100 books like The Illustrated Man

I had to include this book because this is the book that opened up the whole world of time travel for me.

I read it as a young teenager and have loved everything about the concept of time travel ever since. I think the reason is that there is this implied desire to fix the mistakes of our past or something, and that whole idea bubbles under the surface of Wells’ classic.

Of course on the other side of that coin is that I would later come to learn that Wells was an atheist, and so that brings up the whole question of whether time travel is a human attempt to play God, and whether time travel is only possible in a universe where there is no God. 

I enjoy the occasional romance, but often want something more than a traditional linear structure with predictable character trajectories, and The Time Traveler’s Wife won me over completely.

Not only does it play with the concept of time, pitting two characters in a relationship with one another at various non-sequential points in their lives (Henry meets Clare when she’s six and he’s thirty-six, they get married when she’s twenty-two and he’s thirty!), but it does it oh-so-convincingly. What’s more, it tells a superb love story at the same time—one of the best.

I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.

The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.

The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.

Growing up I often found myself looking at the world through a question mark, often finding irony all around me. An irony that most adults either didn’t recognize or didn’t care to recognize. When my junior high English teacher turned me on to the works of O. Henry, I found a kindred spirit. O. Henry’s slightly askew, often humorous stories mirrored my own often warped view of the world. And I delighted in the brevity with which he told his tales. The short story genre became a favorite of mine. In the fast-paced, no time to spare world we’ve created, O. Henry’s delightful quick reads are an oasis of enjoyment.

While trending more toward the fantasy side, then the previous picks on the list here, Link still manages to pull out some of the most unsettling moments in a short story that I’ve ever read.

When I finished her story “Some Zombie Contingency Plans,” I found myself immediately flipping back to the beginning of the story and reading it fresh. Link is masterful when it comes to weaving together narrative threads, playing literary sleight of hand. While the collection and one of the stories within are called “Magic for Beginners,” she’s very much an expert.

The cross-genre blending is very much following in the footsteps of Bradbury, giving a more fantasy-style focus where his work trends toward science fiction.

No one writing horror fiction today is better at punching the reader in the guts (or ripping those guts out and showing them to you) like Stephen Graham Jones. While he’s been touted more recently for his novel-length works, I first came to know SGJ’s writing via short stories. This collection is one of several stand-outs from his catalog.

When it comes to horror and weird fiction writing, SGJ’s versatility knows no bounds. Whether it’s the literary strangeness of “Father, Son, Holy Rabbit,” or the freaky folk horror of “Raphael” (elements of which SGJ has revisited in his Indian Lake novel trilogy), there are all kinds of scares in this collection. He even pulls off a shocking jump-scare fright in “Crawlspace” that has to be experienced first-hand.

While his stories might be some of the shortest word-count-wise from the tales featured in these listed collections, Brian Evenson’s prose does not lack for the weird and terrifying.

With many pieces going no further than the flash fiction of 1000 or so words, Evenson’s writing has taught me that it’s not about how many words you use, but how you use them.

In this collection, he adds Westerns to the mix of genres where horror and the weird can take seed and bloom into something mind-bendingly unsettling. “Black Bark” is one such story. At first, it seems to be a tale of two Wild West bandits on the run but as the nightmarish end arrives, readers will find they’ve been reading a very different tale all along.

When I first read this compendium edition collecting the three volumes of Barker’s ground-breaking debut short-story collections my interest in horror and dark fantasy was only recently reignited. Stories like “Fear” and “In the Hills, The Cities” (one of my favorite short stories of all time) opened my mind to the possibilities of fear and phantasmagoria that one could achieve in a brief span of time.

Barker’s prose and characters are lurid, provocative, and unashamed of who/what they are. Not only was he taking risks in crafting these stories, he was also inviting subsequent generations of writers to express themselves fearlessly. While Stephen King’s impact on contemporary mainstream horror and thriller writing is well known, Barker’s hand in shaping the more literary and plain weird side of horror should not be overlooked.

When you read the opening pages of Anthem, you don’t realize what’s missing from the narration. Neither does the main character, Equality 7-2521. More than anything, he wants to be assigned to the Home of the Scholars and study science. When he is assigned to be a Street Sweeper, he is crushingly disappointed. But he is unable to keep his thoughts strictly collective. When he meets Liberty 5-3000, his desire for her equals his yearning to learn and achieve as an individual.

Anthem is the only book my brother ever read cover to cover in one sitting. Dystopian stories push boundaries to see just how much the characters will endure. This collective society downgrades the worth and the desires of the individual, and as an individual, I find that extraordinarily distressing. 

St. John Paul II was also a brilliant philosopher and theologian. Here is his answer to errors of our modern age. Here is his antidote to the deconstruction and disintegration of the family, marriage, manhood, womanhood, and even sex, itself. I would list it higher, but it's not precisely about his life—though it is his greatest life's work. Like the falling of small stones that start an avalanche, this book is slowly restoring the world.