100 books like The Ghosts of Rose Hill

Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.

Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!

Lawless Spaces uses the novel in verse form to capture multiple voices over several generations, voices of women who all carry the same trauma of being sexualized as women in a patriarchal world.

The verse allows readers to see the patterns between characters in a really compelling way, and think about what has and hasn’t changed in our world regarding how women are viewed.

This book tells a beautiful and compelling story about a village girl coming to the city for her education.

We as readers feel the stakes so clearly, and are pulled into Kavi’s journey of reconciling with her identity away from home and the assumptions she makes about others. This story has great nuance and it’s so satisfying to see Kavi grow as a character. Her story challenges readers to think about the assumptions they make about others in their own lives. 

One is a novel in verse I keep coming back to for the way it uses form to make the reader feel the emotional journey of its protagonists.

Crossan uses verse to capture the emotional intimacy of a relationship between two conjoined twins as they encounter challenges in everyday life, including grief. This book uses visual form so smartly and subtly to show us how these two depend on each other, as well as what it means for Tippie to find herself away from her twin. 

I read somewhere that Franz Kafka would laugh so loud when writing his stories that he woke up his neighbors. I’m not sure if that’s true, but I get it. It’s not what is commonly thought of when someone talks about Kafka’s stories. I mean, his name has come to mean a certain style. “Kafkaesque” is used to describe stories that are absurd, nightmarish, offensive, and heavy with bureaucratic pretentiousness and deceit.

Where is the humor? Oh, it’s there. I think sometimes readers get caught up in the horror and bizarreness of it all that they miss the subtle, absurdist, dark, and very dry humor dripping in all these stories in this collection.

There are several books I could recommend written by adults who were imprisoned as children in Terezin during the war, but this one stands out because of its artwork interspersed with factual accounts of daily life. Indeed, it’s the factual perspective she takes in her descriptions that makes them so heart-wrenching. Her map was my primary tool in writing descriptions of the camp, and her artwork, imitating her writing style, comes across as stark and factual. Written as a diary, not a novel, I cried at the cruelty with which her life unfurled before her. At the same time, however, she manages to capture the beauty of being a child, full of hope and promise. That balance makes the book a jewel.

Peter Sis is an acclaimed international writer, artist, and filmmaker. He’s created several award-winning children’s books. In The Three Golden Keys, Sis recaptures his lost childhood in Prague and takes the reader on a dark, mysterious adventure through Prague to find the three keys that will unlock the three rusty padlocks of his childhood home and of his own childhood memories.

I like his art more than his storytelling which is often so personal as to be cryptic. So why am I recommending this book? Because his illustrations of Prague are so beautifully detailed, surreal, and mysterious. It’s a work of art that’s personal, poignant, and poetic. It’s a gorgeous book but perhaps enjoyed by adults more than children.

The Night of Wenceslas was the first thriller I read. I was in my teens, and into reading poetry at the time. My parents knew the author—we had even spent Boxing Day together—so Lionel Davidson was the first real novelist I met in person and I remember being excited to read this book.

The protagonist, Nicholas Whistler is young, half English and half Czechoslovakian. He hates working in his father’s business and is in debt because of his dissolute lifestyle. As a way out of his problems, he is lured into carrying out a mission in Prague and finds he has been duped into becoming an unwitting spy.

This book did not stop me from reading poetry—but spurred me to read much more widely.

A laugh-out-loud funny book about an American scam artist looking for marks on the streets of Prague.

Posing as a successful Hollywood screenwriter, Nix swindles female tourists, but ends up stealing from the wrong woman as it attracts the attention of the woman’s fiancé, a local detective, whose soon sets his sight on Nix. When Nix spots a sultry young woman at the train station, he thinks he’s found his next victim, but she leads him on, then cleans him out. 

Thinking the two could be an unbeatable pair together, Nix tracks Monika down, but accidentally kills her pimp. The two team up, and Monika draws Nix deep into her web of lies. The book is filled with clever dialogue and two nihilistic characters, who will shock, fascinate, and entertain.

Women rarely feature as central figures in most works about Prague. In this book, Iggers introduces us to an array of fascinating female writers, activists, powerful ladies of society, and survivors who have lived in Prague and its environs over the past two hundred years. Each chapter includes a brief introduction and excerpts from these women’s writings, such as diaries, letters, and newspaper articles. The reader can thus hear these women’s voices and feel transported to a different moment in history. Some entries are hard to read, such as Milada Horáková’s farewell letter to her teenage daughter, written on June 23, 1950. The lead defendant in Communist Czechoslovakia’s first public show trial, Horáková was executed three days later. Wilma Iggers is a Czechoslovak native who escaped to Canada after the Nazis invaded her country in 1938, which only enhances the perspectives that she brings to these women’s lives.