Here are 100 books that A Short History of Myth fans have personally recommended if you like
A Short History of Myth.
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For thirty-five years I’ve studied and written about consciousness, the evolution of the mind, and the development of human social and cultural forms. I think we’re all fascinated by who we are and why we have minds. In my case, that fundamental question, which we must all answer in some way during our lives, has become a drive to bridge our theory of consciousness with a full description of the human condition. I believe we cannot progress ethically without such a bridge. Although in my novels I don’t usually write explicitly on such themes, they’re always present, providing the framework in which my characters live their lives.
Nicholas Humphrey is our Darwin of the human mind. I first came across him in the mid-1980s when his television seriesThe Inner Eye was broadcast. It was a revelation to me that such an elegant, comprehensive, and beautiful theory as his existed, explaining the evolution and nature of human consciousness. I bought the accompanying book at once, and it remains for me the best explanation of consciousness—a constant source of inspiration, including for my novels. Humphrey’s social intelligence theory remains, after forty years, the most widely accepted explanation of the evolution of consciousness.
Where does consciousness come from? What is it? Where is it taking us? In 1971 Nicholas Humphrey spent three months at Dian Fossey's gorilla research centre in Rwanda. It was there, among the mountain gorillas that he began to focus on the philosphical and scientific puzzle that has fascinated him ever since: the problem of how a human being or animal can know what it is like to be itself. The Inner Eye describes where these original speculations led: to Humphrey's now celebrated theories of the 'social function of intellect' and of human beings as natural born 'mind-readers'. Easy to…
For thirty-five years I’ve studied and written about consciousness, the evolution of the mind, and the development of human social and cultural forms. I think we’re all fascinated by who we are and why we have minds. In my case, that fundamental question, which we must all answer in some way during our lives, has become a drive to bridge our theory of consciousness with a full description of the human condition. I believe we cannot progress ethically without such a bridge. Although in my novels I don’t usually write explicitly on such themes, they’re always present, providing the framework in which my characters live their lives.
Although not Fromm’s best-known book, The Sane Societyis crucial because it states for the first time a description of the human condition. I was astonished when I first read it, as it presented to me the possibility that the human condition could be described, and, therefore by implication, understood, something which had never before occurred to me. Fromm’s thesis is that society in the 20th century, when he was writing, can be characterised as insane, because it does not meet humanity’s real needs. Part of the revelation of this book is that such needs can be developed from an analysis of the human condition. Since reading the book, I have followed Fromm’s conviction that a real and true description of ourselves is crucial to humane ethical progress.
For thirty-five years I’ve studied and written about consciousness, the evolution of the mind, and the development of human social and cultural forms. I think we’re all fascinated by who we are and why we have minds. In my case, that fundamental question, which we must all answer in some way during our lives, has become a drive to bridge our theory of consciousness with a full description of the human condition. I believe we cannot progress ethically without such a bridge. Although in my novels I don’t usually write explicitly on such themes, they’re always present, providing the framework in which my characters live their lives.
Dorothy Rowe’s books I discovered by accident in a Winchester second-hand bookshop, placed in the psychology section. A woman of considerable wisdom gained through her psychotherapy practice and her experience of the vicissitudes of life, Beyond Feardeals with something we all have to encounter, yet which so few of us properly understand and therefore disempower. Rowe explains in this life-changing book how fear manifests through various conditions, such as depression, a subject on which she is an acknowledged expert. I love it that she refused to simplify life, confronting it in all its difficult complexities. Life isn’t easy—we all discover that.
Dorothy Rowe shows us how to have the courage to acknowledge and face our fears - only through courage can we find a sustaining happiness.
'Beyond Fear', first published in 1987, has changed the lives of thousands of people. In this edition, the renowned psychologist Dorothy Rowe examines the changes in the psychiatric system since 1987 in the context of showing how most of our suffering comes from our greatest fear, that of being annihilated as a person, when we shall disappear like a puff of smoke in the wind, never to have existed.
For thirty-five years I’ve studied and written about consciousness, the evolution of the mind, and the development of human social and cultural forms. I think we’re all fascinated by who we are and why we have minds. In my case, that fundamental question, which we must all answer in some way during our lives, has become a drive to bridge our theory of consciousness with a full description of the human condition. I believe we cannot progress ethically without such a bridge. Although in my novels I don’t usually write explicitly on such themes, they’re always present, providing the framework in which my characters live their lives.
There are many books on prehistoric cave paintings, but this one is an acknowledged masterpiece. For decades, the power, beauty, and intense enigma of the European cave paintings in particular have fascinated me, not least because they allow us a window into the most critical of periods of our evolution when we were anatomically and psychologically modern, yet when our cultural and social forms were newborn. I strongly believe that to complete a description of the human condition we have to get to grips with cave paintings and other forms of prehistoric art. This book presents a powerful and brilliantly argued theory of shamanism, the use of metaphor, and of burgeoning human creativity. A truly inspiring work.
What does the breathtakingly beautiful art depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, seemingly from nowhere into the human story?
The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.
I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.
In this book, an important 20th-century archaeologist reconstructs the life of prehistoric populations in the second millennium BC. Therefore, for those who are interested in this subject, it represents an important tool to better deepen a historical period whose knowledge is currently undergoing great evolution and which in the future could give us many surprises.
I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.
This extraordinary book makes us understand what the ancients saw in the sky. It is one of those rare books that change our ideas about myth and archaic thought once and for all, explaining the myths of the whole world by an astronomical key. In a word, this is certainly an extraordinarily important book, which should definitely be read by anyone who is passionate about these topics.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
Another story we discuss in my mental health and literature class, and easily found in any collection of Dostoevsky, The Dream of the Ridiculous Man recounts one desperate and momentous night in the life of the titular depressive and proto-absurdist. His experience revolves around a faith-restoring dream in which (spoiler alert) the narrator shoots himself, is buried alive, pulled from the grave by a black angel, then flown through outer space to an alternate sun with an alternate earth where the local population is enjoying a shamelessly Edinic existence—that is, until the narrator contaminates them with his ego, causing them all to fall from grace, the description of which provides Dostoevsky the opportunity to recap the whole of human history in roughly three pages. Accurately no less. It’s a bravura performance.
Although I write in many genres, fantasy was my first love in reading. I fell in love with the possibilities of a boundless world. And as the years went on, I realized that fantasy could be more than just dragons and sorcery. Fantasy was this big umbrella that housed all the impossible dreams. So, I gravitated toward the genre. I also have an affinity for fun things. I don’t like to be sad, so I prefer movies, music, games, and books that revolve around fun and humor.
Although this isn’t the first book in the series, I find it the most fun. I have a deep love for the myth series because it was the first series of books I ever read. They are a very traditional fantasy story about a wizard, his dragon, and a demon he pals around with. But, it is a tongue-in-cheek comedy rather than a serious epic tale.
The series reads fine out of order and you could start anywhere, but this one is my favorite.
Skeeve is feeling rather restless and suddenly remembers the treasure map he bought on his last adventure. Knowing Aahz's lust for money, he shows him the map. Quicker than a Deveel at the Bazaar of Deva can take your possessions, they were off to find the Golden Cow! There were a few problems, aren't there always. Tanda decides that she is in on the hunt; for a share, of course. Since Aahz is not too up on vortexes, just dimensions, they have to visit a shifter at the Bazaar for directions - he/she/it gets a five-percent cut of the treasure…
In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.
The comparative mythologist, Joseph Campbell is probably best known for A Hero with a Thousand Faces, but it’s another book—Pathways to Bliss—that I turn to like a travel guide to my own spiritual journey. In prompting readers to explore archetypes to help them create their personal mythology, Campbell believes that life should be a journey to finding our bliss. This is a book about personal growth for people who want to self-discovery in a larger—mythical—context.
Joseph Campbell famously defined myth as “other people's religion.” But he also said that one of the basic functions of myth is to help each individual through the journey of life, providing a sort of travel guide or map to reach fulfillment — or, as he called it, bliss. For Campbell, many of the world's most powerful myths support the individual's heroic path toward bliss.
In Pathways to Bliss, Campbell examines this personal, psychological side of myth. Like his classic best-selling books Myths to Live By and The Power of Myth, Pathways to Bliss draws from Campbell's popular lectures and…
Officially, I’m an award-winning author and specialist in the fields of psychology, trauma, and spirituality. I’m also a professionally trained therapist, clinical ethicist, and researcher. Ultimately, I’m an ardent believer that the same life that brings us joy also (sometimes) brings us pain. More importantly, that every aspect of life has a role to play in making us who we are today and who we’ll be tomorrow. We don’t always have control over the events in life, but the script we live by is ours to write—and write it we must, as only we can. I’m also a three-time heart attack survivor.
This book has long been a favorite of spiritual seekers, with its sweeping panoply of stories from antiquity’s gods and goddesses to the world’s wisdom traditions and more.
This is a book for those interested in the universality of human experience across time and culture—which I am. But even more, it opens our minds to the importance of a story itself.
Campbell helps readers understand that truth and fact are different—indeed, there are several kinds of truth: empirical truth, which depends on objective data, and also mythopoetic and narrative truth, which rely on symbols and stories to provide meaning.
NATIONAL BESTSELLER • An extraordinary book that reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war.
The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people—including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from…
