Here are 13 books that The Ingenious Gentleman Don Quixote of La Mancha fans have personally recommended if you like
The Ingenious Gentleman Don Quixote of La Mancha.
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I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
As a librarian, I loved how books were deemed a threat in this work. Through fear-mongering and keeping people distracted by technology, people are imprisoned by ignorance without access to books. I particularly enjoyed the symbolism in the robotic murder dog—it can hunt down anyone and can find you anywhere.
Living under that level of technological threat searches for what it means to be human that much harder—but vital. But my favorite idea is that the knowledge we carry collectively has the power to save our humanity.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.
The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
Black women's mental wellness is important to me because my racial identity was interrupted by racial assimilation. There was a period of time where I thought passing for white would lead me to the success I sought. I learned that adopting white norms and values as my own was psychologically harmful, and these books led to racial restoration and mental well-being. I am an associate professor of clinical mental health, and I teach my students to assess, identify, and promote healthy racial identity development. I hope readers who are on their journeys will find these books helpful.
I loved this book most because my late father recommended that we read it together when it first came out in the early 2000s. To me, it demonstrates Everett’s brilliance with a pen, and he captures the Black experience in America well, especially identity negotiation.
He was speaking about racial assimilation before I even knew the word for it. I love how he narrows the gap between the Black and the Black who prescribes to white norms. The voice actor who read the book was so entertaining that I have listened to it almost daily for the past five months!
Percival Everett's Erasure is a blistering satire about race and writing
Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the…
I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
Ostensibly an academic dissertation, the footnotes begin to reveal a far wilder and manic story happening to the writer.
There are trilingual puns, verbal pratfalls, and all the wild humour that Nabokov is known for throughout this book. Of all the metafiction I have ever read, this book made me feel as if I’d been given something rather than just had a big literary joke played on me.
A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue—and "one of the great works of art of this century" (Mary McCarthy)—from one of the leading writers of the 20th century.
In Pale Fire Nabokov offers a cornucopia of deceptive pleasures: a 999-line poem by the reclusive genius John Shade; an adoring foreword and commentary by Shade's self-styled Boswell, Dr. Charles Kinbote; a darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue.
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.
Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.
'Brilliantly evoked' SUNDAY TIMES Discover the first medieval adventure in the action-packed Chivalry series! Perfect for fans of Bernard Cornwell, Simon Scarrow and Conn Iggulden. September, 1356. Poitiers. The greatest knights of the age were ready to give battle.
On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the King and his son, the Dauphin. With 12,000 knights.
And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this…
I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.
I loved that this book took me back to my fantasy roots and is epic fantasy at its best.
The post-apocalyptic theme in this book is not obvious at first and is only really explained as the trilogy progresses. I love that Kelsea is nothing like a normal protagonist, perhaps a result of this mysterious and uncertain history. I found it authentic that she was inexperienced, lacking in confidence, and had to labour hard to mature and find her place and role in the story.
I loved the dark, sinister, and mysterious nature of the antagonist, the Red Queen. And I loved the setting, the kingdoms, the threat of war, the chivalry of knights, and the threat of assassins.
Kelsea Glynn is the sole heir to the throne of Tearling but has been raised in secret after her mother - a monarch as vain as she was foolish - was murdered for ruining her kingdom. For 18 years, the Tearling has been ruled by Kelsea's uncle in the role of Regent however he is but the debauched puppet of the Red Queen, the sorceress-tyrant of neighbouring realm of Mortmesme. On Kelsea's nineteenth birthday, the tattered remnants of her mother's guard - each pledged to defend the queen to the death - arrive to bring this most un-regal young woman…
I’ve always had a soft spot for pirates. The romanticized version, of course. They epitomize everything I want in a story: adventure, romance, humor, drama, and danger. As for my life story, I’ve traveled around the world (22 countries in 3 months), am married (got it right the second time), find something to laugh at every day (myself, usually), have a five-year-old (plenty of drama), and the most danger I’ve ever been in was climbing into the bed of a pick-up truck to avoid a grizzly bear and her cub at 3:00 A.M. in Alaska.
Jade is born special, and she is prepared to continue on her dutiful path – marrying someone she fears and distrusts, giving of her very blood to nourish her kingdom, and never questioning why her sacrifice is necessary. Until the day before her wedding, when an unauthorized encounter with a pirate ship changes everything. William is a pirate with secrets, honor, and unexpected chivalry. Jade grows closer to him as she grows closer to the horrifying truth about her existence. It’s impossible not to get drawn into Jade’s world, and the moral ambiguity of it all.
Sentenced to death by the man she loves . . .Jade has no control over her future. She is the Emmía, the girl whose magical blood keeps her kingdom’s cursed soil fertile and ensures the survival of her people. But her destiny is ruined when pirates take her magical medallion, the loss of which is treasonous, and the prince she loves is honor-bound to sentence her to death.Forced to flee to the pirate she hates . . .Jade escapes from prison, but her sister is captured and will die in her place unless Jade returns with the medallion still on…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
I was hesitant to include this title because I’m not fully convinced by McAleer’s argument that the persistence into the 20th Century of violent pistol dueling in Germany signals a uniquely German mentality, an intensely caste-conscious and militaristic cult of violence “divergent from that of other Western nations” and “innately antithetical to classical liberalism,” or in other words, the exact opposite of what Steven Hughes describes for Italy. But the book is a brilliantly compelling read, and people have a right to make up their own minds.
The question of what it takes "to be a man" comes under scrutiny in this sharp, often playful, cultural critique of the German duel--the deadliest type of one-on-one combat in fin-de-siecle Europe. At a time when dueling was generally restricted to swords or had been abolished altogether in other nations, the custom of fighting to the death with pistols flourished among Germany's upper-class males, who took perverse comfort in defying their country's weakly enforced laws. From initial provocation to final death agony, Kevin McAleer describes with ironic humor the complex protocol of the German duel, inviting his reader into the…
I’ve always been somewhat of an idiot optimist coming up with new and frivolous ideas. Yet, despite trying to inject my last three books with humour representative of myself, I feel a certain sense of seriousness in them. The fantasy genre has helped me shirk that feeling, allowing me to write uninhibited by regular boundaries. Without becoming captivated by George R.R. Martin and Terry Pratchett, I’d probably still be stuck trying to carve out a place in literary fiction—how serious. Fantasy works better for me—I like to make things up, and I like light-hearted books.
The sheer size of George R.R. Martin’s books is intimidating, especially for first-time readers.
Despite my love for the Game of Thrones TV series, I ignored his books for years due to their length. However, A Knight of the Seven Kingdoms provides a superb introduction to Goerge R.R. Martin’s writing and A Song of Ice and Fire, the book series the TV show is based on.
This book is split into three digestible short stories, but retains the ruddy grit and brilliant character arcs of his longer works.
A century before A GAME OF THRONES, two unlikely heroes wandered Westeros...
A KNIGHT OF THE SEVEN KINGDOMS compiles the first three official prequel novellas to George R.R. Martin's ongoing masterwork, A SONG OF ICE AND FIRE.
Before Tyrion Lannister and Podrick Payne there was Dunk and Egg.
A young, naive but courageous hedge knight, Ser Duncan the Tall towers above his rivals - in stature if not experience. Tagging along with him is his diminutive squire, a boy called Egg - whose true identity must be hidden from all he and Dunk encounter: for in reality he is Aegon…
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
I love this description of the power that the Arthurian legends exerted in nineteenth-century Britain and its cultural imagination.
With the re-printing of Thomas Malory’s Morte Darthur, poets, writers, and artists were inspired by these tales of chivalry and sacrifice at a time when the British Empire was at its height and ideals of service, governance, and personal endeavour were central to norms of masculinity.
Girouard perfectly captures the mood of the times and shows us why the vision of Camelot, doomed in its own Arthurian context, was even more flawed, and yet magnetic, in the context of empire.
