Here are 100 books that The Far-Distant Oxus fans have personally recommended if you like
The Far-Distant Oxus.
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Although as an adult I very much prefer true-life adventures to fictional ones – it’s why I wrote Heroes and Rescue, as well as Survivors – many of the most enjoyable books I read as a child were fictional accounts of daring and danger, mostly if not entirely centred on children with whom I could identify. I found them inspiring and still do, and can’t help feeling that if after nearly 50 years I can still remember so many of the details – and, trust me, I really can - the authors of these five must really have known what they were up to. I really hope no one will be put off them because of their age because I feel they have genuinely stood the test of time.
Although I write mostly history books and only non-fiction, I loved adventure stories as a child and these five have all stuck with me into adulthood. That must say something. The fast pace of this particular one, and its very realistic setting (1920s Berlin, peopled by some fairly tough characters), was highly unusual for children’s fiction when it was written more than 90 years ago. Because of this, I’m sure that even now most readers will have no difficulty imagining themselves filling Emil’s shoes and would want to join in with his adventures if they could. It’s properly engaging, a really great read.
If Mrs Tischbein had known the amazing adventures her son Emil would have in Berlin, she'd never have let him go.
Unfortunately, when his seven pounds goes missing on the train, Emil is determined to get it back - and when he teams up with the detectives he meets in Berlin, it's just the start of a marvellous money-retrieving adventure . . .
A classic and influential story, Emil and the Detectives remains an enthralling read.
From November 16th 2013, an exciting new adaptation of Emil and the Detectives will be playing at the National Theatre in London.
Although as an adult I very much prefer true-life adventures to fictional ones – it’s why I wrote Heroes and Rescue, as well as Survivors – many of the most enjoyable books I read as a child were fictional accounts of daring and danger, mostly if not entirely centred on children with whom I could identify. I found them inspiring and still do, and can’t help feeling that if after nearly 50 years I can still remember so many of the details – and, trust me, I really can - the authors of these five must really have known what they were up to. I really hope no one will be put off them because of their age because I feel they have genuinely stood the test of time.
Another real thriller that I still find exciting and completely compelling. After losing their parents in the chaos of war, three children are left alone to fend for themselves. While hiding from the Nazis amid the rubble of a ruined city, they meet a ragged orphan who shows them his ‘treasure,’ an old paperknife. Clearly the silver sword of the title, this was entrusted to him by an escaped prisoner of war but the children recognise it and realise the escapee must be their father. Taking the ‘sword’ as a message that he is alive, they set out to search for him. As a historian, I always try to smuggle education into my own books by disguising it as entertainment, and this book does that brilliantly.
A BBC radio full-cast dramatisation of Ian Serraillier's classic wartime story.
When the Germans march into Poland in 1941, the Balickis' happy family life is shattered. With their parents taken away by Nazis, Ruth, Edek and Bronia are forced to fend for themselves in the dangerous, war-ravaged city of Warsaw.
When Edek is captured too, the girls are desperate. Then they meet orphaned street urchin Jan, who carries with him a talisman of hope: a silver sword paperknife that they recognise as having belonged to their mother.
Realising that their parents may still be alive, Ruth and Bronia set off…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
Like H.G. Wells, Wyndham is excellent at depicting normal people who are dealing with an unusual event in normal locations. This creates a level of reality that makes the circumstances more horrific. I could imagine myself in those places, with those people.
The Triffids have never translated well to the screen because the plants look awkward. This isn’t the case in the book. This is my favorite of all the Wyndham books because of their journeys and their descriptions of the landscape around them.
When Bill Masen wakes up in his hospital bed, he has reason to be grateful for the bandages that covered his eyes the night before. For he finds a population rendered blind and helpless by the spectacular meteor shower that filled the night sky, the evening before. But his relief is short-lived as he realises that a newly-blinded population is now at the mercy of the Triffids.
Once, the Triffids were farmed for their oil, their uncanny ability to move and their carnivorous habits well controlled by their human keepers. But now, with humans so vulnerable, they are a potent…
Full disclosure: I don’t know much about swords. But as a children’s author and English teacher, I’ve learnt what makes kids want to pick up a book. In short, make it fun! My teenage membership in the Young Archaeologists Club sparked my love of history and archeology. It wasn’t quite as glamorous as Indiana Jones would have you believe, but the idea that hidden treasures might be lurking under our gardens has fascinated me ever since.
Who doesn’t love this book? Only those who haven’t read it.
I love the blend of humour and adventure but, in particular, the way that White transforms these characters from mythical figures to real people. And what a story! Which, you may have forgotten, also features an appearance from another legendary British figure: Robin Hood.
The extraordinary story of a boy called Wart - ignored by everyone except his tutor, Merlyn - who goes on to become King Arthur.
Collins Modern Classics are re-launched with gorgeous new covers bringing these timeless story to a new generation.
"Come, sword," said the Wart. He took hold of the handles with both hands, and strained against the stone... but nothing moved...
When the wizard Merlyn comes to tutor Sir Ector's sons, Kay and the Wart, studying suddenly becomes much more exciting. After all, who wouldn't enjoy being turned into a fish, or a badger, or a snake?
I have been horse-obsessed since before I can remember. I begged my parents for lessons and read every horse book I could, starting with Misty of Chincoteague and the Black Stallion series. I let life lead me away from horses, but I came back after almost two decades away. Now, I write about horses for a living and work with them daily–the main theme of my life in both books and business is connection. I write nonfiction and fiction books and have a hilariously honest and fun podcast called Adulting with Horses, where we talk about our favorite topic. Want to guess what it is?
This is one of my favorite books, and anyone who loves horses should read it.
I love a good slow-burn romance, which occurs throughout this book and the next, but ultimately, it is how relatable a character the FMC is and how much I felt like the author was describing me.
The relationship between Devon and her Paint mare is incredibly vivid and realistic, and there is a lot of tension with the MMC!
McKennon Kelly is a handsome horse trainer who knows the cure for wannabe cowgirl Devon Brooke's horse troubles. Can he train her without revealing his secret? He's not so sure ...
Devon Brooke is a city girl gone country who desperately needs a certain Romeo in Wranglers' help with her new horse. People say she's a cowboy crazy cowgirl with horse problems. They may be right ...
Meet McKennon and Devon in the In the Reins series. A city-girl-gone-country, a handsome cowboy and a horse meet by fate on a southern farm. She's looking for a fresh start and unexpectedly…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This book really brought it home to me how classics (that is, the study of ancient Greece and Rome) was implicated in the politics of the past, and specifically in the ideology of the British Empire. It has been quite influential within the discipline of classics, and there is now a whole subfield that considers the political uses of classics.
This extraordinary book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. It examines some of the great figures of the colonial period such as Gandhi, Nehru, Macaulay, Jowett, and William Jones, and covers a range of different disciplines as it sweeps from the eighteenth century to the end of the British Raj in the twentieth.
Using a variety of materials, including archival documents and familiar texts, Vasunia shows how classical culture pervaded the thoughts and minds of the British colonizers. His book highlights the many Indian receptions of Greco-Roman antiquity and…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
Edward Bulwer Lytton's influential 19th century novel The Last Days of Pompeii was inspired by a painting he had seen in Milan. He immediately rushed to Pompeii, where his book was published in 1834, by coincidence exactly when Vesuvius erupted. It became an immediate success and is still being published. As Benjamen Disraeli wrote that November, "A trembling spectator, I watched the artists till I was overcome by the phantasma, and was glad to find myself once more in the solitude of my armchair." Available in economic form. The book became an immediate success and is still being adapted to today's media.
Edward Bulwer-Lytton (1803-1873) was a prolific novelist, poet and playwright in his day; in modern times, his work is considered much as Lovecraft described: “large doses of turgid rhetoric and empty romanticism.”
Originally published in 1834, "The Last Days of Pompeii" itself was probably the first novelization of the catastrophic event. The city was rediscovered in the mid-1700s and archaeological excavations followed soon after. Bulwer-Lytton was inspired to write his novel by the painting The Last Day of Pompeii by Karl Briullov, painted in the early 1830s.
"The Last Days of Pompeii" tells the story of the Athenian Glaucus, his…
I’m a historian of emotions, science, and medicine, with more than a decade of experience in meddling in other scientific affairs, especially in the worlds of psychology and neuroscience. I’m fascinated by human emotions in part, at least, because I feel we’re living in a crude emotional age. I’ve worked in five different countries since gaining my PhD in 2005. In that time I’ve written or edited 14 books of historical non-fiction, as well as dozens of articles and reviews. You can freely read my work inAeon or History Today. I live between Canada (my adopted country) and Finland, where I frequently lament the loss of my European citizenship.
This book unlocked secrets for me. I was searching for a way of making sense of my own historical work on sympathy in the nineteenth century when I turned to Konstan’s masterpiece on pity in the ancient world, in all its varieties and political forms.
The book could not have been further in time from my own focus, but Konstan’s methods, combined with his narrative sharpness, showed me the way. I read this book, and suddenly, I knew what to do.
"Pity Transformed" is an examination of how pity was imagined and expressed in classical antiquity. It pays particular attention to the ways in which the pity of the Greeks and Romans differed from modern ideas. Among the topics investigated in this study are the appeal to pity in courts of law and the connection between pity and desert; the relation between pity and love or intimacy; self-pity; the role of pity in war and its relation to human rights and human dignity; divine pity from paganism to Christianity; and why pity was considered an emotion. This book will lead readers…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
Sarah B. Pomeroy’s book on women in antiquity was a landmark study when it was first published some fifty-odd years ago in 1975.
It remains important both for its discussion but also because of its place in the history of the study of women in the ancient world. Pomeroy works from literary and archaeological evidence to explore the lives of Greek and Roman women from the Bronze Age to women of the early Roman empire, with a particular focus on classical Athens and Rome.
It is erudite and readable, and, despite its age, deserves a place on any ancient history buff’s bookshelf. It was the first book on the subject that I bought when I was an undergraduate student and has been a great foundation for further study.
What did women do in ancient Greece and Rome? Did Socrates' wife Xanthippe ever hear his dialogues on beauty and truth? How many many women actually read the histories of Herodotus and Thucydides? When pagan goddesses were as powerful as gods, why was the status of women generally so low? Why, in traditional histories, is half the population effectively invisible?
This unique and important book spans a period of 1500 years - from the fall of Troy to the death of Constantine. It examines all the available evidence - literary and archaeological - and reconstructs the lives of women from…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer asRome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S.
The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe.
This guide provides:
* Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship
* Over 220 high-quality maps, site plans, diagrams and photographs
* Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus…
