100 books like The Creator's Game

Who wouldn’t want to read the story of how a hardscrabble bunch of northwestern kids molded themselves into a nationally ranked crew team, beating not only Ivy League competitors but Hitler’s finest? 

The real reason this book resonates so much with me may have more to do with an author interview featuring Brown. He certainly had me with the epic athletic journey of a handful of unlikely heroes. But it was the way he layered the story, detailing scenes and otherwise bringing history to life, that really interested me.

In that author interview, he talked about going through old newspapers and archival photos of the era to help him really place readers along those riverbanks of Seattle, Washington. It is a tool I never forgot. 

Ken Dryden is a lawyer, a politician, and a gifted writer. He also happens to be one of the most important goaltenders in Canadian hockey history.

Armed with such lived experience and trained in a variety of disciplines as he has been, Dryden provided hockey with its central and perhaps most enduring literary work. Unlike some of our other choices, The Game is less about larger socio-cultural trends (though there is some of this, especially when he recounts his crucial role in the famous Summit Series against the Soviets in 1972), but rather more about the inner dynamics of a team and what it means to win or lose together in professional sport.

Dryden’s work is, yes, historical, but also highly philosophical; his unique position in goal gave him an ice-level perspective that few enjoy (his iconic stance, gloves atop stick, ever-observing play at the opposite end has already… show more.

Canadians have long worried about their national identity. Indeed, some have considered whether or not there even is one.

Poulter, in her innovative and stimulating book, examines an early attempt in the mid-nineteenth century to create an imagined Canadian identity. Wishing to distance themselves from a quintessential “British” identity, second-generation Montreal Anglophones were searching for a new way to identify. They saw themselves as “native Canadians”.

To solidify this identity, they pursued, as Poulter explained, “national attributes, or visual icons, that came to be recognized at home and abroad as distinctly “Canadian.’” It meant, in practice, taking up propriate costumes and sports such as snowshoeing, tobogganing, winter hunting, and lacrosse. All of these activities – undertaken in sartorially correct attire – had previously been the preserve of the Indigenous and French Canadians. Here, was an Englishness reimagined on a frozen landscape.

By imposing perceived British attributes of order, discipline, and… show more.

Winders captures the hardening racial attitudes of America’s “Gilded Age” and white society’s embrace of segregation and exploitation in his study of one of the all-time great fighters.

A man of contradictions, George Dixon would become a famous world champion and one of North America’s richest and most popular Black men. Dixon would also die of alcoholism, destitute, alone, and forgotten. Winders claims that, to the then fledgling Black culture in North America, “Dixon was the single-most significant athlete of nineteenth century.”

Yet at the same time, he was a man “who could be indifferent to his race.” Satisfied to live in a white world that celebrated him while he was winning, Dixon found that that same world could turn on him when he was too successful. His gory victory over Jack Skelly in the 1892 Carnival fight in New Orleans put an end to mixed race fights in the… show more.

I read this book twice, cover-to-cover and back-to-back. First, to find out what happens to our feisty Métis hero, Joan of Arcand, and then again to savor Dimaline’s lyrical writing. When Mere (her grandmother) is murdered by a wolfish shape-shifting creature—a rogarou—we find ourselves trapped in a mythic Métis world. “A dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig.” Carrying a ground-up salt bone for protection, Joan ventures into the Empire of Wild to slay the rogarou who killed Mere and reclaim her husband. Like her hero, Dimaline is brave and fearless, pouring history, politics, and religion into her cauldron, then stirring with a branch of magic realism and psychological terror. Dimaline is my hero.

We as a nation and society are on the road to truth and reconciliation. Critical to that journey are stories such as I Am Not a Number. The book tells the heartbreaking story of Irene, the author’s grandmother, and her brothers who were taken away from their home on Nipissing First Nation to live at a residential school, very far from home. At the school, names are not used. All students are known by numbers. This story will inspire important conversations that will help younger generations understand the horrors so many indigenous children endured in the residential schools. It is a dark part of our history, kept secret by past generations, that is only now coming to light through these powerful stories.

A scientist discovers that his invention, a defoliant, has contributed to exterminating an entire native reserve in British Columbia, causing the birds and turtles to leave. The battle is on between nature and science to restore the balance. But all is not well in the corporation, for the scientist’s boss has become a shopaholic to compensate for his lonely life and wonders why his wife wants to divorce him. The characters are enjoyable, the action circular, and our current political considerations are tackled in a non-didactic fashion. And the human spirit triumphs despite the chemical overload! Throughout the novel, King makes searing one-liners about unbridled capitalism: “capitalism is the extraordinary belief that the nastiest of men for the nastiest of motives will somehow work for the benefit of all.”

This book is a conversation between a grandchild and their grandma who is a residential school survivor. With childlike simplicity, grandma explains why her colourful clothes, long hair, and treasured time with her brother are a reaction to being taken “from community” and being sent “far far away”. Grandma talks about students forced to wear uniforms, cut their hair, forbidden from speaking Cree, and separation from her brother.

This is a book I would probably have steered clear of “not wanting to frighten my children” when I was parenting, David Roberson does a masterful job of gently laying out facts without explanation or accusation. The book opens the door to further questions and conversations that have to be had but are very difficult to start. This is a great start.

I randomly found The Break in a bookstore and was drawn in by the cover, which features a light-skinned Indigenous woman wearing a black dress covered in florals. It immediately reminded me of a ceremonial dress that was taken from White Earth long ago and now sits in a museum in Washington DC.

There is grief in the many removals and losses Indigenous people have endured through the years, and real human consequences that echo down the generations. But I feel fuller and wiser when I get to explore this through other’s perspectives.

There are many characters to keep track of in this book, but it is gratifying to get lost in their journeys, gleaning insights and teachings from their stories.

I first met Graham when I was a PhD student attending a conference on religion & animals. He is a person who seems drawn to and across boundaries of scholarship, and though this book is scholarly, it’s also a totally accessible overview of the ways in which animism is not some primitive ideology but, rather, core to human experience and cultures all over the world. Harvey provides a careful treatment of historical and contemporary animist perspectives, nonhuman personhood, and the formation of animistic sensibilities. He details how animism fosters a constant dialogue between humans and non-human persons—a kind of social, spiritual, and ecological conversation that is continuously negotiated. Animism is not a thing of the past; it’s a way of life that is vital to a viable future.