Here are 100 books that The Electricity of Every Living Thing fans have personally recommended if you like
The Electricity of Every Living Thing.
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As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This list could be full of Toni Morrison novels and be no worse for it.
I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.
Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.
Taylor Jenkins Reid is not the first or only person to adapt the nonfiction oral history format into a work of fiction, but she does it with the most panache.
Loosely based on the mid-seventies romance between Stevie Nicks and Lindsay Buckingham, Daisy Jones & the Six offers a nonstop procession of drama and conflict, but there’s a tender heart beating at its center and a heartbreaking reveal at the end.
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Laia and Elias stole my heart, while the Commandant’s cruelty stole my breath. Sabaa Tahir’s ability to evoke such powerful emotion with this story set in reimagined Ancient Rome was nothing less than masterful.
The characters are faced with impossible choices, which kept me asking questions about what I would do in their situation. I thought the integration of elemental magic was woven in perfectly. I’m a sucker for it and could lose hours thinking about what abilities I’d wish for.
Laia is spying on the Martial Empire for the rebels in exchange for their help rescuing her brother when her path collides with Elias, an enforcer of the tyrannical regime. Both dream of freedom, and we root for them to find it together in this ruthless world.
'Keeps one reading long after the lights should have been out' - Robin Hobb
Read the explosive New York Times bestselling debut that's captivated readers worldwide. Set to be a major motion picture, An Ember in the Ashes is the book everyone is talking about.
Under the Martial Empire, defiance is met with death.
When Laia's grandparents are brutally murdered and her brother arrested for treason by the empire, the only people she has left to turn to are the rebels.
But in exchange for their help in saving her brother, they demand that Laia spy on the ruthless Commandant…
I'm a deeply introverted person who has always loved epic stories. The hero’s journey is one of my favorite kinds of books, because it gives the reader a chance to put themselves into someone else’s shoes and experience the full spectrum of life, a complete transformation that can only be found in a journey away from home. I’ve wanted to take on the Hero’s Journey in my own writing for a long time, and got to do this in my most recent book,This One’s for You. The protagonist of this book is an introvert like me. He's one of the many characters that have inspired me to try some adventures of my own.
When I became a parent, I was excited to read many of the epic adventure stories of my childhood with my son.
Unfortunately, many of them did not age well, and I find myself longing for something that captures the spirit of the books I used to love with healthier, more contemporary messages about life. Marikit fulfilled this desire for me on every level.
The story is full of magical adventures, with a lovable, brave protagonist and lots of important things to say about friendship, family, and staying true to one’s true self. My son and I were captivated.
Marikit is used to wearing recycled clothes. Her mother, the best seamstress in the barrio, has become an expert at making due ever since Marikit's father and brother were lost at sea. But for her tenth birthday, all Marikit wants is something new. So when her mother gifts her a patchwork dress stitched together with leftover scraps from her workshop, Marikit vows to never wear it. That is, until the eve of her birthday, when shadow creatures creep into their home and upend the very life she knew.
Marikit discovers that her dress is a map, one lovingly crafted to…
As a physician and attorney, I’ve always been fascinated by the nexus where my two professions meet. During the course of my career, I have been asked to advise colleagues on topics as far-reaching as whether a death row inmate should receive an organ transplant to how to offer psychotherapy ethically to a conjoined twin. Although questions like these do not arise every day, even the everyday questions in my field – on such topics as confidentiality, boundaries, and informed consent – never grow old.
Fins combines personal narratives of patients he has encountered who have suffered severe neurological injuries with data from the field of neurology to explore the complex question of what it means to be in a persistent vegetative state—as well as one’s prognosis for recovery. A deeply compassionate volume that will make readers question what they believe about comas, death, and the gray area in between.
Through the sobering story of Maggie Worthen and her mother, Nancy, this book tells of one family's struggle with severe brain injury and how developments in neuroscience call for a reconsideration of what society owes patients at the edge of consciousness. Drawing upon over fifty in-depth family interviews, the history of severe brain injury from Quinlan to Schiavo, and his participation in landmark clinical trials, such as the first use of deep brain stimulation in the minimally conscious state, Joseph J. Fins captures the paradox of medical and societal neglect even as advances in neuroscience suggest new ways to mend…
I am both a psychologist and a novelist, with each of my professions influencing and shaping the other. Not surprisingly, I am fascinated by people- how they tick, why they do what they do- and am particularly interested in how people behave at times of medical and/or psychological crisis. The topic of organ donation had always interested me in this aspect, but particularly so after the tragic death of my brother at only 39. When the recipient of one of his kidneys reached out to my family three years later we were grateful and gratified… and the idea forI’ll Leave You With This was ignited.
Long-listed for the Man Booker International Prize in 2016, this French novel focuses on the 24 hours following the death of teenage Simon in a car accident and the subsequent transplantation of his heart to a terminally-ill young woman.
I loved that this story was told from the points of view of all involved: Simon’s grieving family and girlfriend, the doctor who must pronounce him dead, the transplant co-ordinator dealing with both families involved, the recipient ecstatic at her good fortune, but knowing that it comes at the cost of untold grief elsewhere.
Moving, informative, evocative, and terribly – perhaps ironically – heart-breaking.
The basis for the critically-acclaimed film, Heal the Living, directed by Katell Quillévéré and starring Tahar Rahim and Emmanuelle Seigner
Albertine Prize Finalist
Winner of the Wellcome Book Prize and the French-American Foundation Translation Prize
Just before dawn on a Sunday morning, three teenage boys go surfing. While driving home exhausted, the boys are involved in a fatal car accident on a deserted road. Two of the boys are wearing seat belts; one goes through the windshield. The doctors declare him brain-dead shortly after arriving at the hospital, but his heart is…
As an old age psychiatrist, I was naturally interested in dementia. But I’m also trained to doctoral level in philosophy. I’ve been both an honorary professor of philosophy of ageing (at Newcastle) and a professor of old age psychiatry (at Bristol). Whilst training in psychiatry at Oxford, I came across the work of Tom Kitwood. Subsequently, I’ve become great friends with Steve Sabat. His work and Kitwood’s brought home to me the complexity of personhood and its relevance to how we care for and think about people living with dementia. And the more you consider it, the more the notion of personhood broadens out to include citizenship and human rights.
I doubt it’s a mere coincidence that Cahill’s book has the same publisher as the Bartlett and O’Connor book and that it has a Foreword by Sabat. For there is a movement afoot towards broadening the way we see people living with dementia: not simply as biological beings, not solely as psychosocial, not just as citizens in the polis, but now as the bearers of rights. Because, personhood entails that people living with dementia are situated in the legal field as well as the political, and so on. Building on the work of disability rights campaigners, the case for including dementia within the purview of the United Nations Convention on the Rights of Persons with Disabilities is given trenchant support. Moreover, Suzanne conveys the urgency of this human rights perspective.
The time has come to further challenge biomedical and clinical thinking about dementia, which has for so long underpinned policy and practice. Framing dementia as a disability, this book takes a rights-based approach to expand the debate. Applying a social constructionist lens, it builds on earlier critical perspectives by bringing together concepts including disability, social inclusion, personhood, equality, participation, dignity, empowerment, autonomy and solidarity. Launching the debate into new and exciting territory, the book argues that people living with dementia come within the UN Convention on the Rights of Persons with Disabilities and therefore have full entitlement to all the…
As an old age psychiatrist, I was naturally interested in dementia. But I’m also trained to doctoral level in philosophy. I’ve been both an honorary professor of philosophy of ageing (at Newcastle) and a professor of old age psychiatry (at Bristol). Whilst training in psychiatry at Oxford, I came across the work of Tom Kitwood. Subsequently, I’ve become great friends with Steve Sabat. His work and Kitwood’s brought home to me the complexity of personhood and its relevance to how we care for and think about people living with dementia. And the more you consider it, the more the notion of personhood broadens out to include citizenship and human rights.
Sabat deepened the work of Kitwood on personhood (or selfhood). These authors broaden it by showing how it integrates with the idea of citizenship. In my work, I’ve argued that as persons we are situated embodied agents. In a very exciting way, Bartlett and O’Connor show how people living with dementia are situated in a social and political context in which they can act as agents to bring about change. Indeed, since the book was written, increasingly we’ve seen this come to fruition. As noticed and predicted by these authors, people living with dementia do not have to be seen as ‘care recipients’, they can be (and are) activists, advocates, authors, artists, employees, friends, lovers, speakers, taxpayers, voters and a lot more besides. Social citizenship is an irresistible idea.
Dementia has been widely debated from the perspectives of biomedicine and social psychology. This book broadens the debate to consider the experiences of men and women with dementia from a sociopolitical perspective. It brings to the fore the concept of social citizenship, exploring what it means within the context of dementia and using it to re-examine the issue of rights, status(es), and participation. Most importantly, the book offers fresh and practical insights into how a citizenship framework can be applied in practice. It will be of interest to health and social care professionals, policy makers, academics and researchers and people…
I’m a physician and a writer. Together, they create a matrix of practice, research, and writing. I care for patients at the Penn Memory Center and am a professor at the University of Pennsylvania, where I teach and study topics at the intersections of bioethics, aging, and the neurosciences. I wrote The Problem of Alzheimer’s: How Science, Culture, and Politics Turned a Rare Disease into a Crisis and What We Can Do About It and the novel Open Wound: The Tragic Obsession of Dr. William Beaumont and essays for The New York Times, The Washington Post, Forbes, The Hill, STAT, and The Philadelphia Inquirer. I raise whippets, and I’m a passionate reader of the physician and poet John Keats.
Among my prescriptions to caregivers – especially those who struggle to find meaning and in creating a typical day that is safe, social, and engaged – is Anne Basting’s book. Basting, a theater arts professor, makes a persuasive case that upends the usual and customary approaches to caring for persons living with dementia. Her central premise is this: Together, caregivers and patients can create. She offers concrete ideas and steps to address some of the most vexing challenges such as when a patient asks the whereabouts of a long-ago deceased relative.
A MacArthur Genius Grant recipient pioneers a radical change in how we interact with older loved ones, especially those experiencing dementia, as she introduces a proven method that uses the creative arts to bring light and joy to the lives of elders.
In Creative Care, Anne Basting lays the groundwork for a widespread transformation in our approach to elder care and uses compelling, touching stories to inspire and guide us all-family, friends, and health professionals-in how to connect and interact with those living with dementia.
A MacArthur Genius Grant recipient, Basting tells the story of how she pioneered a radical…
I am a registered nurse, author, and dementia daughter. As a nurse and hospital case manager, I spent many years caring for people living with dementia and their families. This inspired me to write a novel, Blue Hydrangeas, an Alzheimer’s love story. I soon encountered difficulties marketing my book. I reached out to two other dementia daughters I’d met online who had also written books on the subject from personal experience and together we founded the non-profit organization AlzAuthors.com. Our mission is to carefully vet resources – stories of personal caregiving – to help busy caregivers find the information and inspiration they need for their own journeys. To date, we are 300+ authors strong.
A love of cycling brought Peter Berry and Deb Bunt together as friends. Deb had not encountered a person with dementia until she met Peter. His positive attitude about living well with dementia and his poetic and insightful musings on his condition inspired her to write his memoir, to preserve his story. This is a deeply moving book, full of beautiful, lyrical language.
This is an account of a year in the life of Peter Berry, an ordinary man living in a sleepy Suffolk village. Happily married and running a successful business, Peter's life changes when, at the age of fifty, he is given a terminal diagnosis of early-onset dementia. Since that day, he has learned to live with his very own 'dementia monster'. From depression and suicide attempts through to his determination to confront his dementia, Peter has embarked on a series of challenges to show that 'life isn't over with dementia, it's just a little different'. Peter has now raised thousands…
