Here are 100 books that Down to a Sunless Sea fans have personally recommended if you like
Down to a Sunless Sea.
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I’ve been a fan of dinosaurs and other mega-monsters ever since I watched the original Godzilla movie as a kid. It scared me half out of my wits! There’s something about big, scaly, dangerous beasts that makes for a great adventure story. Add fascinating human characters and you’ve got my full attention. I started writing my Dinosaur Wars books precisely to fill the void where there are far too few stories of this type in current literature. Challenges between human heroes and giant beasts have been part of literature from the start, featuring dragons, titans, and ocean leviathans. I see my writings as efforts to continue that tradition.
H.G. Wells delivers an astonishing tale of space invaders from Mars, with breathtaking scenes of monstrously huge three-legged walking machines terrorizing the populace of London and its surrounds. For sheer imagery, few science fiction stories before or since have come close to its gripping, real-world feel.
The story is told by an unnamed protagonist who goes on an odyssey in ravaged London as towering alien war machines chase, kill, or capture fleeing citizens in chaotic scenes of panic and fear. That fear sent chills along my spine on rereading this classic recently.
Notable were touching humanistic scenes with Dr. Ogilvy, an astronomer who leads an ill-fated attempt at truce-making, and a defeated soldier whose counterattack with artillery failed horribly.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As dark and depressing as this Cold War cautionary tale is, the author’s use of creeping ecological doom in the aftermath of a world-shattering war was profound to me. The story is told from several points of view by characters who have different motivations. I found their choices to be just as understandable as they were heartbreaking. This isn’t a “happily ever after” story. Even so, I found myself appreciating the whole story, from start to end.
Pearson English Readers bring language learning to life through the joy of reading.
Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities.
Through the imagination of some of the world's greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As much as I enjoy the imagery and metaphors associated with large-scale devastation, I also like to imagine how we mere mortals could survive what we have caused. This author takes the time to depict a very humane post-apocalyptic struggle in ways that I still admire. Once you get past the pain and suffering, there’s a lot of hope and optimism on these pages.
Five years after a "limited" nuclear war, two survivors journey across America. They — and you — will discover what is left of our way of life: the depth of the devastation — and the hopes of a new society desperately struggling to be born.
From Edward Kennedy to Playboy magazine, readers have praised Warday as an absorbing, suspenseful novel — and an important book for every American to read.
"A first-rate novel, as real as snapshots of tomorrow. And as scary." — New York Daily News
"Haunting … horrifying … engrossing … an all too believable look at what…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
I like a good apocalypse just as much as the next reader. As much as I have liked the genre, I haven’t always been as cognizant of the human cost as I think I should be. This author will take you on a journey that is outwardly familiar. His examination and portrayal of what it means to be truly alone in a ravaged world were enough to tear my heart out when I first read it in college. Even when the living do have a good reason to envy the dead, they can still work through their pain to create a future for themselves. That’s a grain of truth I try to put into everything I do.
Hailed as "an extraordinary novel of men at war" (The Washington Post) this is the book that inspired the TNT television series starring Eric Dane, Rhona Mitra, Adam Baldwin and Michael Bay as Executive Producer.
The unimaginable has happened. The world has been plunged into all-out nuclear war. Sailing near the Arctic Circle, the U.S.S. Nathan James is relatively unscathed, but the future is grim and Captain Thomas is facing mutiny from the tattered remnants of his crew. With civilization in ruins, he urges those that remain-one-hundred-and-fifty-two men and twenty-six women-to pull together in search of land. Once they reach…
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
I first read The Explorers when I was a child. I delighted in it then and still do. Its style got to me first. A real literary style. Some of the stories are hard-boiled, Raymond Chandler in space. Some poetic. But so much better than most clunky SF. And also, so unconventional This is not Azimov. Rather than space opera, we get a scientist drunk, bemoaning his “contributions” to space flight. Instead of wondrous inventions, we get cheesy computer art. Brainless generals celebrate nuclear war. Well-written, unusual, simultaneously funny and sad, The Explorersis a masterpiece of 50s SF.
Ballantine Books, 1963. Mass market paperback, stated 2nd printing (with cover exactly as shown here, cover code #F708, and 50 cent cover price). Collects 9 stories: Gomez (1954); The Mindworm (1950); The Rocket of 1955 (1939); The Altar at Midnight (1952); Thirteen O'Clock (1941); The Goodly Creatures (1952); Friend to Man (1951); With These Hands (1951); That Share of Glory (1952). Foreword by longtime collaborator Frederik Pohl.
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
This book takes what would seem–on the surface–to be an incredibly grim and morally gray story and frames it such that it can be read by younger audiences. I read this book when I was eleven years old, and it truly laid the groundwork for my current love of dystopian sci-fi.
The premise is unique, the characters have complex motivations, and the stakes are endlessly high–after all, humanity was in a bad enough position that it was willing to drop a hundred teenagers on an irradiated planet. In my opinion, such a difficult decision casts a very realistic light on the characters, as their actions could very well happen in the material world. It’s just a matter of how desperate mankind gets.
The Hunger Games meets Lost in this spectacular new series. Now a major TV series on E4.
No one has set foot on Earth in centuries - until now.
Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents - considered expendable by society - are being sent on a dangerous mission: to re-colonize the planet. It could be their second chance at life...or it could be a suicide mission.
CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's…
I currently spend my time researching (and worrying about) nuclear war and how to stop it from ever happening. I live about 25 miles away from where the UK’s nuclear weapons are based, so I have a very personal interest in making sure that nuclear war never becomes a reality! As a lecturer at the University of Glasgow I’m also embarking on a four-year research fellowship with over £1 million in funding where I will be leading a team of experts to research how to improve nuclear arms control and disarmament. So keep in touch if you want to reduce the risk of nuclear war and ban the bomb!
One of my favourite things about this book is the clarity with which the authors—a former US Secretary of Defense and a leading nuclear policy advisor—diagnose what’s wrong with American nuclear weapons policy and propose solutions that would make us all safer.
I loved how the book is both a great public education resource (here’s what’s wrong with US nuclear policy) and a call to arms (here’s what you can do to make it better!). I also loved how the book makes it clear that the US approach to achieving national security through increasing reliance on nuclear weapons, in fact, makes the US less secure.
The President has the power to end the world in minutes. Right now, no one can stop him.
Since the Truman administration, America has been one "push of a button" away from nuclear war-a decision that rests solely in the hands of the President. Without waiting for approval from Congress or even the Secretary of Defense, the President can unleash America's entire nuclear arsenal.
Almost every governmental process is subject to institutional checks and balances. Why is potential nuclear annihilation the exception to the rule? For decades, glitches and slip-ups have threatened to trigger nuclear winter: misinformation, false alarms, hacked…
I currently spend my time researching (and worrying about) nuclear war and how to stop it from ever happening. I live about 25 miles away from where the UK’s nuclear weapons are based, so I have a very personal interest in making sure that nuclear war never becomes a reality! As a lecturer at the University of Glasgow I’m also embarking on a four-year research fellowship with over £1 million in funding where I will be leading a team of experts to research how to improve nuclear arms control and disarmament. So keep in touch if you want to reduce the risk of nuclear war and ban the bomb!
Nuclear weapons are not just dangerous if they are used in a nuclear war. Their development, testing, production, deployment, and decommissioning are all harmful to the planet. My favourite thing about this book is how this fact is explored and examined at the global and local levels.
With a geographer’s attention to the specifics of space and place, Alexis-Martin takes us on a journey around the world and through history that illuminates how all parts of the nuclear weapon production cycle have harmed people whose stories we often don’t hear. From indigenous communities displaced by nuclear weapons production facilities to the British veterans who were used as lab rats and exposed to nuclear tests by the state, this book uncovers the often hidden history of nuclear weapons.
I really enjoyed this, especially as Alexis-Martin then reflects on how we can prevent nuclear war in the future.
***Winner of the L.H.M. Ling Outstanding First Book Prize 2020***
***Shortlisted for the Bread and Roses Award 2020***
Since the first atomic bomb exploded over Hiroshima, the history of nuclear warfare has been tangled with the spaces and places of scientific research and weapons testing, armament and disarmament, pacifism and proliferation. Nuclear geography gives us the tools to understand these events, and the extraordinary human cost of nuclear weapons.
Disarming Doomsday explores the secret history of nuclear weapons by studying the places they build and tear apart, from Los Alamos to Hiroshima. It looks at the legacy of nuclear imperialism…
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
Connolly’s book
traces recent historical shifts in artists’ cinema via a number of overlapping
trends; multi-screen video projections in galleries, work that ‘references an
earlier event through documentation, re-enactment or remaking’ and that which
explores the relationship between cinema, screen architecture, and the museum or
gallery space. The implications of these trends; the mobile as opposed to
seated spectator or the making of work designed to run as continuous short
loops, is considered via detailed discussion of works by a small number of key
artists. Connolly, unusually and refreshingly, is not afraid to criticise, as
in her discussion of Douglas Gordon and Philippe Parreno’s film Zidane.
In The Place of Artists' Cinema, Maeve Connolly identifies a recurrent concern with site, space and cinema architecture in film and video works by artists, extending from the late 1960s to the present day. Focusing on developments over the past decade, Connolly provides in-depth readings of selected recent works by twenty-four different artists, ranging from multi-screen projections to site-specific installations and feature-length films. She also explores changing structures of exhibition and curation, tracing the circulation of film and video works within public art contexts, galleries, museums, biennial exhibitions and art fairs. Providing a chapter on the role of public funding…
I have always had a passion to engage with the deepest questions of existence, from the interpretation of quantum mechanics to string theory and cosmology. My desire to understand is driven purely by curiosity, and my aim in writing about these topics is to make the wonders of the universe as widely accessible as possible. But scientific knowledge and the advance of technology also has a potentially darker side. It is vital for the future of humanity that science is widely understood so that democratic informed decisions can be made to safeguard against its misuse, and this was the motivation for recommending my list of books.
Command and Control is the gripping story of an accident at an Intercontinental Ballistic Missile silo in Arkansas in 1980 that resulted in the explosion of a Titan II missile.
The explosion blew the concrete lid off the silo and sent the missile’s nine-megaton thermonuclear warhead hurtling one hundred metres through the air. Fortunately, the warhead, which had 500 times the explosive power of the bombs that destroyed Hiroshima and Nagasaki, did not explode.
Interwoven with the minute-by-minute account of this accident, Schlosser gives a riveting history of the development of nuclear weapons by the U.S. military and discusses the mechanisms that have been devised to ensure that they are not detonated unintentionally. He also describes numerous other alarming nuclear mishaps that have occurred over the years.
The Oscar-shortlisted documentary Command and Control, directed by Robert Kenner, finds its origins in Eric Schlosser's book and continues to explore the little-known history of the management and safety concerns of America's nuclear aresenal.
"A devastatingly lucid and detailed new history of nuclear weapons in the U.S. Fascinating." -Lev Grossman, TIME Magazine
"Perilous and gripping . . . Schlosser skillfully weaves together an engrossing account of both the science and the politics of nuclear weapons safety." -San Francisco Chronicle
A myth-shattering expose of America's nuclear weapons
Famed investigative journalist Eric Schlosser digs deep to uncover secrets about the management of…
