Fans pick 72 books like The Castle

Is there a madder moment of madness in all of literature than that of The Driver’s Seat’s protagonist Lise?

A firecracker of a novel (most editions come in under one hundred pages of breakneck-speed story), and yet a whole firework display of literary techniques (most startlingly a third chapter opening prolepsis – flashforward – to the suicidally-invited murder of Lise). It’s the technique itself that is the star. Is this satire, parody, comedy? Can comedy be so dark?

Spark noted both that this book was an existential ‘whydunnit?’ without feeling the need to provide us with anything so simplistic as a ‘why’, and also that it was her favourite of all her novels. There is no reason on Earth why it shouldn’t also be one of your favourites.

There are several Beckett books that belong on my list, as Beckett I think is one of the great authors about vagrants and castoffs, but Molloy is ground zero for me in terms of my relation to Beckett's work. The strangeness of Molloy's solitary relation to the world, and to the room he's confined in, was a big influence on my books as well.

The novel is a portrait of the harsh realities of post-colonial life and a reflection on the complexities of African culture and history. I find that I can relate to the book's exploration of identity and the struggle between tradition and modernity.

Okri's protagonist, Azaro, navigates the physical and spiritual realms in a way that lines up with the Nigerian superstitions which shaped my life from a young age. His journey is believable and familiar in a unique blend of the fantastical with the real.

The lyrical prose and vivid imagery take me home, back to a world where the supernatural is a natural part of life and a cornerstone of the spirituality inherent in Nigerian culture.

Nietzsche’s greatest admirers often distort his views. Mishima is no exception. Considering his nationalism, militarism, and ritualistic suicide, it’s little surprise he endorses the popular misconception of Nietzsche as a champion of egoism and power. 

In this fascinating, disturbing story, adolescent boys create a club devoted to an amoral, pseudo-Nietzschean ideal. When they encounter a mysterious sailor, they worship him as a living embodiment of their values until he defies the image they’ve created. 

Mishima misinterprets Nietzsche but in a critically illuminating way. The boys’ ultimate reaction to their disappointing demi-god proves their hypocrisy, revealing that they idolize precisely the qualities they lack. So Mishima inadvertently debunks the stereotypical image of the “overman,” a cartoonishly impossible superhero, a fantasy who attracts only his polar opposites: the insecure, resentful, conformist, and childish.

“When K looked at the castle he sometimes thought he saw someone sitting quietly there, looking into space, (…) as if he were alone and no one was observing him…” 

It seems that castles are watching us, with some kind of emotional detachment. This impression is described in this famous Kafka novel featuring a traveler stranded in a remote Mitteleuropa village who despite his tenacity fails to reach the castle that overlooks the place. Apart from the usual kafkaesque absurdity, this unfinished novel brings to mind the feeling of oddness that someone often goes through when approaching a castle, facing its uncanny presence. Even more, it conveys the strange fact that the path that leads to them, probably because of their unusual scale, seems always endless.

With her singular art style and effortless storytelling skill, Emily Carroll has long been a favorite of mine. When I Arrived at the Castle is a tour de force in erotic horror, comic artistry, and, yes, a very complicated catgirl x vampiress relationship. This is one of those books I am shocked even exists, so thoroughly does it cater to my deepest desires: lush shots of catgirls in bathtubs, peeks at vampiresses through their bedroom keyholes, metaphors so subtle I always find something new when I reread. Carroll outdoes herself with suspense, sexuality, and a sexy red-black-and-grey limited color palette.

This book describes and shows what life was like in a 14th-century castle. If you have ever wondered how hundreds of people lived and worked in a castle then this is the book. The mind-boggling detail in the illustrations keeps me poring over them for ages. Each page reveals a cut-away of the castle interior from turrets to dungeons! All the books in this series are incredible in their detail and knowledge.

Mysterious victorian missionaries with dark secrets in the land of the fae. I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.

I was pulled into this story immediately. I liked the fast-paced plot, with fun twists and magical surprises. I was inspired by the strength and determination of the young female heroine. She is forced to grow up and step up quickly and unexpectedly. The bigger the challenge, the more fearless—and quick-witted—she becomes, which, as a reader, is contagious. I found myself rooting for Celie to triumph while laughing at the silliness and camaraderie with her siblings.

This charming fantasy adventure has it all: fast-moving action, likable characters, a magical castle, dangerous enemies, formidable challenges, and a sprinkle of humor to lighten the mood. As a fresh, positive, and charming coming-of-age story, it made me smile, laugh, and rejoice in Celie’s journey and victory.

This is one of those books with a setting so strong it becomes a character—in this case, a run-down old castle in Scotland.

There’s so much more to love here, though, like lost and found friendships, an old diary that adds a historical thread, and, of course, birds. I felt a connection to the main character, Callie, who just wants to stay home and read books!

If I were forced to choose an extracurricular activity, I’d also skip the sports and pick something animal-related, like the birding club. My admiration for Callie grew when she spoke up, even when she was intimidated.