100 books like Six Great Modern Short Novels

Maybe the weirdest and most beautiful collection of stories in my house full of books.

In “The Circular Ruins,” a man dreams up another man, only to realize that he, too, is a dream. “The Library of Babel” imagines a world containing every possible book, most of which are nonsense but some of which, if only you could find them, contain the most profound truths ever written. “Funes the Memorious” imagines a boy paralyzed by a perfect memory, one that retains every single detail of every event ever experienced.

Every sentence of these stories is bizarre and fascinating, with a richness that leaves me understanding them differently with every re-read.

I first read The Explorers when I was a child. I delighted in it then and still do. Its style got to me first. A real literary style. Some of the stories are hard-boiled, Raymond Chandler in space. Some poetic. But so much better than most clunky SF. And also, so unconventional This is not Azimov. Rather than space opera, we get a scientist drunk, bemoaning his “contributions” to space flight. Instead of wondrous inventions, we get cheesy computer art. Brainless generals celebrate nuclear war. Well-written, unusual, simultaneously funny and sad, The Explorers is a masterpiece of 50s SF.

Any Maugham story has to be great. This collection is no exception. Usually a character in his own stories, Maugham will play the part of reader’s confidant, recounting a story about a friend of his, or a friend of a friend, as it were second-hand. I particularly like how he handles the theme of money in this collection (unlike Balzac, who introduces money with a truncheon): no big deal; but such a bother. Each story seems a trifling anecdote, distanced, cursory ̶ until the perfect note of pathos slips in. And Matisse’s simple line drawings complement Maugham’s prose nicely.

I like how de Maupassant, in this collection (like Balzac, only more succinctly), runs the gamut of society: two vagrants who live in a rowboat, milkmaids, nuns, soldiers, clerks, seamstresses, shop-owners, the elegant and fashionable, counts and countesses. Likewise he runs the gamut of tone from tragedy to romance to slapstick to farce to sophisticated wit. Each story is so different, one might suspect multiple authors, but for that unmistakable, to-the-point style ̶ and that perfect kicker at the end. De Maupassant is the wizard, some say the originator, of the modern short story. This is real literature in miniature.

Floating Clouds tells the story of a young woman who returns to Tokyo from Japan’s ex-colony in Indochina after the war and resumes the love affair with the man she met there. Their relationship is tormented and ultimately broken, like Japan’s dreams of empire and the promises of youth. The author, who had experienced destitution when she was young, weaves into the story the contrasting luxuriance of the colony’s tropical forests and the grime and spiritual emptiness of post-war Tokyo. This is such an honest and heart-wrenching novel.  

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

With this Hungarian author, I share the same birthday, as well as our mystical philosophy on life. Her book is an epic alchemical tale spanning centuries that describes the evolution of consciousness through subsequent incarnations from one life to the next.

I find not only the book itself fascinating but also the story of how it came into being. The author began to write it in a bomb shelter during WWII. Afterward, the Communists banned it and burned it, yet a few copies were miraculously rescued and hand-copied during dictatorial times.

Today, the book enjoys cult status in its homeland of Hungary. Unfortunately, the English translation is currently out of print, but if you can lay your hands on a version you can read, don’t miss out on this masterpiece.   

Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.

This book is the catalog of a 2019 exhibition of the same name. It’s a collection of 440 images that cover all facets of Jewish life in the Netherlands during the German occupation. What’s most interesting and compelling are the rare, so-called bystander photos that show what life under Nazi rule looked like for ordinary people going about their lives, both those who were persecuted and those who committed genocide, as well as those who witnessed it. While we can look into the faces of people knowing the horrors that were to come, seeing these images—weddings, dinners, strolls in the park—as a preface to the more familiar images of round-ups, transports, and concentration camps provides deeper insight into history. I revisit the photos in this book often.

Sons and Soldiers tells the stories of the Ritchie Boys, a special military intelligence unit of the US Army in World War II trained in Camp Ritchie, Maryland and made up of German-Austrian men, often German Jews who had fled Nazi persecution. These men had everything to lose: if they were captured and identified behind enemy lines, they would be killed on the spot. However, they also knew that their special knowledge of the German language and German culture gave them an advantage against Hitler’s army. The Ritchie Boys were critical to the Allied victory. Not surprisingly, those who survived went on to become leaders in American society, great heroes who understood that there are some things worth dying for.