While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
I read this novel feverishly, over a decade ago. Ferrante’s calm, snaking sentences yanked me into this book with a compulsive gravity. After her husband leaves her, the narrator, Olga, struggles to care for her two children. She forgets herself in her daily rounds — driving absently, denting fenders, braking at the last minute — “angrily, as if reality were inappropriate.”
Throughout this novel, Ferrante presents a devastating (yet somehow gratifying) portrait of feminine rage. When I first read this novel, still in my twenties, still generally polite and obliging, I recognized something frightening: the scorn of a woman who’s grown “old” and undesirable for society. A woman with the whiff of aloneness about her. Rage isn’t an emotion we like to associate with mothers, but that’s only one reason this book is subversive and edifying.
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair―and rage―is “a masterpiece” (The Philadelphia Inquirer).
The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even…
While Olga’s live-wire, imperfect mothering fuelled me with a sort of righteous approval — or recognition — Rose, the mother in Hot Milk, left a metallic distaste in my mouth. Rose is limp and passive. She is the apparent sufferer of a mysterious bone disease. Her 25-year-old daughter, Sofia, has been lassoed along as “an unwilling detective” of this ailment, as well as her mother’s primary caregiver.
Sofia is her mother’s laundrywoman. Her walking stick. She dares not protest even when her mother rests her head on her shoulder, which is burning from a jellyfish sting. Admittedly, it’s not the mother that tugs me into this book, but Sofia herself. As Sofia explores her own individuation, her own eros, her own obsessions, the story grows increasingly hypnotic and propulsive.
SHORTLISTED FOR THE BOOKER PRIZE 2016 SHORTLISTED FOR THE GOLDSMITHS PRIZE 2016
Plunge into this hypnotic tale of female sexuality and power - from the author of Swimming Home and The Man Who Saw Everything
'Propulsive, uncanny, dreamlike. A feverish coming-of-age novel' Daily Telegraph
'A triumph of storytelling' Literary Review _________________________________
'Today I dropped my laptop on the concrete floor of a bar built on the beach. My laptop has all my life in it and knows more about me than anyone else. So what I am saying is that if it is broken, so am I . . .'…
She’s hiding from pain. He’s lost everything but his dog. When fresh air and second chances bring them together, can they rediscover true love?
If you enjoy kind-hearted heroes, small towns, and more humor than heat, you’ll adore this contemporary Alaskan romance! A Darling Handyman is the feel-good first book…
Why Did I Everfalls into my favorite genre of fiction, which I will describe loosely as “narrated by a sardonic, wincingly funny, tragic woman.” (See also: Lorrie Moore, Amy Hempel, Lauren Groff, Mary Gaitskill, among others.)
The narrator, Money, is a self-sabotaging script doctor whose daughter, Mev, is addicted to opioids, and whose son is under police protection following a violent assault.
As a seemingly directionless woman who spends much of the book driving or sourcing Ritalin, Money counts, in my books, as a “transgressive” mother. She’s also charming and likable. This book is dark and deeply affecting at times. At many other times, it’s hilarious. I recommend it to anyone who loves that hinterland — between the tragic and darkly funny.
"Tense, moving, and hilarious . . . [A] dark jewel of a novel." ―Francine Prose, O, The Oprah Magazine
Three husbands have left her. I.R.S. agents are whamming on her door. And her beloved cat has gone missing. She's back and forth between Melanie, her secluded Southern town, and L.A., where she has a weakening grasp on her job as a script doctor. Having been sacked by most of the studios and convinced that her dealings with Hollywood have fractured her personality, Money Breton talks to herself nonstop. She glues and hammers and paints every item in her place. She…
Without giving too much away, this book follows a woman who lost a baby. We don’t witness her as a mother, as such. She’s someone whose choices resulted in no child at all. Instead, we witness her in a cavernous, self-destructive funk, in which she leaves her husband and flees to an ambiguous seaside town.
Here, she drinks too much. She falls asleep in public places. She charms men, just to feel her power over them. And also — she longs for something. Deeply. Like the protagonists in all these stories, she remains somehow absolvable, despite the moments where she does something abhorrent or perplexing.
If you were to list the protagonist’s transgressions on paper, the character portrait would be unflattering, even loathsome at times. But that’s not how I perceived her. I found myself sympathetic, charmed, and wanting to be her friend.
A compelling, compact novel about a woman who walks out of her life and washes up in an out-of-season seaside town - from a powerful new Canadian-British voice
After a sudden, devastating loss, Mara flees her family and ends up adrift in a wealthy coastal town. Mired in her grief, Mara's first few days are spent alone, surviving on what scraps of food she can find, and swimming at night in the ocean. When her money runs out and the tourist season comes to a close, Mara finds a job in a local wine store and meets its owner, Simon,…
The Parent's Guide to Birdnesting
by
Dr. Ann Gold Buscho,
Based on research about how divorce can affect children, you will learn how to best support your children's resilience, as well as your own. For parents who are separating and want to put their children first, birdnesting could be the interim or long-term shared parenting solution you’ve been looking for.…
Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.
A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone.
Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.
The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.
With an introduction from Lydia Davis
Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction.
With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of…
Demi-Gods follows the story of Willa, who is growing up on an island off the west coast of Canada in the 1950s. One summer, she becomes engrossed with her step-brother, Patrick, from California. Patrick is a golden boy, clever, yet conniving — pushing 9-year-old Willa toward illicit tasks. As Willa becomes a teenager and pays a visit to California, her relationship with Patrick grows more dizzying.
A few themes preoccupied me while I wrote this novel. For one, desire: how desire can be inconvenient and shameful, especially when we desire those who are bad for us. Second: I was interested in how we exalt each other. How we perceive those we desire as demigods or idols.
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable.…
Ilsa Krause and her siblings are stunned to discover their father left massive debt behind upon his death. To help pay off their creditors, she takes a job at Beck’s Chocolates, the company her father despised. To make matters worse, her boss is Ernst Webber, her high school love who…