100 books like The Image

I first read this book as a student, and found it both radical and exciting to think that national identities, traditions, and even the existence of nations themselves were all invented, and so were also flexible and open to reinvention in the future.

I also loved that the examples were taken from Southeast Asia, where I have family roots. For a while I kept a worn second-hand copy in my student room, thinking it was my special discovery. I was almost disappointed to find that it is a standard text and very widely read.

We, female film critics, are still underrepresented in the critical world but Pauline Kael found success and respect at a time when our numbers were even fewer.

This collection showcases her talent for writing and her keen eye for what makes a movie or a performance great or terrible.

From Bonnie and Clyde to Last Tango in Paris, Kael’s compelling cinematic observations make you want to rewatch these films while also highlighting how even the best of critics can fall foul to unconscious biases (just check out her Othello review!).

We can learn much further we’ve come when it comes to checking those blinkered perspectives. 

Where the Girls Are is about a particular generation of women growing up in post War America, and the impact popular media had on their lives, both for good and for bad. It weaves wonderfully smart, often funny, always engagingly written discussions of pop music, movies, and television shows with Douglas’s own experiences at the time. It’s unabashedly feminist—but it isn’t a speech or a political manifesto. It’s an exploration of the push-pull of growing up female at a transitional time, a time in which attitudes toward women were changing, unevenly, and how pop culture reflected the tensions of the times. This book is history, memoir, sociology, media studies, all at once – immensely informative and very entertaining.

On Photography is Sontag’s attempt to develop the thought of Barthes, Benjamin, and others and apply the resultant perspective to the critical understanding of the fundamental role of photography in modern life. The book is constructed as a series of interconnected essays, each of which explores the moral and dialectical character of photographic interventions. Photography embodies the moral ambiguity of human activity: the camera claims to deliver truth but is essentially selective and partial; photography reveals and conceals the real; the photograph is an artificial mode of representation but claims to provide a `picture’ of life that can only be captured through the camera.

This ambiguous ontology of the image impacts upon both the act of image-making and the interpretive task of reading and understanding the image. With modern photography the viewer is constituted in a dual movement of separation (and alienation) and connectivity (and communality). Photographic engagement constitutes, so… show more.

I read this powerful graphic novel series when the first collections came out in the 1980s.

It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.

Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.

Another classic work that inspired my passion for the domain that I work in.

Saïd thoroughly illustrates how media agenda setting and framing, socio-cultural biases and generalisation impact the way we see the world. It is largely driven by clichés and stereotypes. What is needed is “respect for the concrete detail of human experience, understanding that arises from viewing the Other compassionately, knowledge gained and diffused through moral and intellectual honesty.”

I couldn’t agree more.

If you are looking for an “Eureka!” moment while reading about celebrity, you can start with Robert Putnam’s Bowling Alone, first published in 2000 and re-issued with a new preface in 2020.

Putnam convincingly shows how Americans have become increasingly disconnected – from bowling leagues, from PTAs, neighborhood associations, from all forms of membership organizations.

Why did this happen? Putnam blames television and now the fragmented internet for the decline in these civic assets. I think that, more specifically, celebrity has become the opiate of the masses.

Celebrity worship has become a weapon of mass distraction. We suffer from an excess of individualism that will not end until we begin to accept and embrace the common good we all share.

When you combine the rise of celebrity with the decline of civic assets, that’s America today.

My dear colleague Simon Anholt is the founding father of the idea of the city, region or nation as brand.

He created the Anholt Ipsos Nation Brands Index and the Good Country Index; has written extensively on the subject; and has inspired me throughout my career. In his latest book The Good Country Equation he clearly proves – through the data that he’s collected – that for places to be admired, they have to be admirable.

In other words, places are respected for what they contribute to humanity and the planet, not for their propaganda. This is obviously an important discovery that forces governments and their stakeholders to focus on meaningful strategy, policy and cooperation as opposed to image promotion.

I also enjoyed reading Simon’s book as he shares his personal experiences as a government advisor.

Keith Dinnie is another respected colleague who has written about the city, region, and nation as brand since the twentieth century. 

It is clear that his book Nation Branding is the go-to handbook and reference guide for students, practitioners, and academics interested and working in the domain of “place branding” as it is now already in its third edition. Dinnie’s book is usually on my desk in case I need to look up definitions, sources, or specific insights and cases.

Contributors include some of the most well-established professionals in the field.

When I decided to write about celebrity, I knew from the beginning that I would depend on Richard Schickel’s His Picture in the Papers.
Schickel was the former movie reviewer for both LIFE and TIME magazines, and I used simply enjoy his perceptive insights when I also worked at TIME.
Schickel uses the case study of the charismatic Douglas Fairbanks, Sr. to show how his celebrity was generated by his image reproduced in movies, magazines, and newspapers.

Schickel later wrote Intimate Strangers: The Culture of Celebrity in America, which further discussed how celebrity images have replaced the value of ideas in American culture.