100 books like Neighborhood and Nation in Tokyo, 1905-1937

This new edition combines under one cover Edward Seidensticker’s colossal Low City: Tokyo from Edo to the Earthquake and Tokyo Rising.  Few cities have been so fortunate as to have such erudite-yet-accessible books written about them; by an outsider, no less. A towering figure on late twentieth-century Japanese studies and letters, Seidensticker arrived in Tokyo weeks after General Douglas MacArthur had assumed control of the country. His work on major twentieth-century Japanese writers earned him graduate degrees and faculty appointments at major American universities; his freelance writing on Japanese life extended the reach of his work well beyond the halls of academia. Most strikingly, his historical works about Tokyo demonstrate a deep knowledge of, and passionate devotion to,  the city on every page.

Theodore Bestor carries the neighborhood theme forward into the boom years of the 1980s.  Based on ethnographic fieldwork between 1979 and 1981, Bestor pulls apart the deep web of social, economic, and political relationships which hold neighborhoods and communities together despite being submerged in the enormity of Tokyo.  He uncovers actors, institutions, and customs which facilitated modernization while sustaining a veneer of tradition.  At it core, Bestor’s neighborhood revealed a social and cultural inventiveness that enabled its communities to engage with and benefit from unprecedented social change.

Osaka became an industrial giant during the Meiji period, remaining one of the world’s fastest-growing cities throughout the later decades of the nineteenth century and early decades of the twentieth.  The city outgrew Tokyo in both population and industrial production for a brief period during the 1930s.  This was a time when social displacement, horrendous public health and housing failings, and labor unrest threatened communal wellbeing.  The city responded with some of the most innovative social policies of the era, especially under the leadership of Mayor Seki Hajime.  As Hanes uncovers, Seki used his training as a social economist to promote increased industrial production that simultaneously became people-centered. The result was a modernized Osaka that retained a vibrant social inventiveness in the years leading up to World War II.

Only an organization with the deep pockets of UNESCO could have supported and produced this magnificent historical atlas of Kyoto, covering more than 15 centuries of urban development through comprehensive data connected to stunning and informative maps analyzed by two dozen leading historians, urbanists, architects, and cartographers.  As site to more UNESCO World Heritage Sites than almost any other city, Kyoto has drawn UNESCO engagement across several decades. This volume captured that work at the beginning of the twenty-first century through essays arranged chronologically drawing on the built environment to trace Kyoto’s physical, economic, cultural, and political evolution. The spectacular maps tell the story even for those readers who struggle with the French text.

Floating Clouds tells the story of a young woman who returns to Tokyo from Japan’s ex-colony in Indochina after the war and resumes the love affair with the man she met there. Their relationship is tormented and ultimately broken, like Japan’s dreams of empire and the promises of youth. The author, who had experienced destitution when she was young, weaves into the story the contrasting luxuriance of the colony’s tropical forests and the grime and spiritual emptiness of post-war Tokyo. This is such an honest and heart-wrenching novel.  

This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.

The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.

The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s… show more.

While I have read books by Kawabata, Mishima, and other well-known Japanese writers, there’s something very approachable and identifiable in the works of Haruki Murakami.

This book includes both fiction and nonfiction works, both equally enthralling:  “Shizuko Akashi” from Underground, his nonfiction book on the 1995 Tokyo subway attack, is shockingly powerful, especially for those who have ridden those cars many times, and the short story “Ice Man,” a story that, for some reason, I particularly identified with.

I read this book in college and still recall it vividly.

A family seeks to marry off its daughters in prewar Japan, but while the world around them is evolving, they cling to tradition, insisting that the betrothals and marriages must happen in order. The youngest has a suitor and is eager to move forward with her life, but the first in line isn’t interested in being matched or hurried, which provokes a cascade of crises. Although the goal is finally achieved, there’s no sense of triumph.

Even in translation, the story is rich, complex, and naturalistic, and the characters seem so real that I once dreamed about encountering them on the street.

First published in 1948, this was one of the first Japanese crime novels that I read. It is about a beautiful, tattooed woman who is brutally murdered and dismembered. However, the piece that contained her most exquisite tattoo has gone missing. It’s up to her hapless admirer and a brilliant amateur detective to discover why she was murdered and track down the killer.

Like The Silent Dead, I enjoyed this novel mostly for its plot, taking place just after World War II, offering interesting insights into the postwar Japanese mindset.

This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?

In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.