in capitalism. Tomšič very nicely sees how the neurotic suffering that psychoanalysis treats is the result of one’s integration into the capitalist system, which is why treating it requires an anticapitalist method.  

A renowned economist and Harvard professor with a bit of a cult following, Schumpeter provides a realistic evaluation of what capitalism is and whether it can survive if it does not do more to help a wider range of people.

First published in 1942, Schumpeter’s fear was the rise of socialism, but what he had to say about the failings of capitalism back then applies with equal force today.

Schumpeter was the originator of the term “creative destruction” to describe how capitalism works, and Part II of the book was the inspiration for my paper, “Can Liberal Capitalism Survive?”

The book has never been out of print. 

I had read the original book many years ago, but I was interested in this book, as what the Rickard sisters were doing, an adaption, was similar to my project. 

The graphic novel is a brilliant distillation of Robert Tressell's very long prose book, never simplifying the core political messages. 

The lead, Owen, is berated, hated, and admired for his determined belief in the idea of a better world. His explanation and the Rickard sisters' visual depiction of that world are indeed inspirational. 

The original book is said to have inspired many political thinkers on the left, with George Orwell describing it as "a book that everyone should read."

The original was described by its publisher as "Damnably subversive but extraordinarily real." Sophie and Scarlett Rickard's gorgeously designed and illustrated adaption certainly lives up to that description.

This really engaging book shows how Capital, Volume 1 is implicitly modelled on Dante’s Inferno, from the way Marx stages the descent (katabasis) into the hell of the 19th-century factory to the division of the French and English translations into 33 chapters, mirroring the 33 cantos of Dante’s famous poem. Roberts almost makes you forget you’re reading political theory, an effect Marx was aiming for in trying to reach his socialist and working-class audiences.