Fans pick 100 books like The Last Train to Zona Verde

This book captivates me because Chris McCandless's quest for meaning and self-discovery mirrored my own struggles with never wanting to fit into a box determined by others. His desire to break free from societal constraints and find true fulfillment resonates with my own experiences. Jon Krakauer’s portrayal of McCandless’s adventure into the wilderness also strikes a chord with me, highlighting the extremes people go to in their pursuit of purpose and the consequences of those choices.

Reading it reminds me of the importance of embracing our own paths, even when they diverge from the norm and the profound insights that can come from stepping into the unknown.

I loved this book because I could relate to the tough, emotional place the author was in when she made this epic journey. Her rucksack was extremely heavy. It felt like it represented the burden she was carrying at the time. I loved the unfolding of both her physical and emotional journey, how much she learned about herself, and how much she was eventually able to let go of to enable her to move forward.

Reading this book motivated me to go on a similar journey, hiking many of the Camino Pilgrimage routes. This was a book I thought about long after I had finished reading it. It had the kind of truth about it that stays with you. 

I love Greece and Greek life, and I love animals and nature, so this book set in Corfu, which is the story of how Gerald Durrell spent his early childhood when his mother decided to move the entire family to Corfu, really hit all the buttons for me.

In my opinion, the book is even better than the television series. Gerald Durrell’s love of fauna and flora possibly began in the White House on Kalami Bay in Corfu. I was so excited when I arranged a holiday in Corfu and actually stayed in Kalami Bay myself. I ran around looking at lizards, birds, and plants, thinking of Durrell as a wild child, swerving away as far as possible from conventional education. What an idyll I found it truly was.

Shortly after it was first published, I picked this book up in the bookstore at Heathrow on my way home from a business trip. I spent the entire flight glued to it and laughing out loud.

This was Bryson’s first travel book and one that changed my perception of what travel writing could be. It is perceptive, irreverent, and focuses on the small, often quirky, details that make travel so interesting. I am now a huge fan of all of Bryson’s books, but this was the one that got me hooked.

In this recent book from South Africa, a group of mostly African academics and lawyers, including some young researchers, examine the financial stresses that COVID put on the sovereign debt burden of countries in the Southern Africa Development Community (SADC), including studies of Mozambique, Namibia, South Africa, Zambia, and Zimbabwe.

The authors view the debt constraints on SADC governments from an economic, financial, and human rights perspective, domestically and in interacting with international institutions, including limits on available debt relief.

The book also contains proposals to evade such crises in the future, including in a chapter by your correspondent.

The book is available in French and Portuguese as well as English, and you can download a copy for free. What could be better? 

This book is all about the dark, foreboding atmosphere of its setting, a township in an isolated part of Walvis Bay, in Namibia. Dr. Clare Hart is a police profiler sent in to try to pin down the perpetrator of a gruesome crime against a teenage boy. For all Hart’s professional competence, her emotional and relationship skills are in doubt as her wavering romantic interest, Captain Reidwaan Faizal, arrives to lead the investigation. Fantastically well-observed, very dark, and beautifully written, you lose yourself in its fog-filled pages, but the journey is far from comfortable.

A beautifully told story about a Namibian family who created a real-life Noah’s Ark in the desert. Marieta van der Merwe and her late husband Nick turned their cattle ranch into a refuge for thousands of wounded or orphaned animals who can’t make it on their own in the wild. This book, full of wonder and gentle souls, has special meaning for me. I met Barbara Bennett, a North Carolina University literature professor, when I was sent to Namibia to write a story about Harnas Wildlife Sanctuary for the Guardian and we were both volunteering. Afterward, I introduced her to my New York literary agent who sold the book. It’s so vividly written that it allowed me to relive my experiences of daily mischief of the baboons, walking full-grown lions in the desert, sleeping with cheetahs under the stars, and watching the giant thunderstorms on the porch with a menagerie… show more.

Environmental Infrastructure in African History offers a new approach for analyzing and narrating environmental change. Environmental change conventionally is understood as, moving from a state of more nature to a state of less nature and more culture. In this model, non-Western and pre-modern societies live off natural resources, whereas more modern societies rely on artifacts, or nature that is transformed and domesticated through science and technology into culture. Emmanuel Kreike argues that both non-Western and pre-modern societies inhabit a dynamic middle ground between nature and culture. He asserts that humans - in collaboration with plants, animals, and other animate and inanimate forces - create environmental infrastructure that constantly is remade and re-imagined in the face of ongoing processes of change.

Addressing his troops prior to their departure for China in 1900, Kaiser Wilhelm urged them to behave like the Huns and give no quarter to the Chinese accused of murdering the German ambassador during the Boxer Rebellion.

Four years later, German troops mercilessly drove the Herero and Nama people of what is now Namibia into the desert to die, while their comrades in what is now Tanzania fought a vicious war to suppress another colonial revolt. These events have recently returned to broader consciousness as the victims’ descendants demand reparations.

Without minimizing the violence, Kuss shows how it was rooted in specific situations and that there was no simple, inevitable line ‘from Windhoek to Auschwitz’. 

So much about this true story was evocative to me at a time when I didn’t yet understand anything much about the real Africa.

Kuki’s perfect prose through adversity and new beginnings had me right there with her in an entirely different world where ordinary people were experiencing extraordinary things.

I read this book over and over again, with joy and tears, before finally making my own move to live in the wilds of Africa.