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As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
JL Borges is, in my view, the greatest literary mind of the 20th Century.
This is a book of stories, philosophical essays and parables, but even when he is writing fiction, his favoured form is that of the mock critical essay about a non-existent book or writer.
What I especially love about him is his wit, subtle and easily missed since it often takes the shape of philosophical rumination when he is actually debunking something held very highly. My natural mode of expression is irony, and Borges’s irony is inimitable.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
I recently re-read Six Great Modern Short Novels, after I’d been reading a lot of recent commercial fiction. I shook my head in amazement. A thought came unbidden into my head: “This is what they mean by great literature.” All six novels are simply so much ̶ better (I can say it no better). I had read it as a youth. But the second time was even more compelling. Even the lesser novels were light-years ahead of your run-of-the-mill bestseller. Each left me with a feeling I had forgotten literature could engender ̶ a kind of exalted acceptance, an awed wonder, a transcendence, a nobility. Read them one at a time. All at once may be too powerful.
Six immortal shorts works of fiction, each by a brilliant artist, each universally acclaimed. The Dead, by James Joyce. Billy Budd by Herman Melville. Noon Wine by Katherine Anne Porter. The Overcoat by Nikolay Gogol. The Pilgrim Hawk by Glenway Wescott and The Bear by William Faulkner.
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
Any Maugham story has to be great. This collection is no exception. Usually a character in his own stories, Maugham will play the part of reader’s confidant, recounting a story about a friend of his, or a friend of a friend, as it were second-hand. I particularly like how he handles the theme of money in this collection (unlike Balzac, who introduces money with a truncheon): no big deal; but such a bother. Each story seems a trifling anecdote, distanced, cursory ̶ until the perfect note of pathos slips in. And Matisse’s simple line drawings complement Maugham’s prose nicely.
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
I like how de Maupassant, in this collection (like Balzac, only more succinctly), runs the gamut of society: two vagrants who live in a rowboat, milkmaids, nuns, soldiers, clerks, seamstresses, shop-owners, the elegant and fashionable, counts and countesses. Likewise he runs the gamut of tone from tragedy to romance to slapstick to farce to sophisticated wit. Each story is so different, one might suspect multiple authors, but for that unmistakable, to-the-point style ̶ and that perfect kicker at the end. De Maupassant is the wizard, some say the originator, of the modern short story. This is real literature in miniature.
A beautiful hardcover selection of the best works by one of the greatest short story writers in world literature
During his most productive decade, the 1880s, the French writer Guy de Maupassant wrote more than three hundred stories, notably including "The Necklace," "Boule de Suif," "The Horla," and "Mademoiselle Fifi." Marked by the psychological realism that he famously pioneered, the stories selected here take us on a tour of the human experience—lust and love, revenge and ridicule, terror and madness. Many take place in the author's native Normandy, but the settings range farther abroad as well, from Brittany and Paris…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
The concept of life and death after a world war is given a twist when cold and darkness are more lethal than nuclear, chemical, or biological residues. Many of the most prominent characters are civilian airline pilots and other aviation professionals. I’ve spent much of my life around military and civil aviation. I don’t encounter characters like these very frequently. I like the way the author drew upon the knowledge and skills of these people to save humanity’s future.
The six hundred passengers and crew members aboard a jumbo jetliner are left without a destination and a country when nuclear war breaks out and spreads devastation around the world.
A collapsed economy and an increasingly savage society were causing thousands to abandon America. Captain Jonah Scott was a pilot, hired to fly some lucky refugees to London. But once in the air, nuclear war broke out, and Scott became responsible for the entire human race!
In May 1968, I arrived at my first duty station as a new B-52 navigator-bombardier. Later, at the bar, I was hailed by a booming voice from behind the beer taps. "Hi ya, lieutenant!" Moments later, he asked what I thought of the USAF so far. I said I was career-minded. ‘‘Hell, only the pilots get promoted; navigators get diddley-squat. Get out as soon as you can.” After he departed, the bartender came over. “Know who that was, lieutenant? He’s Tom Ferebee, the man who dropped the bomb on Hiroshima." The colonel had both underscored my dismal career prospects and instilled a lifelong passion for the subjects discussed in this book.
Silverplate was the code name for the fifteen atomic-modified B-29 Superfortresses assigned to Col. Paul Tibbets’ 509th Composite (meaning totally self-contained, including its own military police and security detail) Group. The book explains the development, delivery, history, and registry of each Silverplate bomber, including the Enola Gay. Various bomb types (including practice) are discussed in detail.
Internal 509th squadron organizations are also explored, along with crew lists and individual aircraft names. Detailed training missions before the two drops are recorded. A must-encyclopedia for the atomic bombing aficionado. Foreward by Paul W. Tibbets.
In the year that World War II began, Albert Einstein sent his famous letter to President Roosevelt regarding the feasibility of a revolutionary uranium bomb. What was considered infeasible at the time was the development of aircraft capable of carrying an atomic device. This book documents the development and delivery of the Silverplate B-29 bomber, the remarkable airplane with capabilities that surpassed those of known enemy fighters of the time and was employed to release the first atomic bomb on Hiroshima in 1945.
The basic history of the Silverplate B-29, from conception to successful development, is set forth in the…
In May 1968, I arrived at my first duty station as a new B-52 navigator-bombardier. Later, at the bar, I was hailed by a booming voice from behind the beer taps. "Hi ya, lieutenant!" Moments later, he asked what I thought of the USAF so far. I said I was career-minded. ‘‘Hell, only the pilots get promoted; navigators get diddley-squat. Get out as soon as you can.” After he departed, the bartender came over. “Know who that was, lieutenant? He’s Tom Ferebee, the man who dropped the bomb on Hiroshima." The colonel had both underscored my dismal career prospects and instilled a lifelong passion for the subjects discussed in this book.
A meticulously compiled coffee-table ‘yearbook’ of the 509th Composite Group, including over 850 photos of people, places, and planes, along with 346 pages of text. A sometimes hard-to-come-by collector’s volume that is always pricey, it is nevertheless worth every penny. One will discover information nuggets here that cannot be found anywhere else. A must-book for anyone interested in the 509th CG. As told by the veterans who dropped the atomic bombs on Japan.
A Complete History Of the 509th Composite Group the WWII Army Aircorps Unit that dropped the Atomic Bombs on Japan. From their formation In 1944 to their return home to the United States in December 1945. The Book contains over 125 personal stories from veterans of the unit as well as over 800 Illustrations and 8 page color section with pictures of the Nose Art of the B-29s.Photos of all crews, all missions and the history of each plane Is detailed In the book, as well as a complete roster of all men In the unit
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
Because I enjoy reading about government conspiracies, I love this book, which features a group that has been assembled to study conspiracies. When a murder is committed, it leads to their own conspiracy machinations with government involvement.
As usual in Baldacci’s writing, the characters are unique and engaging. In many books, there is one protagonist that drives the action, but in this book, it is this eclectic group that strives to find the truth.
After witnessing a shocking murder, four conspiracy theorists team up with a Secret Service agent to uncover the government corruption that threatens to cause an international terrorism crisis in this New York Times bestselling thriller.
Welcome to THE CAMEL CLUB.
Existing at the fringes of Washington, D.C., the Club consists of four eccentric members. Led by a mysterious man known as "Oliver Stone," they study conspiracy theories, current events, and the machinations of government to discover the "truth" behind the country's actions. Their efforts bear little fruit--until the group witnesses a shocking murder...and becomes embroiled in an astounding, far-reaching conspiracy.…
It’s common to talk about why you love the subject you research. I have no love for nuclear weapons. They are, however, central to understanding international politics since 1945. The nuclear age is one of inconsistencies. Nuclear weapons drive many crises but may make major wars between nuclear states less likely. They generate reassurance and anxiety among allies in almost equal measure. The books in this list all grapple with the nuclear shadow’s shape and scale. Most combine an analytical framework with historical study, but all are attuned to theory and strategy. As for me, I’m an associate professor at Virginia Tech, where I research and teach on international relations.
I got this book for the incisive presentation and critique of the nuclear revolution thesis. I stayed for the original theory and detailed history. The chapters on the Nixon, Ford, and Carter administrations provided me with a new understanding of that era. For the nuclear revolution, the superpower behavior of the late Cold War was either irrational or driven by domestic pathologies. Green shows that there was a cold strategic logic and domestic political awareness behind U.S. policy. American leaders tailored arms control in ways that allowed them to continue competing and indeed gain an advantage against the Soviet Union.
The study of nuclear weapons is dominated by a single theory - that of the nuclear revolution, or mutual assured destruction (MAD). Although such theorists largely perceive nuclear competition as irrational and destined for eventual stalemate, the nuclear arms race between superpowers during the second half of the Cold War is a glaring anomaly that flies in the face of this logic. In this detailed historical account, Brendan Green presents an alternate theoretical explanation for how the United States navigated nuclear stalemate during the Cold War. Motivated by the theoretical and empirical puzzles of the Cold War arms race, Green…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As dark and depressing as this Cold War cautionary tale is, the author’s use of creeping ecological doom in the aftermath of a world-shattering war was profound to me. The story is told from several points of view by characters who have different motivations. I found their choices to be just as understandable as they were heartbreaking. This isn’t a “happily ever after” story. Even so, I found myself appreciating the whole story, from start to end.
Pearson English Readers bring language learning to life through the joy of reading.
Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities.
Through the imagination of some of the world's greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading…
