Here are 100 books that Down to a Sunless Sea fans have personally recommended if you like
Down to a Sunless Sea.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
The immersive nature of this book's narrative gripped me from the very start. This is a truly foundational text in the genre, but it nevertheless holds up to this day.
I particularly enjoyed the two-part story’s focus on humanity’s initial resistance to the invading force as well as an exploration of life under Martian control.
It goes without saying that the book is considerably older than the others I read while becoming interested in this topic. I enjoyed reflecting on the similarities and differences in Wells’ contemporary ideas about aliens, which naturally reflect some key Earth-based societal concerns of the time.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As dark and depressing as this Cold War cautionary tale is, the author’s use of creeping ecological doom in the aftermath of a world-shattering war was profound to me. The story is told from several points of view by characters who have different motivations. I found their choices to be just as understandable as they were heartbreaking. This isn’t a “happily ever after” story. Even so, I found myself appreciating the whole story, from start to end.
Pearson English Readers bring language learning to life through the joy of reading.
Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities.
Through the imagination of some of the world's greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As much as I enjoy the imagery and metaphors associated with large-scale devastation, I also like to imagine how we mere mortals could survive what we have caused. This author takes the time to depict a very humane post-apocalyptic struggle in ways that I still admire. Once you get past the pain and suffering, there’s a lot of hope and optimism on these pages.
Five years after a "limited" nuclear war, two survivors journey across America. They — and you — will discover what is left of our way of life: the depth of the devastation — and the hopes of a new society desperately struggling to be born.
From Edward Kennedy to Playboy magazine, readers have praised Warday as an absorbing, suspenseful novel — and an important book for every American to read.
"A first-rate novel, as real as snapshots of tomorrow. And as scary." — New York Daily News
"Haunting … horrifying … engrossing … an all too believable look at what…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
I like a good apocalypse just as much as the next reader. As much as I have liked the genre, I haven’t always been as cognizant of the human cost as I think I should be. This author will take you on a journey that is outwardly familiar. His examination and portrayal of what it means to be truly alone in a ravaged world were enough to tear my heart out when I first read it in college. Even when the living do have a good reason to envy the dead, they can still work through their pain to create a future for themselves. That’s a grain of truth I try to put into everything I do.
Hailed as "an extraordinary novel of men at war" (The Washington Post) this is the book that inspired the TNT television series starring Eric Dane, Rhona Mitra, Adam Baldwin and Michael Bay as Executive Producer.
The unimaginable has happened. The world has been plunged into all-out nuclear war. Sailing near the Arctic Circle, the U.S.S. Nathan James is relatively unscathed, but the future is grim and Captain Thomas is facing mutiny from the tattered remnants of his crew. With civilization in ruins, he urges those that remain-one-hundred-and-fifty-two men and twenty-six women-to pull together in search of land. Once they reach…
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
I first read The Explorers when I was a child. I delighted in it then and still do. Its style got to me first. A real literary style. Some of the stories are hard-boiled, Raymond Chandler in space. Some poetic. But so much better than most clunky SF. And also, so unconventional This is not Azimov. Rather than space opera, we get a scientist drunk, bemoaning his “contributions” to space flight. Instead of wondrous inventions, we get cheesy computer art. Brainless generals celebrate nuclear war. Well-written, unusual, simultaneously funny and sad, The Explorersis a masterpiece of 50s SF.
Ballantine Books, 1963. Mass market paperback, stated 2nd printing (with cover exactly as shown here, cover code #F708, and 50 cent cover price). Collects 9 stories: Gomez (1954); The Mindworm (1950); The Rocket of 1955 (1939); The Altar at Midnight (1952); Thirteen O'Clock (1941); The Goodly Creatures (1952); Friend to Man (1951); With These Hands (1951); That Share of Glory (1952). Foreword by longtime collaborator Frederik Pohl.
I love dystopian novels. What I love most is trying to figure out what the heck happened? Why did this happen, and what was the world like before this happened? I really love books that are based on Earth, but you can’t tell until you read part or all the way through. The whole idea of “what the heck happened” was the inception of my novel, The Incident. I wanted to begin with the inciting event that caused the world to get knocked off-center and go from normal to not. I wanted to show the changes that would make it impossible for us to recognize the world as the one we live in.
Clarke is a natural leader who wants to take care of everyone but herself, and she will sacrifice her safety for others all in a world that defies the logic of the one she’d always known. She is frail and emotional, but tough when she needs to be, and she develops close bonds with just a few special people, while caring about all, even the ones she wants to shoot with a rifle or hang by a rope.
The Hunger Games meets Lost in this spectacular new series. Now a major TV series on E4.
No one has set foot on Earth in centuries - until now.
Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents - considered expendable by society - are being sent on a dangerous mission: to re-colonize the planet. It could be their second chance at life...or it could be a suicide mission.
CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's…
I have worn two hats for many decades: evolutionary biology and antinuclear activism. The former appeals to my scientific self and the latter, to my political and emotional passions (although I pride myself in applying science and reason to my antinuclear work as well). The danger of nuclear war has NOT disappeared — or even notably diminished — with the end of the Cold War, and yet, public awareness of this situation has plummeted. Fortunately, there are many technically accurate and yet accessible book-based treatments of this topic, which I am happy to recommend ... my own not least!
Bill Perry served as Secretary of Defense under Bill Clinton, after a distinguished prior career in science and engineering. There is probably no one better qualified to describe how we got into our current nuclear dilemma, more clear-eyed about the problems we are now confronting, and more realistic in advising how best to get out of it. He emphasizes that in our paranoia to avoid being attacked by a nuclear-armed opponent, we have created a system that, ironically, threatens us far more than any possible “enemy.”
The President has the power to end the world in minutes. Right now, no one can stop him.
Since the Truman administration, America has been one "push of a button" away from nuclear war-a decision that rests solely in the hands of the President. Without waiting for approval from Congress or even the Secretary of Defense, the President can unleash America's entire nuclear arsenal.
Almost every governmental process is subject to institutional checks and balances. Why is potential nuclear annihilation the exception to the rule? For decades, glitches and slip-ups have threatened to trigger nuclear winter: misinformation, false alarms, hacked…
I have always had a passion to engage with the deepest questions of existence, from the interpretation of quantum mechanics to string theory and cosmology. My desire to understand is driven purely by curiosity, and my aim in writing about these topics is to make the wonders of the universe as widely accessible as possible. But scientific knowledge and the advance of technology also has a potentially darker side. It is vital for the future of humanity that science is widely understood so that democratic informed decisions can be made to safeguard against its misuse, and this was the motivation for recommending my list of books.
Command and Control is the gripping story of an accident at an Intercontinental Ballistic Missile silo in Arkansas in 1980 that resulted in the explosion of a Titan II missile.
The explosion blew the concrete lid off the silo and sent the missile’s nine-megaton thermonuclear warhead hurtling one hundred metres through the air. Fortunately, the warhead, which had 500 times the explosive power of the bombs that destroyed Hiroshima and Nagasaki, did not explode.
Interwoven with the minute-by-minute account of this accident, Schlosser gives a riveting history of the development of nuclear weapons by the U.S. military and discusses the mechanisms that have been devised to ensure that they are not detonated unintentionally. He also describes numerous other alarming nuclear mishaps that have occurred over the years.
The Oscar-shortlisted documentary Command and Control, directed by Robert Kenner, finds its origins in Eric Schlosser's book and continues to explore the little-known history of the management and safety concerns of America's nuclear aresenal.
"A devastatingly lucid and detailed new history of nuclear weapons in the U.S. Fascinating." -Lev Grossman, TIME Magazine
"Perilous and gripping . . . Schlosser skillfully weaves together an engrossing account of both the science and the politics of nuclear weapons safety." -San Francisco Chronicle
A myth-shattering expose of America's nuclear weapons
Famed investigative journalist Eric Schlosser digs deep to uncover secrets about the management of…
It’s common to talk about why you love the subject you research. I have no love for nuclear weapons. They are, however, central to understanding international politics since 1945. The nuclear age is one of inconsistencies. Nuclear weapons drive many crises but may make major wars between nuclear states less likely. They generate reassurance and anxiety among allies in almost equal measure. The books in this list all grapple with the nuclear shadow’s shape and scale. Most combine an analytical framework with historical study, but all are attuned to theory and strategy. As for me, I’m an associate professor at Virginia Tech, where I research and teach on international relations.
I got this book for the incisive presentation and critique of the nuclear revolution thesis. I stayed for the original theory and detailed history. The chapters on the Nixon, Ford, and Carter administrations provided me with a new understanding of that era. For the nuclear revolution, the superpower behavior of the late Cold War was either irrational or driven by domestic pathologies. Green shows that there was a cold strategic logic and domestic political awareness behind U.S. policy. American leaders tailored arms control in ways that allowed them to continue competing and indeed gain an advantage against the Soviet Union.
The study of nuclear weapons is dominated by a single theory - that of the nuclear revolution, or mutual assured destruction (MAD). Although such theorists largely perceive nuclear competition as irrational and destined for eventual stalemate, the nuclear arms race between superpowers during the second half of the Cold War is a glaring anomaly that flies in the face of this logic. In this detailed historical account, Brendan Green presents an alternate theoretical explanation for how the United States navigated nuclear stalemate during the Cold War. Motivated by the theoretical and empirical puzzles of the Cold War arms race, Green…
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
Connolly’s book
traces recent historical shifts in artists’ cinema via a number of overlapping
trends; multi-screen video projections in galleries, work that ‘references an
earlier event through documentation, re-enactment or remaking’ and that which
explores the relationship between cinema, screen architecture, and the museum or
gallery space. The implications of these trends; the mobile as opposed to
seated spectator or the making of work designed to run as continuous short
loops, is considered via detailed discussion of works by a small number of key
artists. Connolly, unusually and refreshingly, is not afraid to criticise, as
in her discussion of Douglas Gordon and Philippe Parreno’s film Zidane.
In The Place of Artists' Cinema, Maeve Connolly identifies a recurrent concern with site, space and cinema architecture in film and video works by artists, extending from the late 1960s to the present day. Focusing on developments over the past decade, Connolly provides in-depth readings of selected recent works by twenty-four different artists, ranging from multi-screen projections to site-specific installations and feature-length films. She also explores changing structures of exhibition and curation, tracing the circulation of film and video works within public art contexts, galleries, museums, biennial exhibitions and art fairs. Providing a chapter on the role of public funding…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
nuclear warfare,
London,
and
earth.
