I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context. Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan. Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades. More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.
Only an organization with the deep pockets of UNESCO could have supported and produced this magnificent historical atlas of Kyoto, covering more than 15 centuries of urban development through comprehensive data connected to stunning and informative maps analyzed by two dozen leading historians, urbanists, architects, and cartographers. As site to more UNESCO World Heritage Sites than almost any other city, Kyoto has drawn UNESCO engagement across several decades. This volume captured that work at the beginning of the twenty-first century through essays arranged chronologically drawing on the built environment to trace Kyoto’s physical, economic, cultural, and political evolution. The spectacular maps tell the story even for those readers who struggle with the French text.
Dès sa fondation au ville siècle, la ville de Kyôto a été l'une des plus vastes capitales mondiales, surpassant en taille et en magnificence les villes de l'Europe médiévale. Exception superbe dans un pays essentiellement rural, la ville est restée le foyer de la civilisation japonaise pendant près de mille ans. Unique grande agglomération japonaise à avoir été épargnée par les bombardements de la Seconde Guerre mondiale, Kyôto est aujourd'hui une métropole d'un million quatre cent mille habitants qui a conservé d'innombrables vestiges de son prestigieux passé. On y recense près de deux mille lieux de culte, temples bouddhiques et…
I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context. Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan. Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades. More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.
Cities often look quite different from the bottom up than from the top down. The practical demands of making cities work often rest on the shoulders of the most local of officials. Consequently, neighborhood officialdom often engages with citizens and residents more openly, even in authoritarian systems. Such engagement may hold the seeds of future democratic change. Hastings’ study of Honjo Ward and other proletarian Tokyo districts before World War II reveals a surprisingly robust participatory political and cultural environment across the early twentieth century.
In this pre-World War II analysis of working-class areas of Tokyo, primarily its Honjo ward, Hastings shows that bureaucrats, particularly in the Home Ministry, were concerned with the needs of their citizens and took significant steps to protect the city's working families and the poor. She also demonstrates that the public participated broadly in politics, through organizations such as reservist groups, national youth leagues, neighborhood organizations, as well as growing suffrage and workplace organizations.
I never read much urban history until I wrote one. For me, the problem was that most urban histories felt repetitive – they presented the same story over and over, just set in different locations. This was because most narrated the results of deeper, structural shifts (in spheres such as federal strategies of home finance, technological developments, demographic shifts, the rise or decline of manufacturing, political realignments, etc.) without sufficiently illuminating the causes. Regardless of whether they focus on Las Vegas or Philadelphia or Chicago or Dallas, each of these books – which I am presenting in order of publication date, not quality, as they are all excellent – will leave you smarter about the forces that shape our cities.
If you want to understand gentrification, read this book. The authors unpack the municipal power dynamics that fuel that process, but that is only part of what Logan and Molotch uncover in their brilliant sociological analysis of urban space. Their distinction between the use-value and the exchange value of real estate, their dissection of how city elites transform cities into “growth machines,” and their overall, devastating attack on the claim that “growth” is always good, make this book as relevant today as when it was first published in 1987.
This sociological classic is updated with a new preface by the authors looking at developments in the study of urban planning during the twenty-year life of this influential work.
I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context. Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan. Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades. More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.
This new edition combines under one cover Edward Seidensticker’s colossal Low City: Tokyo from Edo to the Earthquake and Tokyo Rising. Few cities have been so fortunate as to have such erudite-yet-accessible books written about them; by an outsider, no less. A towering figure on late twentieth-century Japanese studies and letters, Seidensticker arrived in Tokyo weeks after General Douglas MacArthur had assumed control of the country. His work on major twentieth-century Japanese writers earned him graduate degrees and faculty appointments at major American universities; his freelance writing on Japanese life extended the reach of his work well beyond the halls of academia. Most strikingly, his historical works about Tokyo demonstrate a deep knowledge of, and passionate devotion to, the city on every page.
This is a freaking great book and I highly recommend it... if you are passionate about the history of 'the world's greatest city,' this book is something you must have in your collection. JapanThis.com. Edward Seidensticker's A History of Tokyo 1867-1989 tells the fascinating story of Tokyo's transformation from the Shogun's capital in an isolated Japan to the largest and the most modern city in the world. With the same scholarship and sparkling style that won him admiration as the foremost translator of great works of Japanese literature, Seidensticker offers the reader his brilliant vision of an entire society suddenly…
I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context. Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan. Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades. More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.
Theodore Bestor carries the neighborhood theme forward into the boom years of the 1980s. Based on ethnographic fieldwork between 1979 and 1981, Bestor pulls apart the deep web of social, economic, and political relationships which hold neighborhoods and communities together despite being submerged in the enormity of Tokyo. He uncovers actors, institutions, and customs which facilitated modernization while sustaining a veneer of tradition. At it core, Bestor’s neighborhood revealed a social and cultural inventiveness that enabled its communities to engage with and benefit from unprecedented social change.
In the vastness of Tokyo these are tiny social units, and by the standards that most Americans would apply, they are perhaps far too small, geographically and demographically, to be considered "neighborhoods." Still, to residents of Tokyo and particularly to the residents of any given subsection of the city, they are socially significant and geographically distinguishable divisions of the urban landscape. In neighborhoods such as these, overlapping and intertwining associations and institutions provide an elaborate and enduring framework for local social life, within which residents are linked to one another not only through their participation in local organizations, but also…
