100 books like Floating Clouds

Winner of the 1999 Pulitzer Prize for Nonfiction, this book gives the reader an in-depth analysis of the effects of World War II on the political, economic, and social life of the Japanese people. It depicts the ways in which Japan moved into the twentieth century and gave up many of its feudalistic habits – some for the better and some for the worse. 

Philosopher Roland Barthes visited Japan in the 1960s when it had rebuilt and reinvented itself as a global economic power. Empire of Signs, which he published a few years later, is a profound, yet entertaining reflection on “otherness” and how it helps us see ourselves. I read the slim volume – in the original French – in the plane that took me to Tokyo for the first time. It was a revelation and has inspired me ever since to look for the myriads of little things that fascinate and contradict all preconceived ideas. The book is a wonderful and subtle lesson in seeing the invisible!

The Nobel-prize winning laureate has written many more famous books dealing with the human condition, most notably The Remains of the Day and Never Let me Go, but this is, to my mind, his best rumination on humanity's familiar ache. Ishiguro's The Remains of the Day is a flawless book and similarly themed, but there is something about the post-war regrets, delusions, and self-justifications of the aging Japanese artist Masuji Ono that just slay me and make me want to weep. Ishiguro is of course the king of unreliable narrators, so I don't want to give away the big reveal here, but how denial of the truth and self-delusion can misdirect us in life, is at the core of this masterful insight into the human condition.

Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.

This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.

The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.

The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s… show more.

Cities often look quite different from the bottom up than from the top down. The practical demands of making cities work often rest on the shoulders of the most local of officials.  Consequently, neighborhood officialdom often engages with citizens and residents more openly, even in authoritarian systems. Such engagement may hold the seeds of future democratic change. Hastings’ study of Honjo Ward and other proletarian Tokyo districts before World War II reveals a surprisingly robust participatory political and cultural environment across the early twentieth century.

Set in Japan in the period just before World War II, this is the story of Sachiko and her three sisters.

Yukiko is in need of a husband, but she is stiff in her old-fashioned habits. Taeko, by contrast, is a rebel who sleeps with men and becomes pregnant. Sachiko, modeled by Tanizaki on his pretty and spirited wife, loves all of her sisters and feels responsible for them.

I found the picture of the sisters’ daily life, which was by turns cosmopolitan, traditional, and modern, fascinating in its detail. One thing follows another, open-ended, surprising, and completely authentic in feel. I cannot recommend this book enough!

Takashi Fujitani offers a surprising historical narrative, telling the story of Korean soldiers in the Japanese army alongside that of Japanese-American soldiers in the United States during World War II. What is striking here is how total global war pushed both the United States and Japan to similar policies toward minority populations. Both abandoned more “vulgar” forms of racism (explicit discrimination) for what Fujitani calls a “polite racism,” where minority groups were now deemed as capable of cultural assimilation. But what really is inspiring is that Fujitani juxtaposes two wartime enemies—the United States and Japan—to show just how similar they actually were. 

All of Richard Frank’s books are excellent, but Downfall is the most important.

We learn about the massive preparations for 39 American divisions to invade the Japanese Home Islands commencing in late 1945, along with Imperial Army and Navy plans to defeat the US landing force with more than four million men and 13,000 aircraft.

Had the invasion gone forward, casualties would have been counted in the millions with the Japanese planning to unleash kamikaze attacks on the US fleet in vast numbers while the Emperor’s fanatical soldiers backed by an armed civilian population readied themselves to kill as many American soldiers as possible before embracing their own honorable deaths.

It is difficult to finish this book and not conclude that the two atomic bombs which ended the war was a blessing for both sides.

This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981. 

It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.

Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.