Fans pick 95 books like The Democratic Intellect

In terms of Scottish political and cultural history, this is a hugely important book that will astonish and delight everyone engaged in the matter of Scotland. What impresses is the range and scope of Murray Pittock’s global vision for Scotland, but what engages is the minute human detail of the people in the diaspora that he reveals to us, positive and negative. This is the polar opposite of dry history, it is a magisterial work that Scots will actively return to again and again, as we redefine our role in Europe and the world in the 21st Century. I have interviewed Murray for several BBC programmes and he has always come across as a brilliant communicator, who like me, is passionate about Scotland.

The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheading The Scots’ Invention of the Modern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheading The True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It. It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.

Coming from a wee country with a big global footprint, discovering this groundbreaking book gave me the idea of doing something similar for Scotland. Readable, engaging, and full of surprises, it is a great counterweight to the view that everything important in the world was produced by people from the great nation states.

This is just one of several books by these brilliant academics who have done so much to make people aware of the huge Scottish presence in Europe and the incredible influence they had on their host nations. I use many stories gleaned from Steve in my own book. 

Steve points out that while many Scots served in the Swedish army in the 17th century as professional soldiers, they were not merely content to be part of the military élite. Their penetration into the exclusive field of diplomacy is revealed by the negotiations between Sweden and Denmark-Norway to end the Kalmar War in 1613. Representing the Danish side was Robert Anstruther, on the Swedish side was James Spens. No only were they both Scots, they were half-brithers from the East Neuk of Fife! They did quite literally ken each ither’s faither!

I’m a person with limited interests so, as well as loving history and poetry, I also collect bits of both… Ballads and Lyrical Pieces is one of the only books I can boast about having a first edition of!

I have a lot of time for Walter Scott, not only as a writer, but as a cultural politician and a folklorist. A lot of the pieces in this book are not solely his work, but the reimagining of local ballads. After scooping up these, there’s no wonder he went on to invent the romanticised “Scottishness” we recognise today. This book, 15 years before Scott influenced George IV’s visit to Scotland, shows where his own influences came from.

Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)

He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of… show more.

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

In The Sterkarm Handshake, the device for time travel is simply a tube; not magical, but scientific, down which modern ruthless developers travel back to 16th century Scotland. Here they meet with equally ruthless highlanders. The scientists are planning to plunder Scotland’s resources (the 16th-century locals have been plundering roundabout for years), and of course, the modern developers run into problems. As in all books of this genre, the characters who travel through time may want to fit in or may choose to reject what the past has to offer. 

The heroine, like similar time-travellers, falls in love with a long-dead character and here, there’s also the possibility of the 16th century Scots coming up the tube to 20th century England – a good twist. There are also some very satisfying links between past and present, moments where you smile and think, Ah, how clever!

The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.

I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life. 

MacBride’s seminal debut introduces readers not only to an erstwhile hero and a stunning ensemble of secondary characters, but also his wonderful descriptions of a foul Aberdeen winter.

Scattered in among the narrative are little vignettes that elevate the whole story with his excellent turn of phrase. Since reading this novel, his books have become must reads for me, even if the Aberdeen Tourist Board don’t have him on their Christmas card list.