100 books like Emil and the Detectives

Although as an adult I very much prefer true-life adventures to fictional ones – it’s why I wrote Heroes and Rescue, as well as Survivors – many of the most enjoyable books I read as a child were fictional accounts of daring and danger, mostly if not entirely centred on children with whom I could identify. I found them inspiring and still do, and can’t help feeling that if after nearly 50 years I can still remember so many of the details – and, trust me, I really can - the authors of these five must really have known what they were up to. I really hope no one will be put off them because of their age because I feel they have genuinely stood the test of time.

Although as an adult I very much prefer true-life adventures to fictional ones – it’s why I wrote Heroes and Rescue, as well as Survivors – many of the most enjoyable books I read as a child were fictional accounts of daring and danger, mostly if not entirely centred on children with whom I could identify. I found them inspiring and still do, and can’t help feeling that if after nearly 50 years I can still remember so many of the details – and, trust me, I really can - the authors of these five must really have known what they were up to. I really hope no one will be put off them because of their age because I feel they have genuinely stood the test of time.

I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.

Full disclosure: I don’t know much about swords. But as a children’s author and English teacher, I’ve learnt what makes kids want to pick up a book. In short, make it fun! My teenage membership in the Young Archaeologists Club sparked my love of history and archeology. It wasn’t quite as glamorous as Indiana Jones would have you believe, but the idea that hidden treasures might be lurking under our gardens has fascinated me ever since.

The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.

I'm a military historian and an author. To get inspiration for my writing, I spent 35 years in Special Forces (as a "Green Beret") and as a CIA officer in strange places working with interesting people. I first wrote non-fiction but I needed US Government approval for everything. So, following the saying “Fiction is the lie through which we tell the truth,” I tell my tales as “faction”—stories reflecting a reality most people don’t know or understand. I write about “Us Versus Them”—stories about teamwork—and the result is The Snake Eater Chronicles. I leave it to the reader to decide where fact ends and fiction begins.

While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo. A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.

Fact is often more fascinating than fiction, and on occasions, a lot weirder too. As someone, London-based though lucky to have travelled extensively in Europe since childhood (my mother was keen to visit places where my father had been stationed in the Second World War) and more recently as a journalist (for The Financial Times, BBC, The Guardian, and others) in the Americas, Asia, and Africa, I have always been attracted to stories that strongly convey senses of time, place and the people you just happen to meet.

I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Allies’ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and I’ve also amassed a collection of maps and guidebooks from that period.

While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.