Here are 100 books that Cave Paintings of Baja California fans have personally recommended if you like
Cave Paintings of Baja California.
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Upon seeing the Atlantic Ocean for the first time as a child, I was awestruck by its immensity and couldn't even begin to comprehend how deep it was and what creatures lurked beneath its waves. This initial encounter would spark a lifelong interest in the marine environment, leading to formal training and education in oceanography and a professorship where I could share my love and enthusiasm for the oceans. Though now retired, my fascination has not diminished, continuing to research and write about the oceans and, whenever possible, experience the smell, the roar, and the movement of the ocean.
The book captures the excitement of Steinbeck's research expedition with biologist Ed Ricketts to the remote Sea of Cortez, with all its hardships, failures, and thrills of discovery.
I felt that I was onboard the vessel, feeling the rhythmic rocking of the boat, the daily oppressive heat and humidity, and the mind-numbing routine of taking myriad samples and observations. I found myself nodding along with Steinbeck's assessment that though marine exploration can be tedious, the rewards lift up the human spirit.
In 1940 Steinbeck sailed in a sardine boat with his great friend the marine biologist, Ed Ricketts, to collect marine invertebrates from the beaches of the Gulf of California. The expedition was described by the two men in SEA OF CORTEZ, published in 1941. The day-to-day story of the trip is told here in the Log, which combines science, philosophy and high-spirited adventure.
I grew up on Southern California beaches—Manhattan Beach, Venice Beach, Ocean Beach, La Jolla—but first experienced Baja as an adult. It was like a different world. Returning repeatedly over the next decade, I came to know the stunning shorelines and quiet bays of the peninsula’s midriff as intimately as my home state’s beaches. Swimming and diving Baja’s clear blue waters and hiking its dusty trails and palm-studded mountains, I have admired the many moods of this unique desert peninsula. A writer and editor, I have read extensively from the vast selection of books about Baja, both new and classic works.
I love how this author's modern-day experiences blend with her well-researched history, and I was intrigued by how she brought in a big serving of cultural heritage, giving readers tasty anecdotes about the eclectic people who shaped Baja and who still do—from a daring pilot to an artist far from home.
Like me, C.M. Mayo is a child of blended race whose desire to comprehend her Mexican heritage and experience her Mexican-ness seems to drive a large part of her travels.
I could relate to her instant love of the peninsula but was thrilled by her journalistic delving into the modern dichotomies of this “other Mexico” like the celebrating of the Day of the Dead beside the cheap commercialization of Halloween.
Baja California is a place where nothing is as it seems. Cleaved from the Mexican mainland by the Sea of Cortes and separated from the rest of North America by a multitude of cultural and economic differences, the nearly one-thousand-mile-long peninsula is scarred by imperial transgressions yet blessed with extraordinary natural beauty. "The very air here is miraculous," wrote John Steinbeck, "and outlines of reality change with the moment."
It was desire that first took C.M. Mayo to Baja California, but only a longing for understanding could produce this exquisite portrait of "the Other Mexico." As mindful of the peninsula's…
I grew up on Southern California beaches—Manhattan Beach, Venice Beach, Ocean Beach, La Jolla—but first experienced Baja as an adult. It was like a different world. Returning repeatedly over the next decade, I came to know the stunning shorelines and quiet bays of the peninsula’s midriff as intimately as my home state’s beaches. Swimming and diving Baja’s clear blue waters and hiking its dusty trails and palm-studded mountains, I have admired the many moods of this unique desert peninsula. A writer and editor, I have read extensively from the vast selection of books about Baja, both new and classic works.
My favorite memoirs blend personal observations with some history and natural history and this book delivers on all those fronts.
I enjoyed how Berger’s essays ranged from the microcosm to the macrocosm, focusing on subjects as diverse as the dogs who lived on the rooftops of La Paz neighborhood, to the joy and the business of chasing eclipses.
An amateur natural historian who previously wrote about the environmental effects of the Glen Canyon Dam in “There Was a River” Berger obviously loves Baja, but more importantly, he is fascinated by the unique desert peninsula. His book drew me in from its first page and fascinated me in repeated readings.
Long frequented by pirates and haunted by pariahs, Baja California has become a favorite destination for whale watchers, hikers, and scuba divers. For Bruce Berger it has been more. In Almost an Island, he takes readers beyond the Baja of guidebooks and offers a wildly entertaining look at the real Baja California.
Eight hundred miles long, Baja California is the remotest region of the Sonoran desert, a land of volcanic cliffs, glistening beaches, fantastical boojum trees, and some of the greatest primitive murals in the Western Hemisphere. In Almost an Island, Berger recounts tales from his three decades in this…
I grew up on Southern California beaches—Manhattan Beach, Venice Beach, Ocean Beach, La Jolla—but first experienced Baja as an adult. It was like a different world. Returning repeatedly over the next decade, I came to know the stunning shorelines and quiet bays of the peninsula’s midriff as intimately as my home state’s beaches. Swimming and diving Baja’s clear blue waters and hiking its dusty trails and palm-studded mountains, I have admired the many moods of this unique desert peninsula. A writer and editor, I have read extensively from the vast selection of books about Baja, both new and classic works.
A formerly comfort-seeking Brit takes a very difficult walk around Baja and learns a lot about himself, and of course, about this “desert place.”
What’s not for me to like in a story like that? There is adventure and struggle, but also plenty of humor, and the thread that binds it all together is the author’s dawning love for a land that became his special place.
Mackintosh is still living much of the time in Mexico and has written five more books about Baja, burros, beer, and even dogs, but this adventurous paean to the peninsula will always have a special place in my heart, because I read it when I was newly in love with Baja myself.
"I had never been particularly good at anything except catering to my own comfort and safety," begins Graham Mackintosh with cheerful frankness in this engaging, suspenseful, and finally stirring travel adventure.
An Englishman, Mackintosh fell in love with Baja California on a visit and, despite a glaring shortage of both experience and money, determined to walk its entire coast. Into a Desert Place is his account of how he equipped himself, what he saw and learned, and how he survived on this harsh and beautiful journey. The book was first published in England and then by Mackintosh himself in the…
For thirty-five years I’ve studied and written about consciousness, the evolution of the mind, and the development of human social and cultural forms. I think we’re all fascinated by who we are and why we have minds. In my case, that fundamental question, which we must all answer in some way during our lives, has become a drive to bridge our theory of consciousness with a full description of the human condition. I believe we cannot progress ethically without such a bridge. Although in my novels I don’t usually write explicitly on such themes, they’re always present, providing the framework in which my characters live their lives.
There are many books on prehistoric cave paintings, but this one is an acknowledged masterpiece. For decades, the power, beauty, and intense enigma of the European cave paintings in particular have fascinated me, not least because they allow us a window into the most critical of periods of our evolution when we were anatomically and psychologically modern, yet when our cultural and social forms were newborn. I strongly believe that to complete a description of the human condition we have to get to grips with cave paintings and other forms of prehistoric art. This book presents a powerful and brilliantly argued theory of shamanism, the use of metaphor, and of burgeoning human creativity. A truly inspiring work.
What does the breathtakingly beautiful art depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, seemingly from nowhere into the human story?
The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.
When I was little, I knew I would work with books in some way, and I did, for many years working for one of the major children’s book publishers. But it wasn’t rewarding in the way I had hoped. Some kids know they want to be a teacher when they grow up. I definitely did not, yet I became one. I love finding ways to make learning fun. In my teaching days I found ways to get the most reluctant students to find something they could enjoy about learning. And now as an author, I find myself doing the same, and as a parent, seeking out books like the ones I recommend here that teach without teaching.
The first thing I love about this book is the very unusual use of 2nd person: “You live in a cave with your parents.” The child in this story loves exploring and using his imagination. Everyone else is busy with the job of surviving. The child sees shapes in the clouds and wonders why no one else can see what he sees. One night, without thinking, he takes a stick and draws on the cave walls. Now everyone can see what he sees, and it is the first-ever drawing. Everyone is amazed by it, thinks it is magic, and it is! The ability to use our imaginations to create art is magic, and it is what the author has done in this book, inspired by the real first drawing.
In 1994, the Cave of Chauvet-Pont-d'Arc was discovered, filled with the oldest known drawings in existence at that time, made 30,000 years ago. In that same cave, prehistoric footprints were discovered: those of an 8-year-old child and a wolf. From these astonishing facts, THE FIRST DRAWING was born.
In this beautiful picture book, Caldecott Medal-winning author/illustrator Mordicai Gerstein imagines one possible way drawing was invented. The young boy that stars in this story has such a vivid imagination that he sees images everywhere - clouds, stones and smoke look like animals to him. His parents, however, don't share his enthusiasm…
While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
In taking on any project dealing with the origins of art or religion in any time and place I have found Pfeiffer’s book to be an excellent and easily readable starting point.
As an experienced journalist and writer, his ability to take on difficult subjects in the human origins story in a way the average reader can comprehend and enjoy keeps his work relevant, despite the passing years.
Following his own path through some of the art caves of southern France many years later, I found a reread of this book and the still relevant questions it asks and attempts to answer a virtual guidebook to my own understanding of this rapidly changing subject. Profusely illustrated and supported with color photos, this book challenges the reader to begin elevating both the abilities and complexity of our stone age ancestors in ways we may not have considered or even thought possible.…
An analysis of the origins of the prehistoric cave paintings and sculptures of Europe examines the link between art, creativity, religion and ritual, and group solidarity
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.
An illustrated tutorial of prehistoric to contemporary world art, from cave paintings to video art installations to digital and Internet media in an easy-to-understand format.
This heavily illustrated crash course in art history is revised and updated from the second edition published in 2007, including a new chapter about recent artists and movements. Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to the Present takes art education out of the realm of dreary textbooks, demystifies jargon and theory, and makes the history of art movements…
Ancient mythical animals are all around us in words and images. Following the transformations of such animals through literature and art across millennia has been my passion since the early ’80s. It was then, after years of writing and teaching, that I became intrigued by a winged and fishtailed lion figure on an antique oil lamp hanging in my study. That hybrid creature led me to the eagle-lion griffin and my first published book, The Book of Gryphons. I have followed a host of mythical beasts ever since. My most recent book, The Phoenix: An Unnatural Biography of a Mythical Beast, was published in a 2021 Chinese translation.
I love this lavishly produced 2013 book. It overarches my other recommended “best books for following mythical beasts through time.” Titles of early chapters—“What is an Imaginary Animal?” “Every Real Animal is Imaginary,” and “Every Imaginary Animal is Real”—encompass the book’s interplay between nature’s animals, imaginary ones, and human beings.
Open Imaginary Animals anywhere to get a glimpse of its variety and scope. Boria Sax’s interdisciplinary, learned, and conversational text sweeps across folklore, legends, myths, and natural history of worldwide cultures from antiquity to today. Accompanying art, much in color, spans a Lascaux cave painting and a photograph of a human-looking robot; throughout are fantastic creatures in paintings, early natural history engravings, and other pictorial forms.
As Dr. Sax writes, “Imaginary creatures can be overwhelming in their multiplicity.”
Tales throughout the world generally place fabulous beasts in marginal locations - deserts, deep woods, remote islands, glaciers, ocean depths, mountain peaks, caves, swamps, heavenly bodies and alternate universes. Legends tell us that imaginary animals belong to a primordial time, before we had encompassed the world with names, categories and scientific knowledge. This book traces the history of imaginary animals from Palaeolithic art to the Harry Potter stories, and beyond. It shows how imagined creatures help us psychologically, giving form to our subconscious fears as 'monsters', as well as embodying our hopes as 'wonders'. Nevertheless, their greatest service may be…
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
It is a great question, right? For your curious child (or anyone that especially likes a giggle), this is the perfect “art history, explained” reader. I’m a big fan of this one. The book is structured around twenty-two questions, and some are straightforward, like the title question, while others ("Why is everything so flat in Egyptian art?" or "Are stick men art?") might make grown-ups think differently, too. Whether you're a longtime art lover or just setting foot into a museum for the first time, I guarantee that this book will teach you something new.
Artists ask questions when they make art - and viewers ask questions when they look at art. This gently provocative book provides an engaging way for young people to start asking and answering questions for themselves. Why is art full of naked people? is structured around 22 questions, each one tackled over two spreads. The opening spread explores the question and answer, inviting the reader to study a full-bleed image of an important artwork. The second spread shows a selection of work on the theme from across history, showing how art can run with an idea to hugely different ends.…
