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I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.
Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review)
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of…
I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
This book tells a beautiful and compelling story about a village girl coming to the city for her education.
We as readers feel the stakes so clearly, and are pulled into Kavi’s journey of reconciling with her identity away from home and the assumptions she makes about others. This story has great nuance and it’s so satisfying to see Kavi grow as a character. Her story challenges readers to think about the assumptions they make about others in their own lives.
Caught between two worlds—a poverty-stricken village and a fancy big-city school—a young Sri Lankan girl must decide who she really is and where she really belongs.
1998, Colombo. The Sri Lankan Civil War is raging, but everyday life must go on. At Kavi’s school, her friends talk about the weekly Top 40, the Backstreet Boys, Shahrukh Khan, Leo & Kate… and who died—or didn’t—in the latest bombing. But Kavi is afraid of something even scarier than war. She fears that if her friends discover her secret—that she is not who she is pretending to be—they’ll stop talking to her.
I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
One is a novel in verse I keep coming back to for the way it uses form to make the reader feel the emotional journey of its protagonists.
Crossan uses verse to capture the emotional intimacy of a relationship between two conjoined twins as they encounter challenges in everyday life, including grief. This book uses visual form so smartly and subtly to show us how these two depend on each other, as well as what it means for Tippie to find herself away from her twin.
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Winner of the Carnegie Medal * Winner of the YA Book Prize * Winner of the Children’s Books Ireland Book of the Year Award
Tippi and Grace share everything—clothes, friends . . . even their body. Writing in free verse, Sarah Crossan tells the sensitive and moving story of conjoined twin sisters, which will find fans in readers of Gayle Forman, Jodi Picoult, and Jandy Nelson.
Tippi and Grace. Grace and Tippi. For them, it's normal to step into the same skirt. To hook their arms around each other for balance. To fall asleep listening to the other breathing. To…
I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
The book uses verse to create a modern-day fairy tale, mixing magic with contemporary Prague. This makes magic feel so close and tangible for us as readers.
Because of this, we believe our protagonist Ilana and sympathise with her as she makes friends with the ghost of a Jewish boy from decades ago, and fights the hold of the strange and charismatic Wasserman, who has the ability to make the memory of children disappear.
Despite its magical appearance, this story still tackles compelling real-world issues of racism, war, and diaspora in a compelling way.
A brilliantly original tale for fans of The Bear and the Nightingale and The Hazel Wood about embracing your power, facing your monsters, and loving deeply enough to transcend a century.
Inspired by the author's experiences restoring Jewish cemeteries in Eastern Europe.
"A must-read for lost souls everywhere." —Kirkus Reviews, Starred Review
Magic will burn you up.
Sent to stay with her aunt in Prague and witness the humble life of an artist, Ilana Lopez—a biracial Jewish girl—finds herself torn between her dream of becoming a violinist and her immigrant parents’ desire for her to pursue a more stable career.…
I’m an American author who lived three years in a backyard tiny house with my family: husband, two young children, and a part-time dog. We wanted to live a bigger life, focused on our favorite activities and most important relationships. I wrote this book during the first spring of COVID-19, partly as a way to record my family’s experience weathering a pandemic in under 300 square feet, and partly as a way to explore the ways that children can be resourceful when life gives them a pinch. I've been a writer for most of my life, and I love to teach writing. Ark is my first middle-grade novel, and my lucky thirteenth book to publish!
Granted, nobody would call a castle a small space, but the world of 17-year-old Cassandra Mortmain—the narrator of this full-of-life novel-in-journal-form—is hemmed in by her father’s writer’s block and his innate dislike of neighbors, resulting in their family’s life of dwindling gentile poverty in a dilapidated rented castle.
Much of the novel’s long-lasting enchantment is how Cassandra makes the best of the stone walls that contain and border her life. Cassandra has a wonderful imagination and a knack for seeing her life as a story. A very funny and wise coming-of-age story about how our homes shape our world-views.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
I grew up during the civil rights movement in the US, and my ancestors—the lucky ones—escaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, don’t know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
Before I read this book, in the 1990s, I had never heard of Canada’s residential school system for Indigenous children. I was horrified, and also ashamed to have been so ignorant. Over the years, I have heard many Indigenous authors speak and have read many books on the subject, and have come to realize that the residential school tragedy is parallel to the Holocaust for Jews—my family’s story. This is the book that opened my eyes.
Her name was Seepeetza when she was at home with her family. But now that she's living at the Indian residential school her name is Martha Stone, and everything else about her life has changed as well. Told in the honest voice of a sixth grader, this is the story of a young Native girl forced to live in a world governed by strict nuns, arbitrary rules, and a policy against talking in her own dialect, even with her family. Seepeetza finds bright spots, but most of all she looks forward to summers and holidays at home.
When I think of what it means to come of age, I think of the sacrifices one makes to be the best at what he/she enjoys doing against the challenges of life to experience the joy of living. When I failed not being successful as an actor after studying it for ten years in New York City, I came back home and finished college to become a writer. Now, I write the thrill of young characters with a talent to confront society to fulfill a dream, and if they fail, how to overcome it with the help of others, prayer, and hard work.
The novel Sold Out is a favorite book of mine because Carlson’s main female character, Chloe Miller, forms her own band while struggling early on until they become a hit in their community. Success, however, brings them problems of finding out who their real friends are. Even when the band is discovered by a talent scout from Nashville, conflicts erupt amongst the band members and attitudes start clashing, and Chloe’s dream is falling apart. However, she refuses to give up, and she finds the strength through God and prayer to make the decisions necessary to be proud of her accomplishments.
Chloe Miller and her fellow band members must sort out their lives as they become a hit in the local community. Accustomed only to being scorned and marginalized, Chloe suddenly has to decide who her real friends are, and who's just along for the ride. Now her generosity gets her in more trouble than ever. And all too soon after a talent scout from Nashville discovers the trio, their explosive musical ministry begins to encounter conflicts with family and school. Exhilarated yet frustrated, Chloe puts her dream in God's hand and prays for Him to work out the details.
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
I don’t set much store by orderly chronology, in life or writing—as might be clear from my book, where old memories live vividly alongside the present moment!
More interesting to me is how memory accumulates and morphs over time, and how stories live in our minds. Needless to say I adore Julavits’s non-chronological diary The Folded Clock (and what a title)! In gorgeously detailed individual sections, she immerses us in her life without regard for the precise sequence of events. We’re left with a beautiful jumble, which is surely truer than how life is anyway.
Rereading her childhood diaries, Heidi Julavits hoped to find incontrovertible proof that she was always destined to be a writer. Instead, they “revealed me to possess the mind of a phobic tax auditor.” Thus was born a desire to try again, to chronicle her daily life—now as a forty-something woman, wife, mother, and writer. A meditation on time and self, youth and aging, friendship and romance, faith and fate, and art and ambition, in The Folded Clock one of the most gifted prose stylists in American letters explodes the typically confessional diary form with…
I’m the author of a number of books for kids and teens, many of which imagine young characters having more influence than you might expect. My book The Museum of Lost and Found is about an 11-year-old girl who secretly curates a museum. The Campaign is about a 12-year-old who runs her babysitter’s campaign to become mayor of their town. And This Song Will Save Your Life is about a 16-year-old who secretly becomes an underground DJ. These characters have realistic and relatable kid problems, emotions, and relationships—but they also get to have responsibilities and power well beyond their years.
I wrote my first book and started submitting it to publishers when I was eleven years old. I dreamed of publishing a book before I graduated from high school.
Ultimately, that didn’t happen—I was 25 by the time I sold my first book. So you can see why I loved a story about a character who lived my dream; a 14-year-old girl who becomes a bestselling author. Most people didn’t believe that kids can be authors, but seeing another kid do it—even if her story is fictional—makes it feel possible.
Jamie longs to be popular, but she never dreams of the fame that is suddenly hers after a private journal entry accidentally finds its way to her teacher, then a publisher, and her career as a bestselling author is kicked into motion. In no time at all she is caught in a swirl of book signings, power lunches, and photo ops. And the hottest guy in school finally knows her name! Could it get any better than this?
Girls who love wish-fulfillment fantasies like The Princess Diarieswill relish Jamie's foray into a world of glamour and glitz, which she ultimately…
Richard Vinen is a Professor of History at King's College, London, and the author of a number of major books on 20th century Europe. He won the Wolfson Prize for History for his last book, National Service. Vinen is a specialist in 20th-century European history, particularly of Britain and France.
Rose wrote the Albany column in The Sunday Telegraph and it is tempting to dismiss him as a gossip columnist who spread amusing and implausible stories about the bons mots of Princess Margaret. In fact, Rose was a more substantial person. He was interested in the British establishment but aware of himself as an outsider (partly because he was of Jewish origin). He was also, particularly during the early part of his career, an odd kind of modernizer – close to Tony Benn, whom he had known at university.
'The most detailed, amusing and accurate account ever of the post-war world of the English Establishment' William Shawcross, Daily Telegraph 'Extremely entertaining' Jane Ridley, Literary Review
Kenneth Rose was one of the most astute observers of the establishment for over seventy years. The wry and amusing journals of the royal biographer and historian made objective observation a sculpted craft.
His impeccable social placement located him within the beating heart of the national elite for decades. He was capable of writing substantial history, such as his priceless material on the abdication crisis from conversations with both the Duke of Windsor and…
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