97 books like Emil and the Detectives

A personal favourite of Swallows and Amazons author Arthur Ransome, the book does for Devon and ponies what he did for the Suffolk, the Lakes, and sailing. The authors were teenagers themselves when they wrote it, which is still hard to believe, and they took turns writing alternate chapters. The result is a  classic tale of adventurous children on holiday, and one which draws the modern reader in immediately. Interestingly it was Ransome who found the girls their first publisher.

Another real thriller that I still find exciting and completely compelling. After losing their parents in the chaos of war, three children are left alone to fend for themselves. While hiding from the Nazis amid the rubble of a ruined city, they meet a ragged orphan who shows them his ‘treasure,’ an old paperknife. Clearly the silver sword of the title, this was entrusted to him by an escaped prisoner of war but the children recognise it and realise the escapee must be their father. Taking the ‘sword’ as a message that he is alive, they set out to search for him. As a historian, I always try to smuggle education into my own books by disguising it as entertainment, and this book does that brilliantly.

I’m including this classic because it’s Wyndham’s writing that first drew me into post-apocalyptic fiction, and because I love the way that he focuses on the details of the survivors’ lives in a believable way.

It tells of a world in which most of humanity has been blinded by radiation from a space event, leaving them at the mercy of the eponymous walking, stinging plants that feed on decaying flesh. The sighted survivors have to cope with plagues, dwindling resources, the collapse of order, and the rise of militias. Oh, and the Triffids.

Who doesn’t love this book? Only those who haven’t read it.

I love the blend of humour and adventure but, in particular, the way that White transforms these characters from mythical figures to real people. And what a story! Which, you may have forgotten, also features an appearance from another legendary British figure: Robin Hood.

Lots of swords in this one.

Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing. 

Okay, I like almost anything that is set in Berlin because I lived and “worked” there during the Cold War, but Canon really brings it in this tightly woven story of Martin Keller, a hapless former convict who has been co-opted to work for the CIA in East Berlin.

From the first page, paranoia sets in, as it must on anyone working against the Communist regime of East Germany, when Keller embarks on his own agenda to save himself and, more importantly, the family he loves.

Kanon re-creates the tension of a divided Berlin while his well-drawn characters try to escape the clutches of a morally corrupt government. Kanon is simply one of the best.  

Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.

A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone. 

Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.

Berlin aches with absences as much as its brazen presence: the sense of lives lived, dreams realized and evils executed with an intensity so shocking that they rent the air and shook its fabric. In Mephisto, a vain and ruthless second-rate theatre actor becomes a national star by aligning himself with the Nazis. Haunting.

I greatly admire how this book subverts the traditional form of biography in a way that perfectly suits the subject.

Mildred Harnack, the author’s great-great-aunt, was an astoundingly brave young woman from Wisconsin who, starting in the early 1930s, had a central role in Berlin’s homegrown opposition to the Nazis and was eventually beheaded on orders from Hitler.

Drawing on diaries, letters, photographs, interviews, and declassified intelligence documents, Donner tells an extraordinarily intimate story that reads like a literary novel and has the pace of a thriller.

Uwe Westphal has spent many years researching and writing about the Jewish contribution to the Berlin fashion industry between 1836 - 1939.  This is a story that has never been told before. Jewish entrepreneurs invented ready-to-wear, mass-produced, fashionable clothing. By the early 1900s, Berlin was the hub of world fashion with the majority of clothing firms being Jewish-owned. In 1933 the Nazis swiftly foreclosed and “Aryanized” these businesses and their owners fled into exile or were murdered. After 1945, the now non-Jewish fashion firms, which had taken over their predecessors’ companies, enjoyed a tremendous increase in worldwide sales due to the glaring absence of their pre-war Jewish competitors. But the sophistication of the Jewish designers was gone. Today’s German fashion industry is a long way from recovering its former international status.

This book enables the reader to appreciate the immense loss of Jewish talent wrought by the Nazis. Westphal’s archival… show more.