Here are 100 books that The Classics and Colonial India fans have personally recommended if you like
The Classics and Colonial India.
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Since 2008, I have conducted research on themes related to International Political Economy. I am currently the co-chair of the research committee on this topic at the International Political Science Association (IPSA) and am passionate about making sense of the interplay between material and symbolic factors that shape capitalism and globalisation. Being based in Brazil, I was stuck when the country—which did not have salient identity cleavages in politics—came to be, after 2008, a hotspot of religious-based right-wing populism associated with the defence of trade liberalisation as globalisation started to face meaningful backlash from White-majority constituencies who are relatively losers of the post-Cold War order in the advanced industrialised democracies.
I love Anderson’s narrative about the formation of nations in the 19th Century and what he calls print capitalism, promoted through books and newspapers. A market organised around the same language fosters both the economy and the very much-needed feeling of community required to organise the state and foster industrial capitalism.
More than four decades after its publication, the book remains thought-provoking as it makes me ask whether a single language suffices to hold nations and markets together.
What are the imagined communities that compel men to kill or to die for an idea of a nation? This notion of nationhood had its origins in the founding of the Americas, but was then adopted and transformed by populist movements in nineteenth-century Europe. It became the rallying cry for anti-Imperialism as well as the abiding explanation for colonialism. In this scintillating, groundbreaking work of intellectual history Anderson explores how ideas are formed and reformulated at every level, from high politics to popular culture, and the way that they can make people do extraordinary things. In the twenty-first century, these…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This collection of essays offers a broad set of different examples of history and ideas about the past have been pressed into the service of nationalism – often resulting, as the title has it, in the invention of tradition.
I also love the quality of the writing in this book. Hobsbawm has such elegant prose, and as an editor he seems to have influenced the style of the other authors in the volume.
Many of the traditions which we think of as very ancient in their origins were not in fact sanctioned by long usage over the centuries, but were invented comparatively recently. This book explores examples of this process of invention - the creation of Welsh and Scottish 'national culture'; the elaboration of British royal rituals in the nineteenth and twentieth centuries; the origins of imperial rituals in British India and Africa; and the attempts by radical movements to develop counter-traditions of their own. It addresses the complex interaction of past and present, bringing together historians and anthropologists in a fascinating study…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This more recent book focuses specifically on archaeology, which is my own area of expertise, and so I rushed to buy it when it first came out.
I don’t agree with absolutely everything in it, but it’s the mark of a good book if you come away with a head full of questions and exciting thoughts, which I definitely did with this one!
Archaeology, Nation, and Race is a must-read book for students of archaeology and adjacent fields. It demonstrates how archaeology and concepts of antiquity have shaped, and have been shaped by colonialism, race, and nationalism. Structured as a lucid and lively dialogue between two leading scholars, the volume compares modern Greece and modern Israel - two prototypical and influential cases - where archaeology sits at the very heart of the modern national imagination. Exchanging views on the foundational myths, moral economies, and racial prejudices in the field of archaeology and beyond, Hamilakis and Greenberg explore topics such as the colonial origins…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This is an absolutely stonker of a book. Elegant and erudite, and yet tackling one of the hottest and most debated questions surrounding history right now.
It doesn’t only consider how we remember the British Empire (this issue is a bit of a political hot potato right now), but also reflects more broadly on the role of the historian. I am still digesting it!
CHOSEN AS A BOOK OF THE YEAR BY NEW STATESMAN AND BBC HISTORY MAGAZINE
'In this searing book, Priya Satia demonstrates, yet again, that she is one of our most brilliant and original historians' Sunil Amrith, author of Unruly Waters
For generations, the history of the British empire was written by its victors. British historians' accounts of conquest guided the consolidation of imperial rule in India, the Middle East, Africa and the Caribbean. Their narratives of the development of imperial governance licensed the brutal suppression of colonial rebellion. Their reimagining of empire during the two world wars compromised the force…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
Classicist Andrew Wallace-Hadrill, a professor at Sidney Sussex College, was for fourteen years director of the British School in Rome. Among his highly recommended books are Rome's Cultural Revolutionand Herculaneum: Past and Future. Prof. Wallace-Hadrill, OBE, who directed the Herculaneum Conservation Project for fifteen years, currently specializes in studying the impact the ancient city has had upon the world.
The period of Rome's imperial expansion, the late Republic and early Empire, saw transformations of its society, culture and identity. Drawing equally on archaeological and literary evidence, this book offers an original and provocative interpretation of these changes. Moving from recent debates about colonialism and cultural identity, both in the Roman world and more broadly, and challenging the traditional picture of 'Romanization' and 'Hellenization', it offers instead a model of overlapping cultural identities in dialogue with one another. It attributes a central role to cultural change in the process of redefinition of Roman identity, represented politically by the crisis of…
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned AD117-138). He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.
The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics-these are the foundations of Western civilization. In The Classical World , eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Hadrian. From the Peloponnesian War through the creation of Athenian democracy, from the turbulent empire of Alexander the Great to the creation of the Roman Empire and the emergence of Christianity, Fox serves as our witty and trenchant guide. He introduces us…
I’ve been fascinated by Dante since my first years at university. For me, reading Dante was the beginning of a journey, opening up a rich world of theology, philosophy, art, literature, science, and culture. As Professor of Theology at the University of St Andrews, I especially enjoy facilitating students’ first encounters with Dante, and seeing how Dante so often leads them, also, to a deeper appreciation of some of the greatest thinkers and makers of our civilisation, from Aristotle and Virgil to Aquinas and Giotto.
Some of the most original scholarship on Dante in the past fifty or so years has been historical and contextual. This research enables us to understand Dante’s texts more fully in their own immediate contexts, of course, but it also reflects the fact that many readers of Dante become increasingly interested in the wider contexts – ethical, political, philosophical, theological, economic, literary, cultural, etc. – that Dante’s own poetic masterpiece opens up. In thirty chapters, the collaborative volume Dante in Context exemplifies the best of this historical and contextual work, and provides an invaluable introduction to the world of Dante.
In the past seven centuries Dante has become world renowned, with his works translated into multiple languages and read by people of all ages and cultural backgrounds. This volume brings together interdisciplinary essays by leading, international scholars to provide a comprehensive account of the historical, cultural and intellectual context in which Dante lived and worked: from the economic, social and political scene to the feel of daily life; from education and religion to the administration of justice; from medicine to philosophy and science; from classical antiquity to popular culture; and from the dramatic transformation of urban spaces to the explosion…
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
This book has the best illustrations of the two main cities of antiquity that l have ever seen. Besides superb photographs (all in colour) of the ruins today, they include Peter Connolly’s brilliant reconstructions of buildings of all sorts: houses, palaces, baths, temples, forums, hippodromes, theatres, amphitheaters, insulae (blocks of flats), bars and aqueducts, plus styles in furniture, clothing, and hair. All are shown in colourful detail, many with cutaway illustrations that recreate city life of 2000 years ago with wonderful vividness. They are complemented by Dr. Hazel Dodge’s lucid, informative text. The first part covers Athens at its democratic peak under Pericles around 434BC, the second Rome at its imperial zenith some 500 years later, when it was the greatest city on earth.
Superb, detailed reconstructions of buildings provide the starting-point for a vivid exploration of these two great cities and the lives of the people who inhabited them. Peter Connolly's illustrations and reconstructions have a unique authority, with their blend of superb draughtsmanship, imagination, and meticulous research. The text appeals to a wide spectrum of readers, from young adults to professional historians.
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
This first volume—with the other three—is, I think, the best book ever written about the British in India and their leaving of it. The whole story is rooted in a rape that happens to a young Englishwoman, whose lover is accused of the crime. I first read this when it came out in 1980, before the amazingly good TV series. There are so many unforgettable characters in it—the women, trying to survive with husbands and fathers away in the army, the missionaries and nuns, as well as the men. Scott does not in any way idealize the British—rather the opposite—and it is a feast of detail of the time and moving human stories. I have re-read it and will no doubt do so again.
This first volume opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. Daphne Manners, daughter of the province governor, is running at night through the Mayapore gardens, away from her Indian lover, who will soon be arrested for her alleged rape.
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I have not come across many books about Indian women in power, but this book is an amazing exploration of how feminine strength can hold up against a deeply patriarchal society and time period.
The story sucked me in as the main character, a young princess coming of age, gets caught up in romance and subterfuge; by the end, the story takes a sad and heartbreaking turn as India’s rich history of its many kingdoms falls to the British Raj.
Born to the Royal House of Balmer, Jaya Singh experiences the influences of Western culture as a selfless wife, strong leader, and courageous individual in a national struggle.
Jaya Singh is the intelligent, beautiful, and compassionate daughter of the Maharajah and Maharani of Balmer. Raised in the thousand-year-old tradition of purdah, a strict regime of seclusion, silence, and submission, Jaya is ill-prepared to assume the role of Regent Maharani of Sirpur upon the death of her decadent, Westernized husband. But Jaya bravely fulfills her duty and soon finds herself thrust into the center of a roiling political battle in which…
